When a Stranger Calls Back (1993) [Blu-Ray]

Fred Walton returns for what is such a ridiculous sequel to an already abysmal thriller that I’m stunned there was any demand for it. Walton already spent ninety minutes stretching a five minute campfire tale in to a full fledged crime thriller, but this TV movie sequel watches like a ludicrous episode of a mediocre crime series. This is a premise so absurd and void of real tension or suspense. It seems like the writers spent so much time looking for a concept to resuscitate this concept and they fail with a tedious piece of genre claptrap.

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When A Stranger Calls (1979) – Retro VHS Style [Blu-Ray]

Fred Walton’s “When a Stranger Calls” is what happens when you take a quick but creepy, classic urban legend and pad it out in to a dull, tedious “Halloween” knock off that’s more drama than anything else. Where as John Carpenter’s slasher chiller was about babysitters being stalked by a masked maniac, “When a Stranger Calls” attempts a horror thriller centered on an actual depraved maniac and the babysitter that he is inexplicably obsessed with.

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Sonic the Hedgehog (2020)

After some um—rather interesting internet ballyhoo, “Sonic the Hedgehog” is finally brought to the big screen in what is a shockingly good adaptation. Although I’d argue that the “video game movie curse” ended in 2018 (ahem–“Tomb Raider”), “Sonic the Hedgehog” does open the door for more, higher quality video game movies down the road. While I’d be hard pressed to say that “Sonic” re-invents the wheel, it also dodges a lot of video game movie pitfalls by side stepping cloying pop culture references, and paying homage to the source material.

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Fantasy Island (2020)

Director Jeff Wadlow’s (“Truth or Dare”) big screen adaptation “Fantasy Island” is a mess of a genre picture that easily one of the most tonally confused movies I’ve seen in years. Its prologue sets it up as a horror movie, then it becomes a goofy comedy about wish fulfillment, then it’s a character study about a son reconnecting with his father, the next minute it’s a torture revenge thriller, and the next it’s a movie about looking back at what could have been. None of it is remotely creepy, none of it is remotely spooky, and to top it all off, it’s all so painfully boring from beginning to end.

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My Bloody Valentine (1981): Collector’s Edition [Blu-Ray]

In 1981, every single studio in the world were looking for their own horror movie success story. Slasher movies were cheaply made, garnered a lot of money, and was often used as a means of getting a tax break or two. Canada entered the arena of holiday oriented cheaply made slasher films with “My Bloody Valentine.” Although it’s often ignored when spoken in the same breath as “Halloween” and “Friday the 13th,” it’s easily one of the best, most unnerving slashers ever made, and one that even garners a brutally underrated remake, to boot.

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Dark Whispers, Volume 1 (2019) [Final Girls Berlin Festival]

Megan Riakos’s anthology “Dark Whispers” touts itself as a horror film with tales directed solely by women. The last film “XX” that explored the concept was a swing a miss, so I had my doubts this time. Thankfully “Dark Whispers, Volume 1” is a very good anthology with some outstanding horror shorts that often feels episodic like “Vault of Horror” and “Tales from the Darkside: The Movie.” The gallery of female filmmakers on display here are all sharp storytellers, and bring something new and unique to the table that frighten while also evoking genuine emotions every now and then.

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Swallow (2019) [Final Girls Berlin Festival]

Carlo Mirabella-Davis’s “Swallow” is one of the most bizarre but important dramatic thrillers of the year. It’s a movie about important ideas involving self mutilation, the expectations of women in modern society and how one horrible act can change the way that we live our lives. I was originally drawn to “Swallow” because of the titillating trailer featuring Haley Bennett, but “Swallow” is so much more than an endurance test for our gag reflexes. It’s a very complex and often times heartbreaking look at a woman dealing with the pressures of life and her imperfections in unusual methods.

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