Our Top Five “Buffy The Vampire Slayer” Big Bads

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March 10th marked the seventeenth anniversary of “Buffy The Vampire Slayer,” the cult television series that continues living on through a humongous and devoted fan base that proudly celebrate the series to this day. To mark the occasion, we, also fans of the series, decided to write down five of our favorite “Buffy” villains, and how much they rattled Buffy.

What are some of your favorite Buffy Villains?

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About a Boy: Pilot

I loved the original Chris Weitz dramedy “About A Boy.” It’s easily one of my favorite comedies of all time and one of the rare Hugh Grant performances I can stomach. It’s not a surprise that the US would seek to adapt it in to a television show, I’m just saddened it’s on NBC in America. I mean, could you have picked a more incompetent channel with no idea how to handle new series’? In either case, “About a Boy,” granted it lasts more than one season, is a decent adaptation of the movie, but doesn’t do anything with the concept at all. For some reason the writers have completely side stepped the narration, and have eliminated a ton of interesting supporting characters from the series.

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The PC Thug: What the Return of “Heroes” Means to Me

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“Heroes” definitely wasn’t worth the hype, and I say that as someone who invested a lot of time in the show. I loved it from minute one, and eventually dropped it like a bad habit mid-season two. I do that to most shows I watch on TV, but rarely with a show centered on people with super powers and mired in comic book mythos.

I sat through four seasons of “Smallville,” three seasons of “Lois & Clark,” I watched the whole of “Mantis,” “Night Man,” “Mutant X,” “My Secret Identity,” “Swamp Thing,” and most of “The Cape.” As for “Alphas”? It had a great concept and that’s about it. I’ve been very forgiving when it comes to series about super powered people and superheroes. So don’t lecture me on being loyal.

<!–more–>But even with its convoluted writing, badly serialized story arcs, and lack of ideas after season one, it’s STILL waves better than “Smallville” ever hoped to be. It had a better pedigree of actors, a much better cast, excellent production qualities, was much more ambitious, and garnered infinitely more epic potential.

“Oh Felix, you’re just hating on “Smallville” because it lasted ten seasons and Heroes was just a fad.”

The WB flat out admitted in their CW re-launch that they only left Smallville on the line up because they had nothing else to air. The first month of the new CW they barely had enough programs to fill up four days of programming! And it was on for a decade because by CW standards, it did well in the ratings!

Sorry, I’m going off topic, here. Where was I?

In either case, “Heroes” was the better of the pair, despite being just a lot of nothing. “Heroes” presented this idea that there was so much substance and dimensions, and it offered nothing in the end. “Save the Cheerleader, Save the World”? It meant nothing. The season finale? Nothing. Just fucking disappointing. I collected magazines, and read theories online for the series, I avoided spoilers like the flu, and I centered every Monday Night around it. And then on the season two premiere, I felt a deflated sense of enthusiasm, and I was so crushed at how they greeted fans who’d returned.

Granted, the show introduced me to gorgeous women like Brea Grant and Hayden Panetierre, so I can’t really fault it for that. And Sylar is still an amazing villain with great potential. He was just in the wrong series. These days with NBC seemingly having absolutely nothing on their plate, it’s not a surprise “Heroes” is coming back.

Marvel and DC are at war to churn out movies and TV shows from their properties, and NBC couldn’t even sell audiences on seeing shows from past sitcom icons like Michael J. Fox, so it only stands to reason they’d go back to “Heroes,” and try to give Marvel and DC a run for their money. The truth is “Heroes” still has potential, it just has to demonstrate a lot of back pedaling to be taken seriously once again.

You can pay tribute without being completely derivative, don’t crowd the screen with characters, don’t build up to something huge only to offer absolutely nothing, and every single season should have a new cast. Period. I don’t care how popular they are, completely wipe the slate clean and focus on new character affected by the eclipse that turned people in to beings of immense power. Hey, it works for “American Horror Story”! And the cast of “The Walking Dead” season one is almost completely different from the cast of season four.

Don’t be afraid to kill people off, don’t be afraid to really deliver on the ideas after a lot of build up, don’t build up to nothing. Catchphrases are neato, but how about offering a conclusion to said gimmick like “Save the Cheerleader, Save the World”? And don’t promise an epic battle only to show two guys punching one another and end it abruptly with our hero exploding in the sky. That was so fucking disappointing. Introduce one villain, one fluid story, dodge the stupid time travel nonsense, and run with it. NBC is insistent the new “Heroes” will be a mini-series, but I’m sure there’s an option in there somewhere to bring it back as a series once again.

You can make the argument the writer’s strike gave the show a disadvantage somewhat, but the series was doomed before the strike. That said, based on NBC’s latest fantasy series “Revolution” and their complete mishandling of that epic series, I’ll likely skip “Heroes: Reborn.” Unless there’s a really good argument for trying it out, or if the trailer for it is really good. Or if Brea Grant comes over and asks me to the premiere. Either way, I’ll consider it. Probably.

The Walking Dead Season 4 Episode 12: Still

“Still” is filler, but really good filler. It essentially feels in place this season to give Daryl more to do, while also focusing more on Beth. If you suspected Beth is nothing but a spoiled little shit since season two, than you’d be correct. Granted, she’s sweet, kind, and strong, but she’s also a sheltered little girl who’d rather do nothing than have a drink, than survive. She’ll go through walkers, and risk being eaten just to have her first drink. But then after spending the night in the trunk of a car in the middle of a herd, who can blame Beth for wanting to have her first drink before she croaks?

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The Walking Dead Season 5 Episode 7: Crossed

One thing “Claimed” proved to me once and for all. Say what you want about Rick Grimes, but when he’s pushed in to a corner, he comes out fighting, and always comes out ahead. In season two he spent his time looking for Sophia and ended up saving Hershel and Glenn’s lives from two nomads mid-season. Season four he mowed down a zombie horde with a machine gun and his son alone, and tonight not only did he avoid a group of really violent nomads, but he also evaded them without drawing attention, and managed to come out fairly unscathed. I doubt they’ll ever really know what happened to Rick and his team after tonight.

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The Walking Dead Season 4 Episode 10: Inmates

The writers of “The Walking Dead” are really interested in emphasizing the fact that the Governor has taken away paradise for everyone around him. Once Woodbury went, so did Grimesville, or whatever it was called. “After” focused on the three core characters of the series (I’m glad Michonne is essentially a principal character now), and “Inmates” focuses on the remaining survivors of the prison, all of whom are at wits end, and on the verge of death. They’re worse off than they were at the beginning of season two, truth be told. The episode has its problems, in either case.

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Our Top Ten “The Simpsons” Episodes of All Time: 1. Mother Simpson

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1. Mother Simpson
Season Seven
1995

All the years we watched “The Simpsons” we never quite knew about Homer’s mother. We know that Homer grew up with an overbearing occasionally mean father who didn’t care much for Homer, but we barely garnered a glimpse in to Homer’s other parent. I naturally assumed for many years that she died when he was a baby and Homer was stuck with an awful dad. Truth be told, Homer’s father Abe isn’t even that much of a mean dad, just someone who grew up in a different time. There was that stern belief that dads couldn’t and shouldn’t be friends with their sons. That idea still carries over today with some parents. In either case, we’re finally given an idea of what happened to Homer’s mother and why he never really spoke of her all this time.

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