A group of convention regulars decides they have had enough and put together a plan to get back at an unscrupulous convention runner and a sleazy actor.
Blumhouse’s Truth or Dare? (2018)
“Truth or Dare?” is a movie that feels like it belongs in 2005 where Hollywood was churning out abysmal remakes of mediocre Japanese horror movies. And that’s what it felt like I was sitting through. It feels like somewhere there’s an original Japanese version of “Truth or Dare?” that’s sadly not even very good, either. “Truth or Dare?” comes from Blumhouse which is usually great about releasing bold and unique horror movies. Even when they land with a thud, their cinematic experiments usually have potential to impress. “Truth or Dare?” wants to be this modern tech iteration of “It Follows” and “The Ring.” With a competent director and writer, this could very well have been a haunting story about the damaging effect of secrets, trauma, and how we never quite know the people we love.
The Black Cat (2017)
Avengers: Infinity War (2018) (Spoiler Filled Review)
After ten years of dodging threats left and right and staring down world destroying villains all through time and space, the Avengers meet their greatest foe yet. Known as Thanos, he’s a warmonger and mad man who has waged pure battle against the concept of life, and seeks six gemstones to complete his gauntlet. Said gauntlet will grant him the powers of a god, allowing him to complete his ultimate goal for the Marvel Universe. Suffice to say that after every threat has been thwarted from Red Skull to Loki, Thanos is the most fierce and complex villain that the Avengers has ever met.
Spoilers after the Jump >>>
The Hungry (2017) [Indian Film Festival of Los Angeles 2018]
Set in current day New Delhi, The Hungry is an adaptation of Titus Andronicus by William Shakespeare, Here, a second time bride is about to marry a man and bring together two powerful families. As the wedding is prepared and celebrations start, lives are changed and revenge is brought upon various family members.
Three Films by Madeline Anderson
During the 1960s and 1970s, Madeline Anderson broke racial and gender barrier in nonfiction filmmaking through her work as a director, producer and editor. This DVD gathering of three of her short documentaries offers a fascinating consideration of how Anderson used her medium to spotlight the tumultuous fights for civil and women’s rights.
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The Bootleg Files: A Special Tiny Tim
BOOTLEG FILES 636: “A Special Tiny Tim” (1970 television special).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The program was never released in the U.S. for either broadcast or home entertainment audiences.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
On January 22, 1968, American television viewers got their first view of Herbert Buckingham Khaury, an entertainer who appeared in the New York club scene for years under a variety of stage names before settling on Tiny Tim. The performer was featured on the premiere episode of “Rowan & Martin’s Laugh-In,” and with his long and flowing hair, large beaked nose and fluttery movements he made quite an impression. Tiny Tim came on stage, pulled a soprano ukulele from a shopping bag and began singing “A Tisket, A Tasket” and “On the Good Ship Lollipop” in an astonishing falsetto while funnyman Dick Martin looked on in astonishment. Although the response from the viewers’ mail was decidedly mixed, Tiny Tim was invited back two weeks later, performing “Tiptoe Through the Tulips” in the same eccentric style as his first appearance.

