Pointless exposition, redundant dialogue, hammy acting, racial paranoia, cartoonish action scenes, continuity problems, absurd sub-plots that go absolutely nowhere, if you’ve ever seen blaxploitation films before, you’ll realize that Scott Sanders “Black Dynamite” is a pretty brilliant satire of the grindhouse sub-genre that managed to influence dozens of filmmakers and actors across the board. While the Wayans brothers paid tribute to the genre in “I’m Gonna Git You Sucka,” director Scott Sanders manages to rise above their level providing a both a spoof, satire, and loving tribute to the sub-genre that takes every single device from the sub-genre that we love and hate and throws it in to a story that’s about as ridiculous as most of the blaxploitation films from the seventies. As most comedy should be, Sanders and Jai White don’t play this spoof with a wacky atmosphere.
Tag Archives: Martial Arts
Kiss of the Dragon (2001)
Like most American audiences, I was introduced to Jet Li in “Lethal Weapon 4” where he stole the show from every cast member in the final film of the franchise as the vicious Wah Sing Ku who engages in a battle with Riggs and Murtaugh at the end of the movie. And like every other American after the movie I sought out Li’s previous works and was pretty much under whelmed. The man’s past works range from mediocre to plain idiotic and America didn’t do much for him with movies like “The One,” “Cradle 2 The Grave,” and “Romeo Must Die” all of which were packed with CGI and hip hop references stifling Li’s potential. When allowed to work on his own terms though, Li pulled off some rather incredible pieces of martial arts cinema, one of which is “Kiss of the Dragon.”
Underworld: The Rise of the Lycans (2009)
I guess there was nowhere else to go with the series after the first two films pretty much accomplished all that it could. “Underworld” has been a very mediocre film franchise but with a surprisingly interesting mythos involving lycans and vampires and to prevent us from watching a repeat story similar to the first two, we instead get a prequel, the story of the feud between the lycans and the vampires that we only got a taste of in the first “Underworld.” While “Rise of the Lycans” does have its problems, the special effects can sometimes become some great eye candy that makes up for the poor story.
Dragonball: Evolution (2009)
Well, here’s the odd news. Director James Wong and Twentieth Century Fox seem to rely heavily on mimicking the “Spider-Man” movies by turning our hero Goku in to a new age Peter Parker who has immense power and responsibility with every reason not to use them on his foes; pair that with a Luke Skywalker death scene and you have a mélange of influences with no bond that keeps the film from falling apart from the seams. That is until the day comes when a force of evil conveniently gives his training a purpose. Had “Dragon Ball” been adorned with a different name and a completely different set of characters, it wouldn’t actually be so bad, but when you make the inevitable comparison to the anime, the flaws are quite obvious and ridiculous.
Street Fighter: The Legend of Chun-Li (2009)
Hi Hollywood, what’s new Capcom? I thought I should start this review here with a bit of Tony Robbins tough love and ask why you still feel the need to option movies whose origins live in the video game world. When will you ever learn that there’s no such thing as a good video game movie and there never will be? Hollywood, you’ve put us through misery for years trying to take plotless video games and turn it on its ear, and have also managed to simultaneously take games with narrative and structure and destroy it without fail. What’s the deal? Don’t the video game movie flops ever help you to realize that there’s just no point in adapting even the most popular games? I’ve lived through Doom, Tomb Raider and Resident Evil and we’ve yet to see something good derived from either of them.
Speed Racer: Widscreen Edition (2008) (DVD)
I’m probably one of the five people in America who thought that “Speed Racer” just got a bad rap by critics and audiences. I mean, really, what were you expecting from this flick? When all is said and done, I don’t think it’s that bad a movie at all. In fact I’m more than willing to admit its bevy of flaws but am still able to enjoy it in spite of the evident caveats. “Speed Racer” is too cool to just dismiss. I mean for a two hour and fifteen minute movie (seriously, Wachowskis?) it’s actually easy to sit through with a very unique take on Speed Racer. I hate to play apologist to the Wachowskis and their big budget effort, but I have to appreciate the pulp neo-noir take on “Speed Racer” with a vision that doesn’t talk down to kids.
Batman: Gotham Knight (2008) (Two-Disc Special Edition)
So it’s finally here, the long awaited mid-quel to “Batman Begins” that leads right in to “The Dark Knight.” While Warner is taking a fantastic approach to this mid-quel by enlisting a host of top notch cutting edge animators and keeping true to the dark adult nature of the movies, even casting the one and only Kevin Conroy to voice Batman yet again (and he doesn’t miss a beat), “Gotham Knight” feels more like a template of which Christopher Nolan could expand upon should he decide to continue the series after “The Dark Knight.” There are only so many rogues who can be justified on screen with realism, but “Gotham Knight” provides us with some famous villains who could excel with a big screen treatment under the right people.