I held out almost little hope for Michael W. Watkins crime thriller slasher film about a Greek mythology obsessed serial killer who has a penchant for gathering and murdering his victims on the basis of fulfilling some need within him to manifest some Greek legend, but “Circle” gradually proved me wrong as it progressed. While it’s not a masterpiece by any definition, it definitely is a solid horror film with some roots in the formula cop sub-genre in which we’re following two mismatched hard boiled cops on the track of the vicious Bennett, a mastermind and genius psychopath who manages to break free from his asylum after ritualistically killing off a group therapy session he was engaging in.
Woman's Intuition (2006)
I continue to be a big fan of Patrick Rea’s for the simple fact that he’s a director that loves to screw with his audience. And when he usually does it it’s not to insult or annoy his audience, it’s to keep us coming back for more. He’s a storyteller with a slew of short films very much in the vein of “Twilight Zone,” and his early short entitled “Woman’s Intuition” is a very good example of Rea screwing with his audience with an ending that’s surprising and clever.
Mike Schneider Gets "ReAnimated" with "Night of the Living Dead"
The latest iteration of “Night of the Living Dead” is not a remake, but a re-visioning, the same classic zombie film from George A. Romero except seen through the eyes of dozens of graphic artists, animators, and the like, all of whom have come together to form a moving painting and ode to George A. Romero and his lasting legacy of a zombie epic involving a group of mismatched survivors in a farmhouse one fateful night trapped wall to wall with the walking dead anxious to feast on their flesh and guts. Combing the talents of many people, Mike Schneider is an artist and curator who speaks about this latest project that brings a new dimension to Romero’s film.
Night of the Living Dead: ReAnimated (1968) (DVD)
Since George A. Romero’s seminal 1968 independent horror film was released without a copyright, the horror classic we know as “Night of the Living Dead” has been in the public domain for literal decades. Since then it’s been remade, re-released, re-dubbed, re-edited, restored, colored, chopped, extended, spoofed, satirized, animated, prequelized, sequelized, novelized, sampled, and so on ad nauseum. Much to Romero’s chagrin, “Night of the Living Dead” has been the Mr. Potato Head of the horror world upon which independent film directors can switch and mix without worry of a lawsuit.
30 Days of Night: Dark Days (2010)
While I did really enjoy the original vampire film from David Slade based on the award winning graphic novel from Steve Niles, it wasn’t a masterpiece. Though everything about it was very tight and sharp, the film just didn’t end up being the groundbreaking game changer it promised. Not surprising, it spawned an inevitable sequel and thanks to the uselessness of vampires who are menacing monsters (Thank you Stephanie Meyer), this sequel entitled “Dark Days” is Direct to DVD fodder that is about as routine as you’d expect for a sequel to a major horror film that came and went before anyone knew who Steve Niles was.
Rosencrantz and Guildenstern Are Undead (2010)
I was a little hesitant to actually sit down and watch Jordan Galland’s horror comedy since its box describes it as being akin to a Woody Allen film as well as an homage to Shakespeare, because let’s face it, horror fans just don’t care about Shakespeare much. But what I experienced was something of a mixed bag of a horror comedy that is both very intelligent and very entertaining. Not only does the film manage to subtly breakdown famous stage plays and literature of all kinds, but it’s a horror comedy very much in the vein of the eighties comedies in which our hero is an inept schlub who is oblivious to the horror around him until it’s much too late to do anything about it.
Case 39 (2009)
Floundering in movie purgatory for a few years, “Case 39” is a supernatural thriller that has managed to be not only an indicator of its star status and how far its performers have come, but it’s also a statement that sometimes, just sometimes, studios can be on to something when they shelve or keep movies back in production. Held back for four years only released in the UK and now just being introduced to American theaters (maybe due to Bradley Cooper’s rising star status), “Case 39” is about as horrible a movie as you can imagine. It’s a movie that should have just been given a DVD release instead of a theatrical release as a movie starring Cooper pre-“The Hangover” fame. Hint: During filming he clearly wasn’t a big enough star to live through the whole movie.