Mind you, my childhood of horror was plentiful and abundant. If you want to hear stories, don’t hesitate to drop me a line, but these are just some I wanted to write down, before life takes hold and I forget them. These are just too precious to forget. Along with “Willy Wonka” and “The Wizard of Oz”, notice, two dark, weird and twisted children’s movies, there are also horror movies that played a large part in my childhood and development as an adult.
Now for the record, I love trailers. Some are good and some are bad and usually they’re just slapped together sloppily to promote the movie. But the best trailers are the ones that don’t give the movie away. “The Exorcist”, “Night of the Living Dead”, “Psycho”, those are trailers that didn’t give the movies away, and the most essential part of a trailer like the movie is the music. Compiled is a list of songs I’m begging Hollywood to retire from movie trailers that decrease the value of the movie and ruin the experience. Let me tell you what triggered my meltdown. I was at home watching “Cinenews,” a program I watch to keep up with upcoming movies. It’s a great show, and at the end of the program they feature a trailer for a movie coming soon. Up comes the trailer for “Monster-in-Law” and during the trailer on comes a commonly used song and something just snapped. These songs need to be retired for the love of humanity, I mean I’m not saying these songs suck, as a matter of fact, some of the songs I’m about to list, I love–but god retire them before they start sucking! Does modern music suck so bad they just have to keep re-using this stuff again and again?!
It’s like they never left us. It really is. It’s as rare as a meteor to watch an engrossing romance that’s also very intellectually stimulating, but wouldn’t you know it, with Richard Linklater once again taking reigns of his film, you get what you expect, and I ultimately got what I expected, a fascinating, charming, and beautifully written romance drama starring two people who just have incomparable chemistry. All my fears were put to rest thirty minutes within the film as that magnetic chemistry between Delpy and Hawke becomes all the more volatile on-screen two fold. They have it here, and it works so well, I was just breath taken. This is a movie that could have easily been mishandled, and botched, but it ultimately works so well as a standalone and as a sequel. Only Linklater could commit such a feat.
It’s a common almost natural reflex among children that if they have two objects in front of them, they’ll almost always choose the object that’s flashier, and bigger. It’s just an inborn need, and such is the case with “A Room for Romeo Brass”. Romeo and his next door neighbor Gavon are best friends who bicker and argue and their bond is strong. Gavon walks with a limp due to a back disorder and Romeo defends him constantly. But once Morell enters the scene, their friendship is tested. Morell, after breaking up a fight with Romeo who is attacked by two big kids after defending Gavon, seems nice enough and accompanies the boys home, but pushes himself in to Romeo’s life, not only serving as a friend who is flashier, bigger, stronger, and faster than Gavon, but also as a father figure for Romeo who has no father in his life. Suddenly Romeo wants nothing to do with Gavon, nor does he really visit him once he’s had back surgery, and Romeo and Morell become friends.
Out of the entire movie, the only person that leaves unscathed is the person who doesn’t get a lot of the spotlight: Hank Azaria. It sucks he doesn’t do a lot more roles because this man is hilarious and truly steals the beginning of the movie with his role as a scuba diver nudist who steals Stiller’s character’s wife away. He’s such a funny man, and it’s a shame we never see more of him, pun not intended. So this is what comedies have become. Mediocrity at its finest. Throughout the entire movie you take two people, the male a comedian, the female a straight man, and all of it is just so mediocre while the movie is touted as funny as hell, you can see throughout the entire movie, while not laughing once, the writers are screaming at you from behind the camera, “This is funny! This is Ben Stiller! How can you not be laughing?! Are you mindless!”
Here’s a rather hilarious predicament for “All Soul’s Day”. Stay with me: in the film, the town are celebrating Dio De Los Muertos which means in English “Day of the Dead”, now this is a film including cannibalistic zombies… you see where the predicament lies? How to make a zombie film revolving around the holiday “Day of the Dead”, yet not being able to call it that at risk of being compared to the famous zombie film “Day of the Dead”, or risking copyright infringement. Amazing, even when the Scifi channel aren’t even trying, they’re ripping off other people’s shit. But, trust me, at this point, Scifi would benefit in being compared to “Day of the Dead”, though don’t think I didn’t see the small hints at the title around the movie!
What ultimately turns “Elf” from an okay movie to a good movie, is Will Ferrell. Will Ferrell gives such a good performance here and is both laugh out loud funny and endearing presenting such a conviction with his role and commits to this character giving a wide eyed exuberance throughout the entirety of the film, even when facing adversity and hardship. What “Elf” essentially has going for it in the long run is its sense of innocence approaching family and Buddy approaching the real world. The film, while a story about an man who thinks he’s an elf discovering the real world, it’s also about losing ones innocence and grasp on their inner-child.