Tag Archives: Horror

Teeth (2007) (DVD)

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Director Mitchell Lichenstein’s controversial dark comedy is a strong contender for one of the best of 2008 featuring one of the most twisted comedies I’ve ever seen. Though it’s heavily steeped in the horror genre, writer Lichtenstein doesn’t just pose a concept that’s potentially ridiculous, but he takes it and turns it into a rather surprising and brilliant allegory on sex, and evolution. “Teeth” is the antithesis of every coming of age romance you’ve ever seen with a twist of Tim Burton, and John Waters thrown in for good measure. Dawn is the next step of evolution with her infliction of Vagina Dentata, and she doesn’t even know it. In a town with a radioactive plant always present in the backdrop in every shot of the film, Dawn has taken the next step of evolution for women and doesn’t quite know how to deal with it.

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Hacking at the Bone: Interview with Tim Seeley

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Creator Tim Seeley, a confessed horror geek with a talent for satisfying the horror geeks who flock to Devil’s Due currently announced a pact with the fantastic alt model website Suicide Girls, pairing the eponymous Cassie Hack, with the gorgeous Suicide Goth’s and punks. Seeley, still reeling from the New York Comic Con was kind enough to talk with “Rot Your Brain” and yours truly (a Seeley and Hack/Slash fan) about upcoming issue developments, and what this pact will bring fans of old and new.

So, firstly, thank you very much for agreeing to this interview, Mr. Seeley. “Hack/Slash” is one of my favorite horror comics.
Thanks, no problem!

How did the New York Comic Con go?
Heh, I actually had a pretty miserable time! I had some kind of hellish space virus or something, so I was sick the whole time I was there. Man, nothing is lamer than sitting in a hotel room in Times Square watching AMC. Not to mention that my nose started running like crazy during a video interview! But, I’m feelin’ better now.

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Our Top 10 Cinematic Heroes

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Last year, AFI posted their acclaimed list “The Greatest Cinematic Heroes and Villains.” Taking great umbrage with their many choices, I decided to sit down and think about it. Who were my Ten Cinematic Heroes? Who were ten people I’d strive to be, or would want to be in a perilous situation? I’m one of those weirdos who really always side with the heroes. Whether it’s an epic science fiction film, or swords and dragon fantasy film, the heroes have always appealed to me. Comics, Video Games, Cartoons, it’s always about the good guys overcoming an obstacle and or villain who wants to take over the world, or just plain ruin their life.

A hero isn’t always made, a hero is often a figure of circumstance, an individual who blossoms from a horrible situation, or someone who just decides they have to do the right thing against everyone else’s frustration. A hero is one who is willing to lay it down and sacrifice just to help someone they love, or possibly someone they’ve never met. They rarely ever get a pat on the back, or a reward, nor is their decision always justified, but they do what’s right, and that’s enough. These are my top 10 Cinematic heroes.

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One Missed Call (2008) (DVD)

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It’s attack of the murderous Razr’s: the remake, in what is easily one of the worst horror movies of 2008, one of the worst movies of 2008, and one of the worst remakes of all time. And that’s not hyperbole, suckers. The remake of the 2003 Takashe Miike horror film stars a veritable cast of B listers dragging us through the doldrums of bland performances, limp tension, and a series of jump scares that go to ridiculous lengths to keep audiences awake; how else to explain a shock from a deafening asthma inhaler, and a falling marionette puppet?

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The Ruins (2008)

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the-ruins-pyramidRelying more on psychological terror rather than CGI plant monsters, the reason “The Ruins” will get under the skin of most audiences is because Smith prefers to leave the plant terrors as silent sadistic predators that—well—get under the skin of its victims through cuts, and open wounds. These creatures are merciless in their pursuits to chomp on some thirty something college goers revealing some truly shocking abilities to lure prey, and breaking down the hunted through manipulation and classic torture methods.

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April Fool's Day (2008)

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It’s all a practical joke in the end. What? You’re mad that I ruined the twist? Too bad. Now let’s cut the crap here, I’m not going to pretend “April Fool’s Day” was a masterpiece of eighties horror cinema, because it wasn’t. It was boring, bland, and had a climax that was as predictable as it could get. It’s called “April Fool’s Day,” the surprise twist is given off the bat. So when news came that it was being remade, I had a general series of reactions. Anger that they’d be remaking another movie, disappointment that they couldn’t improve on the original, and sheer frustration that it had been geared to the “My Super Sweet 16” audiences now focusing on a group of rich kids. Now as much as I love to see Buffy and Muffy heiress get an axe in the head, this new set up is annoying because it’s pointless. “April Fool’s Day” is a blip on the remake radar and for good reason. It’s a low budget redo by terrible directors, and yes, we’re setting down on some rich folkels.

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Diary of the Dead (2007)

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Romero has given his fans something to take to the grave with them, with five films that are generally contradictory and controversial phenomena. There was “Night” and “Dawn” which are still basically debated and adored, the once despised, but now appreciated “Day” and the rather sub-par “Land,” all leading into “Diary.” Romero’s newest output is a confusing fascinating beast. Never has one of his films completely divided fans before, and admittedly it’s a monster worth observing. It’s both despicable and brilliant, it’s hideous and yet quite apt. “Diary” continues splitting fans that both despise it and adore it for the very same reasons. But is Romero really just the observer here?

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