Author Archives: Felix Vasquez

Five Great Jeremy Renner Performances

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Jeremy Renner earned his stripes just like a lot of people in Hollywood and has been playing bit parts for years. After years of forgettable supporting roles, and playing the heel in movies like “SWAT” to the in vogue stars of yesteryear like Colin Farrell and Michelle Rodriguez, he’s finally earned his place as one of the biggest and most marketable stars in Hollywood. Renner has displayed a keen persona that often makes him suitable for roles like military men, police officers, and the like, but he’s also capable of playing regular Joes. Renner is one of the more likable actors in Hollywood filling his resume with an array of blockbusters and prestige pictures. There are five of our favorite Jeremy Renner performances, so far.

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Strange Magic (2015)

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Lucasfilm Ltd. and Disney’s “Strange Magic” is another of the many releases in 2015 I was hoping to love going in, but just couldn’t. “Strange Magic” defeats itself before we even reach the second half of its achingly simple storyline, not because of its simplicity and abundantly detailed animation, but because of its constant musical numbers. It’s not enough the characters sing every five minutes, but the musical numbers eventually blur in to one another resembling more droning white noise than characters expressing their feelings. It inevitably begins to feel like the writers are just trying to stretch an hour long narrative in to a hundred minute film.

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Bone Tomahawk (2015)

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If you ever wondered what “The Hills Have Eyes” would look like remade in to a cheap C grade Western, look no further than “Bone Tomahawk.” It’s hard to believe such a rank amateurish and awful film could attract a cast like Patrick Wilson, and Kurt Russell but here we are watching two genuinely excellent performers slumming it in a movie fashioned around sets that look as if they were stolen from an off Broadway period play. “Bone Tomahawk” fashions itself a horror western, but I’d be hard pressed to brand it horror. I’d be hard pressed to brand it a movie, to be honest.

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Mission Impossible: Rogue Nation (2015)

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Ethan Hunt is no mere agent. He’s a force of nature that keeps pushing himself to the brink of imminent death every single time we meet him. Last time he hung on the side of a high rise, and this time he hangs along the side of a flying aircraft. Not to mention he merely drowns in one of the many close call operations he and the disbanded IMF commit towards. Tom Cruise lends the character an intensity and bug eyed gutsiness that make him a hero you want to root for, and someone you most definitely want on your side at all times. Hunt has met his match this time with the evil Lane (Sam Harris), a leader of a rising organization called the Syndicate, who is always one step ahead of Hunt, while sidekick Ilsa (Rebecca Ferguson) displays an enigmatic aura that makes Hunt uncertain if she’s friend or foe.

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Mission Impossible: Ghost Protocol (2011)

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It’s nice to see director Brad Bird inject a new sense of excitement and novelty in to the “Mission Impossible” movie series, as it now embraces its episodic origins to completely reboot the epic story of Ethan Hunt. After the pretty good third outing, “Ghost Protocol” sports an entirely different atmosphere, where the team from the IMF are still out and lurking about, while Ethan Hunt has become a pariah, now jailed in a Russian prison. After Simon Pegg’s character Benji stages a caper to free Ethan from prison, Ethan discovers that the world must be in dire trouble if he’s being turned to for help.

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Mortdecai (2015)

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Johnny Depp has never been one to be defined as a comedy genius of any sort, and it’s pretty telling of that fact when the one gag he has to ride on throughout “Mortdecai” is his mustache and how it twirls. That’s basically the defining comedic element of Mortdecai. He’s painfully proud of his mustache despite the obvious disgust by his loving wife, and he takes great pride of flashing it around. He even gleams proudly when he finds himself in America packed in to an elevator with men donning mustaches and beards of their own. That’s what counts as comedy in the painfully unfunny “Mortdecai.”

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Jem and the Holograms (2015)

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It’s hard to imagine a movie this year more sadistically boring and bland than “Jem and the Holograms.” This comes as somewhat of a surprise since director John M. Chu is a pro when it comes to making films that are visually dazzling and marketed toward teens. “Step Up 3” was a fun, beautifully edited, visual feast, while “GI Joe: Retaliation” was a decent follow up to a much maligned movie. So it’s disappointing and crushing to see Chu not even really seem to try. Everything about “Jem and the Holograms” is so vanilla and uninspiring that I never even care about anything happening on screen. I’m not one of the kids from the eighties that watched “Jem,” so I have no nostalgic connection to the animated series, but I can understand that anger toward such a horrible movie.

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