People tend to take for granted how much love can be turned on and off, and how quickly relationships can end. “Wet Pavilion” is an unusual but interesting short drama about a young man sitting in the back of his brother’s car. While he, his brother, and his brother’s girlfriend slide through a car wash, he watches their relationship disintegrate before his eyes.
Author Archives: Felix Vasquez
Into the Dark: Down
For Blumhouse’s polarizing anthology series in February, the writers of “Into the Dark” tackle Valentine’s Day. One of the nasty aspects of having to write the review for “Down” is it’s nearly impossible to write about it without spoiling the episode’s big hook. And the primary motivation for watching “Down” is the way the premise devolves in to a huge twist mid-way. Like all of the episodes of “Into the Dark” so far, the episode is fifteen minutes too long, but once it completely reaches fever pitch, it’s quite an exhilarating horror thriller based around the holiday.
Tungrus (2018) [Slamdance Film Festival 2019]
Documentary Shorts Block
“Tungrus” is a short documentary that you’ll likely never see anywhere else. It’s a documentary about family, about living in confined spaces, and yes, it explores the idea that the possible to answer to a problem is eating the family pet. No seriously. “Tungrus” centers on the large Bharde Family, in Mumbai that lives in a cramped apartment with one another and their pets. After the father brings home a baby chick, the chick manages to survive and grow in to a large rooster.
Narrative Shorts Block 3 [Slamdance Film Festival 2019]
Blast Beat (2018)
“Blast Beat” doesn’t have much of a premise; it’s merely a slice of life for a black metal band. When a guitarist (Alexandre Dostie) auditions for a black metal band, he has a hard time convincing the lead singer that he can play with and for the band. When she (Corinne Cardinal) decides to try out his vocal abilities, he doesn’t quite seem to be up for the task. “Blast Beat” does have a few funny beats in its four minute run time, including the unusual ability of singers to be able to switch from beautiful opera to loud booming howls for their audience. Pascal Plante’s short is a fascinating and comical look at a skill many underestimate.
Slip Road (2018)
“Department of Anarchy” Short Block
A lot of “Slip Road” is left to the viewer to interpret and for a short form film, and I don’t mind saying that it can be a bit of a task. “Slip Road” is beautifully filmed, along with some striking visuals, I just would have loved a tad more information so we can come to a conclusion and appreciate the overall journey without spending most of the run time trying to put the pieces together.
Dog in the Woods (2018) [Slamdance Film Festival 2019]
“Department of Anarchy” Short Block
Christian Chapman, Paul Jason Hoffman’s “Dog in the Woods” is a simple but dazzling meditation on the dog and its harmony with nature. Though the premise for “Dog in the Woods” feels very one note, the direction by Christian Chapman, Paul Jason Hoffman opens up a new corner of the narrative with a premise that conveys a lot about how dogs have a better understanding of nature. Even the more domesticated dogs.
America the Beautiful (2019) [Slamdance Film Festival 2019]
I expect that James Kaelan and Blessing Yen’s “America the Beautiful” might end up being one of the most polarizing and controversial films of Slamdance 2019. I can also imagine it might draw some jeers from the audience that might draw some preconceived notions from the outset. Even as someone who has been on the opposite side of the whole MAGA wave, I liked the idea of a found footage thriller based around Trump fanaticism. The idea is very good it’s just that the movie itself leaves so much to be desired, mainly because of its habit of being very abrupt and badly paced.