Available on Digital, Blu-ray, and DVD May 28th, 2024, from Well Go USA.
A mythical war from 3000 years ago between immortals, monsters, and humans, Creation of the Gods I: Kingdom of Storms shows a small part of the battles and serves as an opening to a much larger story.
Now Available to stream on VOD.
It takes a special kind of balls to make a film so utterly abstract and bizarre and not pay the cast. But the press release insists that “nobody got paid” therefore they must have had a lot of faith in this project. Lindsay Haun and Nick Roth’s horror comedy is a weird cabin in the woods sitcom that pits a bunch of new age yuppies against a weird evil force. This force involves a sentient talking handkerchief, a supernatural fedora and a main protagonist who has an encyclopedic knowledge of finer materials and clothing fabrics.
Now Available at Vinegar Syndrome and Amazon.
Lewis Teague’s action thriller feels a lot like one of the last vestiges of the Reagan Era, where movies marketed on promoting military and America, and “Navy SEALS” feels like too little, too late. Even for the eighties, “Navy SEALS” is corny jingoistic propaganda that teams a slew of great movie stars to deliver what is basically a middling attempt to recapture some of the “Top Gun” glory of the eighties. Even star Michael Biehn didn’t like “Navy SEALS” explaining that it was one of his worst movie making experiences of his career.
It’s such a damn shame that audiences weren’t more receptive to “The Fall Guy” because this has the potential to really blossom in to a big franchise if it were given the chance. David Leitch produces not only a great action comedy, but also a movie that simultaneously satirizes Hollywood and pays tribute to stunt performers across the world. “The Fall Guy” knows its premise and uses the opportunity to paint the picture of being a stunt worker in film as a noble profession that is often dismissed and ignored. “The Fall Guy” first and foremost is a great action picture, one filled with great talent that helps keep the admittedly convoluted premise afloat.
Andy Chen’s “The Spider” could be appreciated as a multiverse interpretation where the story of Spider-Man is not about a superhero but a body horror tragedy. “The Spider” is basically “Spider-Man” as told by David Cronenberg and takes all the basics of Peter Parker’s tale and transforms it in to a gruesome genre hybrid. With the excellent prosthetics and make up from Alen Stubbs, he and Chandler Riggs help to realize a slick and entertaining take on Spider-Man that is pitch black in tone.
1991’s “Don’t Tell Mom the Babysitter’s Dead” is one of my favorite 90’s films. It’s also a painfully underrated comedy that, despite being marketed as a dark comedy, is actually a charming, fun coming of age teen comedy in the vein of “Working Girl.” Wade Allain-Marcus’ remake is shockingly not a bad movie at all, either, it’s just completely unnecessary. I don’t think anyone was begging for a remake of “Don’t Tell Mom…” when all was said and done. But lo and behold we got one, and I’m still not sure who this movie is aimed towards.
