On Blu-ray April 23rd and currently on Digital from Well Go USA
A newly unemployed journalist starts a podcast and investigates large stones that have been showing up suddenly in random people’s lives.
Inspired by a true story, Drew Bierut’s romance comedy is one of the most charming tales of fate and random scenarios I’ve seen in a long time. Although the movie posits itself as this bizarre concept, it amounts to a surprisingly funny, engaging and warm romance comedy that explores how sometimes we can end up meeting our perfect person in the most unlikely places. Everything about “Bob” is so well conducted from the direction, top notch performances, and ace comic timing, I just loved it.
With the advent of music videos going completely out of style with introduction of music streaming, a long time element of music fandom died. While there are still plenty of music videos, they no longer make or break the popularity of a single or music album. One of the best things about being a movie and music fan is that there was almost always a music video attached to the movie itself. Whether it was the movie’s theme song, or a music video directly reflecting the movie content, there was always a guarantee of a music video for a movie.
Whether it was Chad Kroeger’s “Hero,” Dokken’s “Dream Warriors,” Space Jam’s “I Believe I Can Fly,” Ray Parker’s “Ghostbusters,” or 45 Grave’s “Party Time,” there was a massive plethora of movie related music videos.
Here are five of my absolute favorites.
Mississippi Hare (1949)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ben Washam
Music by Carl W. Stalling
“Mississippi Hare” is so problematic in the first twenty seconds that you have to constantly remind yourself of the context upon which this short was produced. There’s so much cringe inducing material that sets up the general premise for “Mississippi Hare” that it actively destroys any momentum it tries to pick up. And it’s not that the whole set up is extreme, it’s just that it’s so of its time, that I can imagine this short only ever appearing on Beta and VHS compilations in the eighties and nineties. Those VHS compilations often included shorts like this without editing anything out.
I’ve never really delved into the mad world of the Polonia Brothers before and I think it’s about time I gave their work a gander. The twin brothers gained fame and notoriety all the way back in 1996 when Blockbuster bought the distribution rights to their film Feeders and it became one of the video chain’s most rented indie title that year. Now, before I go on, I have to admit that I’ve tried to watch Feeders several times but I could never really get into it. It just felt really slow and meandering. Perhaps I wasn’t in the right mood. I don’t know. I will watch it one day, I promise. For now, I’m going to review one of their earlier movies SPLATTER FARM.