Back Rooms (2021)

“Back Rooms” was born from the digital age, among the 4Chan and Creepypasta realms. It’s a pocket within our world that is completely cut off from the rest of what we could rationally consider reality. It is a series of endless rooms and hallways that stretch for a nigh infinite space, all of which are typically a noxious yellow, completely void of any life, and filled with the annoying, deafening hum of florescent lights. I’m only vaguely familiar with the meme of the Back Rooms, but it’s been widely circulated and explored much in the vein of other digital legends like the Slenderman and Sirenhead.

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The Bootleg Files: The Bottom Line

BOOTLEG FILES 786: “The Bottom Line” (1975 corporate promotional film for Mobil starring Bill Cullen).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Unlikely.

Corporate sponsored films have been part of the motion picture experience since the silent movies, but most people have never seen the works of this genre – if only because they were never intended to be seen by the general public. These works were company-specific endeavors designed to train and invigorate employees on doing a better job and, not surprisingly, many of these offerings were not particularly entertaining.
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A Few Shorts from 2021 Edition of Final Girls Film Festival Berlin [Final Girls Film Festival Berlin 2021] 

Final Girls Berlin was doing its thing recently, helping womxn in horror get a wider audience and celebrating creators. This year, a few (or rather many) shorts made their way to eyeballs at Cinema Crazed. Here are a few of the best ones that screened this year. 

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The Bootleg Files: The New York Hat

BOOTLEG FILES 778: “The New York Hat” (1912 film directed by D.W. Griffith).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On multiple labels offering silent films.

REASON FOR BOOTLEG STATUS: An expired copyright.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It’s already out there, but that’s not why it is in this column.

In the early years of the silent movies, the bootlegging of film prints was completely out of control. Due the primitive nature of film distribution, it was too easy for cinematic miscreants to swoop in and gather up prints and resell them as their own works, thus denying the profits that the original producers should have recived.
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