The best action movie released all year, “Bounty Killer,” finally comes to DVD and Blu-Ray, as director Henry Saine delivers action fans a pulpy apocalyptic thriller worthy of a large fan base. “Bounty Killer” is set in the future where corporations are now enemy number one and have laid waste to civilization with their greed. The government has sent a slew of skilled and crafty bounty killers to hunt down and take down corporate executives daring to run away with their corporation’s profits.
Director Darren Lynn Bousman’s “The Devil’s Carnival” is a movie that made me think I should probably give “Repo! The Genetic Opera” another chance. Since its release, “Repo!” has apparently become a road show in the vein of “Rocky Horror,” and “The Devil’s Carnival” seeks to carry that success further. I sought out Bousman’s hour long film anxiously on the internet, and after watching it on Netflix, I still can’t stop raving about it. It’s a dark, mature, often brilliant look at the age old tale of lost souls and the devil’s efforts to lure them in to his den of sins and eternal torment. Three souls on the verge of death enter in to hell’s carnival and are put to the test. Lucifer is the ring master of this wicked carnival, and with his trio of minions, tries to test the revolve of these lost individuals.
I remember the summer of 1993 fondly. It was the year I went to see the “Coneheads” movie and recall thinking back to the release of “Hocus Pocus” wondering why it wasn’t slated for an October release. Disney is usually smart with release dates, and “Hocus Pocus” ended up becoming one of the most revered holiday classics of all time. For Disney-philes, “Hocus Pocus” has enough menace to be considered a horror movie, but not so much where it’s impossible for the kids to watch. Twenty years later, “Hocus Pocus” is that classic horror film for kids that has yet to show its age at all, even when you consider adorable Thora Birch turned in to a gorgeous woman many years later. “Hocus Pocus” hearkens back to the most entertaining element of the Halloween season: the threat of witches.
It’s amazing how James Wan once went from the man who brought us movies about a maniac torturing people to one of the most horrifying ghost tales ever brought to the big screen. “The Conjuring” lives up to its hype as a slow boil and immensely scary supernatural tale about an average family terrorized by a vicious demonic entity that’s intent on ruining their foundation from the inside out.
Director Jim Wynorski offers up a sometimes clever, but inferior follow up to the original Robert Englund film, that doesn’t really advance the narrative so much as it treads water. Rather than explore the themes of the apocalypse, and the eventual war of good and evil dictated by the hotline, we’re once again subjected to a tale about the hotline wreaking havoc.
Seven years after his adopted father failed to murder him and spare the world many lives, Damien now lives with his uncle and aunt. A famous industrialist, Richard Thorn is played with great zeal by William Holden, who is wonderful as the well meaning uncle of Damien who is seemingly the first among his family to realize who and what Damien is. “Damien: Omen II” is considered the lesser of the trilogy, and while it has its problem it’s a generally entertaining and creepy thriller. It just can sadly never get over one hurdle: How did Damien forget he was the anti-christ?
Director Richard Donner’s “The Omen” is the fall out of the success of “The Exorcist.” And while it does subscribe to the evil child formula that became prominent after the success of the William Friedkin movie, it doesn’t try to top the former in terror. “The Omen” reaches for heights of slow boil horror followed by immediate shocks, and even for a film once considered a wannabe of “The Exorcist” it stands alone as a wonderful horror thriller.