“NightBeasts” is a really silly, camp drenched movie. It’s Sasquatchsploitation with a surprisingly tongue in cheek tone that undercuts all menace it possesses. And the good thing is that star Zach Galligan at least seems to be in on the joke. He sports a terrible Southern accent, is probably the worst father in the world, and really does nothing but puff his chest and go shooting at some sasquatches in the woods. “NightBeasts” doesn’t aim for “Abominable” levels of horror, but it’s worth a viewing, if only for Galligan who hams it up big time.
Category Archives: Movie Reviews
Fallout (2011)
I’m not entirely sure what “Fall Out” was aiming for from minute one. All I know is that director Derek Dubois keeps the audience in the dark, providing a narrative that’s about eighty percent ambiguous. And I was okay with that. If you can’t really offer a larger exploration of the world you’ve built, especially considering when it’s set during the apocalypse, the best thing to do is focus on getting us to know the characters in this situation, and director Dubois accomplishes that in spades.
The Hobbit: The Desolation of Smaug (2013) (Blu-ray/DVD/Digital HD UltraViolet)
It dawned upon me watching the opening of “The Desolation of Smaug”: Did we really need the first movie? The entirety of the first film is so based on propping up storylines that “The Desolation of Smaug” wastes no time and drops in to the action. We could have just featured thirty minutes establishing the journey and cut to the opening scene. In “The Desolation of Smaug,” the writers provide a prologue where Gandalf meets Thorin in a pub and asks him to lead the journey. They proclaim they need a “burglar,” and cut to Bilbo Baggins in action. So, what was the point of the first movie? The opening shot of Bilbo hiding in the rocks with his allies speaks sounds more than the entire director’s cut of “An Unexpected Journey” could.
Corman’s World: Exploits of a Hollywood Rebel (2011)
Roger Corman’s contributions have been unmatched by most Hollywood directors, and sadly he’s become a mostly unappreciated presence in filmmaking. As viewed in “Corman’s World,” Roger Corman is one of the most ambitious but very money conscious filmmakers that’s managed to build an entire legacy out of creating entertainment on low budgets, while discovering some of the best filmmakers of all time. From giving Martin Scorsese and Peter Bogdonavich their breaks, to teaching Ron Howard how to direct around limited resources, Roger Corman has been a wizard of giving studios what they want, and doing it his way.
Different Drum (2014)
I had such a good time with Kevin Chenault’s road trip dramedy. It’s spewing indie flavor with a lot of its narrative very much in the vein of Wes Anderson. It’s surreal without ever being pretentious, and it’s about two wandering souls questioning their own lives, but never gets saccharine at any moment. I was just won over by minute one, and had a great time watching these two individuals face a harsh world side by side, and travel in to a weird land.
The Witch (2013)
Director Jason Shurkey’s “The Witch” is light on story and narrative, but it’s a good student film, nevertheless. It garners some really tight editing and an atmosphere that make it a Gothic short horror film that’s very much worth experimenting with. Director Shurkey really knows how to develop a tone from the outset, and follows through with a surreal horror film.
Afflicted (2014)
Clif Prowse and Derek Lee’s “Afflicted” is a mix of “Innocent Blood,” and Cronenberg’s “The Fly,” with a hefty injection of “Chronicle.” It’s rife with cliches, predictable plot twists, and is about ten minutes too long. But in spite of all of that, I’d definitely suggest “Afflicted” to horror fans. Because while it’s retreaded horror fodder, it’s well directed, tightly edited, and solidly performed horror fodder to say the least. I knew what was coming, but I was also very much invested in the characters. I also really enjoyed the special effects.