“Battledogs,”is a film that demonstrates the fine art of retooling a movie and having a good time doing it. In this instance, Writer Phillip Van Dyke retreads 2008’s “The Incredible Hulk” but tailors it more for werewolves. Every plot device and moment in the film is shamelessly derived from the 2008 action film. Hell, there’s even a moment where one of the infected humans is kicked out of a helicopter in mid-air and sent crashing in to the Earth as it transforms in to the rabid werewolf.
In the second part, Lacey Goranson is now playing Becky, who shares literally one scene with Darlene and is never seen again in the episode. There’s even a small reception in Dan’s hospital room where all the Conner children attend except for Becky. The writers eventually tried to catch that kind of idiotic distraction in the two part Disney episode where a narrator points to the audience how Sarah Chalke will be playing Becky in the episode, to which Roseanne exclaims “Aren’t you glad you came this week?!” Continue reading
Number Seven is one of the weaker seasons of “Roseanne” since most of the season basically focuses on the less interesting characters and places a great emphasis on the endlessly irritating romance between Darlene and David. For a good portion of season seven, actress Sara Gilbert spent time acting in theater and going to college, so she’s pretty much a non-presence for a quarter of season seven, while the writers miss the boat by focusing more on Chalke’s Becky, choosing to turn her in to a mere side character who appears periodically. Instead, the writers make the misguided choice of placing a good focus on the storylines on DJ’s life.
As well as the relationship between David and Mark. The two characters garner much dysfunction and have a troubled life filled with resentment and hatred, but their arc is pointless and incredibly boring. This is time that should be filled devoted to developing Becky and Darlene, and instead there’s just a deeper and strong look at the dynamic between brothers Mark and David. To add more confusion to the mix, there’s the stunt casting of Traci Lords, who appears for a number of episodes as a walking talking plot device and disappears once the show gets back in motion with Sara Gilbert and Sarah Chalke coming back as the characters they originally played.
When last we saw Ash Williams in “Evil Dead II,” he was at the butt hole end of a massive portal to hell and could do nothing but hope and pray for the best. In spite of battling the demonic menace in his deserted cabin in the woods for the second time, he unfortunately could only hope the demonic menace within this wormhole would display mercy on him. Or at least let its guard down long enough to allow Ash an escape. Little did he know he’d land in 1300 AD among a culture of people desperately in need of a savior.
The sequel to “The Evil Dead” is once again what happens when Sam Raimi has little and can do so much with it. As director, Raimi finds new ways to enthrall the viewer and add a new appendage to the “Evil Dead” series without ruining the former film. “Dead by Dawn” acts as a sequel and a pseudo-remake, that recaps the original film in a brevity, and then proceeds to follow along with the journey of Ash Williams. Becoming the accidental hero in many ways, Ash is a man tasked with fighting the demonic beings of the necronomicon, not because he chooses to, but because he simply can’t escape their grasp.
“I’ll see you at the movies.” – Roger Ebert’s Final Written Words.
It’s as I said in my review for “Starting Out in the Evening”: Come obscurity, irrelevance, success, or fame, a writer still has to write, regardless. In Roger Ebert’s case it was, come disease, sickness, and life altering illness, a writer still has to write. And Roger Ebert, no matter what he faced in his life, had to write. In the end, whether you agreed with him, hated his ability to raise controversy, or just had a relative indifference toward him, very few movie critics changed the world of cinema and the landscape of writing as he did. It’s with a heavy heart that I write about the passing of my favorite movie critic of all time, as Roger was a man who seemed to almost know he was dying.
Peter Dukes and his comrades at Dreamseekers Productions have been giving genre fans some unique short films for many years, and most recently they delved in to the werewolf sub-genre with their short film “The Beast” co-starring Bill Obsert Jr. In the midst of directing his latest short film “Little Reaper,” director Peter Dukes took time out for an interview and discuss his love for film, his methodology, and his plans for “Little Reaper,” a short film about the grim reaper’s rebellious young daughter.