Mara (2018)

As criminal psychologist Kate helps with a murder investigation that the police seems to consider an open and shut case, she discovers that other forces may be at play, putting herself in harm’s way as she investigates.

Based on a story by Jonathan Frank and Clive Tonge, Mara is written by Jonathan Frank and directed by Clive Tonge. Together they create a story that feels familiar with a few fresh elements added to it all interesting. The story does make fairly good use of the unknown factor, but it doesn’t build on the tension and suspense enough, rendering a potentially scary story only entertaining. The titular character is interesting and is given a fully fleshed out background as the film advances but something feels like it’s missing which will lead some to feel like what is missing is a sense of the unknown, leaving the film with very little dread or fear from this unknown or Mara. The story may be scary to casual horror fans, but will most likely not be all that scary to genre fans who have seen a lot of this story’s type.

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The Predator (2018)

Somehow in the age of studios reviving remnants of the eighties and destroying them with convoluted mythology and narratives, “Predator” has been somewhat spared. Sure, it was involved with the “Alien” series for a bit, but it’s primarily stayed simplistic and true to the original film–unlike the “Terminator” and “Alien” movie series. “The Predator” is a movie that will likely divide fans of the original film and series as a whole; it’s filled with a ton of plot, an array of characters and is somewhat the antithesis of the original film’s more straight forward machismo based narrative. It also dares to expand on the mythos, should Shane Black be given another shot with a sequel.

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Ocean’s 8 (2018) [Blu-Ray/DVD/Digital]

Over the years, Hollywood has been trying to increase the demand for more female oriented movies by re-conditioning franchises that have been gestating or thought long dead. After the disastrous “Ghostbusters” retread I was very worried about a female oriented version of “Ocean’s Eleven.” After barely finishing “Ocean’s Twelve,” and skipping “Ocean’s Thirteen” altogether, I had no confidence in “Ocean’s 8,” no matter how many fine actresses were assembled. Thankfully “Ocean’s 8” is proof that these series can be altered to fit the female dynamic and reach a brand new section of movie goers without feeling like pointless pandering, a la (sigh) 2016’s“Ghostbusters.”

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Final Score (2018)

An ex US soldier visiting his niece in the UK goes to a soccer (football) game with her in the hopes of connecting with the teen. Once there, a terrorist group looms over the game and threatens his niece’s life as well as that of thousands of people. As he works to prevent the worse, reasons for the attack are made clearer and things get more complicated.

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Mandy (2018)

In the early 1980s, a man’s goes on a rampage to find his loved one’s killers after dealing with loss, grief and its many stages most definitely including anger. His love for her was all encompassing and nothing will come in the way of his revenge, not even demons.

Based on a story by Panos Cosmatos who co-wrote with Aaron Stewart-Ahn and directed, Mandy is a mayhem-y film that starts mellow and filled with love. It takes its time setting up the relationship and care between Red and Mandy before Mandy gets dispatched, making her someone the viewer can care about and can be attached to before she gets killed. This does also mean that it feels a bit long in the first part before Red gets through his grief and to his revenge. That being said, when the revenge begins, it goes full force, balls to the wall, insane. The film’s last third or so is blood-soaked violent goodness where every and all tools can become a murder weapon that makes a ton of damage.

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Barbershop (2002): Special Edition [Blu-Ray]

Ice Cube spent too much of his earl years as an actor looking for a vehicle that would propel him in to blockbuster status, and he’s had his share of misses. When he committed to simpler more personal movies like “Barbershop,” he really managed to shine. He’s not the best actor in “Barbershop,” but as Calvin Palmer Jr. he’s kind of the glue that keeps his entire crew of barbers together in a neighborhood that’s being consumed by crime, and political corruption. “Barbershop” may not be a masterpiece, but it’s a pleasing and pleasant comedy about the value of community and family.

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