Jason Statham once upon a time was a guy who seemed like he was going to carry the torch and deliver a brand of unique action film roles. And then somewhere around 2010, he kind of backtracked and just reverted to playing the same variation of Jason Statham that we’ve seen well in to fifteen years now. “The Beekeper” is the latest in a line of what the internet are now labeling “Dad movies” where your everyday Joe becomes a bonafide angel of vengeance. This time directed by David Ayer and written by Kurt Wimmer, the pair team to deliver, so far, one of the stupidest action movies of the year.
Tag Archives: Action
The Flying Swordsman (2022) [aka The Hidden Fox]
Following the death of two warriors, a map goes missing. When the map is back, the assassins come back with a plot to get the map, leading to the appearance of a swordsman with incredible skills.
Lightyear (2022)
Even though we were under the impression that Andy loved Buzz Lightyear because he was this new special toy, we’re told in 1999’s “Toy Story 2” that he was actually a part of a TV series, which was further canonized in the 2000 animated show “Buzz Lightyear of Star Command.” Now we’re told that in 1995 Andy actually loved Buzz Lightyear because he originally came from a hit movie within the “Toy Story” universe. And this is that movie. That we’re watching—uh, somehow. Despite the absolutely elaborate concept behind it, “Lightyear” is a meta-movie that features pre-toy Buzz as an adventurous space ranger and bonafide hero. All the while there are some fun allusions to “Top Gun,” “Flash Gordon,” and “Aliens” to be explored here.
Toy Story 4 (2019)
After the perfect ending that was “Toy Story 3,” Disney and Pixar decide to keep the story going because well—merch. Merchandise. Money. Moolah. There’s really no other reason beyond why such a perfect three chapter tale like “Toy Story” would drag on. And I say that since Josh Cooley’s “Toy Story 4” is sadly about as lackluster a sequel as you can get. For a series do centered on awe, wonder, and love, the movie is shockingly dark and bereft of so much of what made the first three movies so special.
Ranking the Complete DCEU from Best to Worst
I really hope someone writes a book someday on the historic wet, steaming catastrophe that was Warner Bros. DCEU. I’ve never seen a studio so hell bent on sabotaging themselves before. They had a golden opportunity, holding possession of some of the biggest icons and money making characters in pop culture history. It should have and could have been an easy slam dunk during a climate where comic book movies were all the rage. Instead rather than let directors make movies they just destroyed any momentum the DCEU had at every turn.
With “Aquaman and the Lost Kingdom” arriving in theaters and signaling the very last movie in the Zack Snyder engineered DCEU, I ranked all of the movies in this universe from best to worst. Here’s hoping James Gunn brings these properties and beloved characters back to their former glory very soon.
65 (2023)
It’s such a shame that audiences just didn’t take to “65” because I had a blast from the minute one. Scott Beck and Bryan Woods’ science fiction survival film is a mix of “Enemy Mine” and “Aliens” to where two people with vastly different circumstances have to rely on one another. Adam Driver is the driving force that really propels “65” in to admirable excitement and some genuinely interesting action set pieces. While I wouldn’t have minded more dinosaurs, “65” gets its point across by embracing its inherently pulpy science fiction roots through and through.
Rebel Moon – Part One: A Child of Fire (2023)
I can’t fault Zack Snyder for essentially giving us a sprawling remake of Akira Kurosawa’s “Seven Samurai” when he seeks to build a new “Star Wars” for the modern generation. “Star Wars” was, as many know, a quasi-remake of “Hidden Fortress.” Another by Kurosawa. It all comes full circle, as Snyder seeks to build a massive mythology in the vein of “Star Wars.” He really wants “Rebel Moon” to be “Star Wars”; at the end of “A Child of Fire”—well—he creates a movie that has been done before but to a much better effect (ahem–“Firefly”).