Sin City Horror Fest offered up short films by the bucketload and some rose up to the top for various reasons. Here is a selection of these from day 1 at the fest.
Category Archives: Movie Reviews
Killer Kate! (2018) [Shriekfest 2018]
A woman goes to her sister’s bachelorette party weekend at a rental house against her better judgment. As a nasty surprise hits them at the cabin, they are forced to face a life-or-death situation the likes of which none of them was prepared for.
Cam (2018) [Ithaca Fantastik Film Festival 2018]
In the competitive world of cam girls, Lola/Alice has created herself a good niche and is gaining in popularity. As she reaches higher and higher levels, her account and personality are taken over and she must figure out who or what is behind it to regain her rightful place.
Single White Female (1992): Collector’s Edition [Blu-Ray]
1992 seems like such a long time ago, and “Single White Female” is one of the more influential thrillers to come out of a decade filled with them. While the eighties had “Fatal Attraction,” the nineties had what is one of the more interesting films that inspired a number of copycats in the latter years. Director Barbet Schroeder’s drama thriller is by no means a masterpiece, but it’s a solid film that takes a few pages from “Fatal Attraction” while offering a villain that’s much more psychologically broken.
Piercing (2018) [Ithaca Fantastik Film Festival 2018]
A man goes away on business with one idea in mind, hire a prostitute and kill her. As it turns out, the lady he gets may not be exactly what he was expecting and things take a very interesting turn.
Overlord (2018)
The mix of war movies and horror movies have always been a natural combination, since they’re both manage to examine the dark sides of combat and humanity. It’s just a shame that there haven’t been many movies of the sub-genre that have been worth watching. Thankfully, while “Overlord” isn’t a complete masterpiece, it manages to come out in the end as a sleek and very clever amalgam of horror, fantasy, and war oriented action. It might also sweeten the pot that Avery’s horror war hybrid feels like a spiritual prequel to “Re-Animator.” Director Julius Avery approaches the idea of a horror movie set during World War II with great right balance of both genres, allowing “Overlord” to be a character piece first and then delve right in to the horrendous grue and human ugliness.
The Grinch (2018)
After 1966’s “How the Grinch Stole Christmas,” and 2000’s “Dr. Seuss’ How the Grinch Stole Christmas,” we now have 2018’s “The Grinch” (I assume the next reboot will be titled “Gri”). Illumination Studios continues being the C grade Disney Strudios, adapting the Dr. Seuss tale if, for no other reason, than to have their own holiday title out for the market and appeal to a younger audience. There’s not a lot of reason for this adaptation, as Illumination doesn’t offer a new twist on The Grinch. Except for obviously omitting “Christmas” from the title, “The Grinch” is an amalgam of Ron Howard’s live action movie, and the original Chuck Jones short movie–except bland.