This is not regular ops, this is not plain ops, no this is Extreme Ops, what are Extreme Ops? Who knows, and we never really find out, but in this film we meet a group of extreme risk takers and extreme stuntmen, not sports stars but more rebellious young men and women who will take any risk. They’re gathered by an extreme commercial director to record an extreme DV camera commercial, but when they arrive on the mountain to record some sequences, they’re accidentally neighbored with a group of terrorists that think the group of extreme boarders, skiers and risk takers are really CIA agents out to stop their operation. Not very smart terrorists considering they’d probably be aware by now who is or isn’t a government official.
Tag Archives: Action
Seabiscuit (2003)
This depression-era tale and celebration of Americana, based on true events is a marvel to watch that doesn’t totally grab you from the get go, but it surely is worth watching. Directed and adapted by Gary Ross and based on the true tale of the undersized horse who lifted a nation’s spirits and brought America to its toes with its speed as the underdog, “SeaBiscuit” becomes a tale about beating the odds, the triumph of competition, and how one small animal can bring a nation together to forget its miseries. This is not a movie about a horse, no it is not, it is a tale about a horse and the three broken people who were brought together by the drive to compete.
Grind (2003)
What do you do with a movie about skateboarders that hasn’t already been done? Fill it with the same lazy clichés we’ve seen thousands of times in worse comedy films. I mean has there ever been a good movie about skateboarding aside from “Dogtown and Z-Boys”? I doubt it. There are three elements/concepts films have revolved around and relied on for a plot in the past that have never worked regardless of how exciting they try to make it, and regardless of how good a director is: skiing (cannot be done), skateboarding, and computers or typing on a computer (FYI “Wargames” invented the sub-genre).
Narc (2002)
On the surface “Narc” looks like just another cop film about two officers trying to solve a murder, but deep within the surface of the story and concept, this is really a tragedy, a heartbreaking tragedy about two men with demons they can’t escape. Both are a paradox; One officer, is a man who has everything to live for, he’s a family man, the other has nothing to live for, no life, but a great job, the only thing that really links them is their past and the determination to solve a murder and redeem their sins. In the climactic police raid, Patric and Liotta’s character present the paradox to the audience; Officer Nick Tellis (Patric) slips on a bullet proof vest, and protection and carefully slithers his way into the building, while Officer Henry Oak (Liotta) charges into the building like an adrenaline filled bull with a shotgun and walks in shooting without a moments hesitation.
The Order (2003)
What “The Order” suffers from is what many supernatural films suffer from: it has decent direction and interesting visuals but it’s end result is bland, boring, and devastatingly bleak. As well as being contrived and derivative. Crooked churches, secret organizations within the church, mysterious priests who have other connections, creepy looking children who are in the film just to be creepy, and characters that barely have any personality at all. Ledger plays Alex Bernier, a conflicted young priest whose mentor has just died and now the church is investigating his suicide. Alex is called upon by another priest (Peter Weller) who suspects that his mentor has been murdered now begins investigating his murder and hopes to bury his mentor in the church graveyard while discovering a mysterious cult that is tied to his mentor’s death.
Sinbad: Legend of the Seven Seas (2003)
I’m from the generation of movie-goers who grew up on Harryhausen epics like “Sinbad” and “Jason and the Argonauts” and I also grew up on classic animation, Max Fleischer, Chuck Jones, Tex Avery, Robert McKimson, you name it. “Sinbad: Legend of the Seven Seas” is an epic with a great cast, and quite an enjoyable one with excellent hand-drawn animation that rivals anything I’ve seen before. It’s sleek, it’s stylish and hell, it’s damn entertaining. In yet another adaptation of the mythological tale, we meet Sinbad and his band of pirates who all specialize in something. Sinbad is a master thief and want the book of peace to sell, but on his way to take it he clashes with his old friend Proteus who wants the book as well but for more noble purposes. The two have at it, but the goddess of discord Eris captures Sinbad and makes him an offer: Take the book of peace and bring it to her and she’ll grant him paradise and luxury for his remaining years.
The Medallion (2003)
Taking its cue from “Golden Child” and just about every other fantasy film, a young child, a “chosen one” is chosen to guard the medallion, cue candles, a temple, and guards who are supposed to protect a lethal weapon but are knocked out with a tap on the head, also, cue spooky British villain Snakehead who plans to steal the medallion for immortality, but first he reads from a book at the very start of the film introducing the concept of the medallion in a low spooky British voice: “Every so and so, a child from so and so, is chosen to do so and so, to protect the medallion!” The term “immortality” is hard to define in this film; if you take one half of the medallion you can’t be killed.