Broken Sword Hero (Thong Dee Fun Khao) (2017) [Fantasia International Film Festival 2017]

A young fighter goes on a quest to learn as much as he can to perfect his fighting skills following a hard loss.  He travels his province in search of many masters to learn from and makes friends along the way.

Written by Suwan Takongkaew and Preayaporn Boonpa and directed by Bin Bunluerit, Broken Sword Hero is an action film with a quest at it center and a philosophical angle to how it approaches some of the fights and the learning the lead does during his travels.  The way this is approached is interesting here but ultimately feels a bit long.  The story around the fights makes this a film about more than just the fights, but also about the different techniques and the human element.  Unfortunately, the film feels a bit uneven between the fighting being very strong and entertaining and the story parts feeling a bit slow and a lot less entertaining.  This leads to the whole of the film feeling a touch long with some pacing issues.

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The Shorts of Fantasia International Film Festival 2017 – Part 1 [Fantasia International Film Festival 2017]

Each year Fantasia showcases a ton, almost a literal ton, of shorts films.  Reviewing them can be a bit demanding, so it has been decided to review them in groupings.  The following shorts were attached to feature films that played the fest and were viewed on the big screen.

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Savage Dog (2017) [Fantasia International Film Festival 2017]

In 1959 Indochina, a legend is born.  A man fights his way out of jail and to make money until he is forced to fight for revenge.  Through this, he learns a lot about himself and what he is ready to do.

Written and directed by Jesse V. Johnson, Savage Dog is a decent fight film with a bit of story created with the purpose of setting up fights for star Scott Adkins and co-star Marko Zaror.  The story is decent enough but not exactly fascinating, something that should not bother fans of fight films as this one has a few very good fights and some side ones that are also interesting.  The dialogue is decent while the setting is interesting, but not used to its full potential.  The characters are almost all created with a purpose relating to Adkins’ character, making him the center of just about everything.  The story is not bad as it develops in ways that keep the attention and introduces fights in a manner that makes sense.

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It’s Alive (1974) [Fantasia International Film Festival 2017]

A family expecting their second born is surprised to have a mutant child as it arrives in this world and kills all in its path when scared.  As a baby, being scared is something that happens quite a bit, creating a mounting body count for this tiny tot.

Written and directed by Larry Cohen, It’s Alive is a tale inspired by pollution and environmental effects on humans’ reproductive systems, eventually leading to a damaged progeny trying to survive when it’s scared and ready to kill for survival.  The film takes this and turns it into an easy to watch horror film about a newborn mutant monster that can easily be taken as just that, a monster film, but is much more once one delves into the environmental message.  Here Cohen creates a tale that is deeper than it seems and works with monster film tropes to pass along its message and entertain at the same time.

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Footnotes (Sur quel pied danser) (2016)

A young woman begins working in an old school shoe factory as it is under closure threat from the company trying to save a buck and move the production to a less expensive country.  Through the fight to save the factory and the jobs, she and her co-workers learn a lot about themselves, each other, and life in general.

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After Love (2017)

A couple divorcing after 15 years together is navigating life and its changes while still living together and trying to find a way to make things work as best they can.

Written by Fanny Burdino, Joachim Lafosse, and Mazarine Pingeot, with collaboration by Thomas van Zuyken, After Love is directed by Joachim Lafosse who navigates through this divorce story with an unflinching look at how a couple that is no longer functioning as such try and make things work through their separation, divorce, and division of assets.  The film created here is an honest look into the lives of two people who are a bit lost and definitely trying to have a better life.  The way this is developed makes it into a realistic look into a divided family unit, a franc view of what it’s like to divorce with two kids in the situation, what it’s like to divorce with assets, and what it’s like to not want to give up on your principles while doing this.

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The Endless (2017) [Fantasia International Film Festival 2017]

Two brothers return to the alien cult they once fled to see the people still there.  Once at the cult’s camp, they discover that odd happenings are afoot and the cult may not be as crazy as it seems.

Written by Justin Benson who co-directed with Aaron Moorhead, The Endless is a slow slow burn of a film that takes its time to set-up the weirdness going on and creates a sort of mindfuck as it goes along.  The film takes a few known ideas such as cults and time warps and plays with them until they connect and make sense.  The co-directors having worked together on other features, they clearly know how to work together and this shows in how the film is directed, being a way that looks seamless between the two of them and what they each directed, something that is not always well done, but is great here.

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