An American Crime (2007)

Last year I saw the film adaptation of author Jack Ketchum’s novel “The Girl Next Door,” a dramatic thriller based on the infamous case involving a young girl kept prisoner in a basement to be tortured relentlessly by her aunt and cousins. While I absolutely loved the Ketchum film, I was interested to see if it was any better or not as good as “An American Crime,” a festival runner that made considerable waves among audiences, but has yet to be released in America. Determined to seek out most (if not all) of Ellen Page’s prior work, I sought out “An American Crime,” and was surprised to see that it pretty much equaled in quality, and proved how much of a versatile actress Page is and will soon become.

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The Dragon Painter (1919)

dragon-painterDVDWhile I would have loved to adore “The Dragon Painter” and the story that unfolds, I can’t say that I did. For a movie made in 1919, Sessue Hayakawa’s film is a wonderful epic with some rather incredible splashes of stark color and sweeping landscapes. Even for a print that’s aged and was nearly lost the picture transfer for “The Dragon Painter” is awfully fantastic with crystal clarity, and an incredible score. Even those who dislike the movie will find some value in the backdrops and set pieces, including Hayakawa’s eagerness to break all stereotypes of the Asian culture.

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Tripping the Rift: The Movie (2008)

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My first experience with “Tripping the Rift” was on the television show “Exposure” on the Science Fiction channel where the series that displayed a variety of independent filmmakers and their short films aired a special “Star Wars” tribute episode. “Tripping the Rift” was one of my favorites of the episode and it powered on to be a cult spin-off that I never sadly watched while it was on the air. “Tripping the Rift: The Movie” is a serviceable pop culture love letter, with not a single hint of originality, but a great energy that makes it worthy of the watch, even for people who have no idea what the plot is. Because, I sure as hell don’t. I know it’s a Canadian cartoon of the Canuck persuasion, and has a really hot computer animated chick in it.

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The Ruins (2008)

the-ruins-pyramidRelying more on psychological terror rather than CGI plant monsters, the reason “The Ruins” will get under the skin of most audiences is because Smith prefers to leave the plant terrors as silent sadistic predators that—well—get under the skin of its victims through cuts, and open wounds. These creatures are merciless in their pursuits to chomp on some thirty something college goers revealing some truly shocking abilities to lure prey, and breaking down the hunted through manipulation and classic torture methods.

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I Am Legend (2007) (DVD)

Francis Lawrence has an incredible eye for details and visuals in all the movies I’ve seen from him. Even his worst movies have some of the best surreal stark visuals I’ve ever seen, and the man knows how to implement CGI to enhance his films instead of rely on them to provide entertainment. I just wish the man made better movies. What’s it going to take for this man to bring us something spectacular? As for “I Am Legend” it’s wholly unspectacular, but without a doubt one of my favorite guilty pleasures of 2007.

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It's the Easter Beagle, Charlie Brown! (1974) (DVD)

ebcbOkay, so I don’t celebrate Easter, and I don’t particularly subscribe to the principles of Schulz’s comic and its strong religious themes, but it doesn’t mean you can’t have fun with “Easter Beagle,” yet another classic Charlie Brown episode involving the gang and, what else, Easter! While Linus creates another sentient figure out of a holiday called the Easter Beagle, anxiously awaiting its gifts and bounty, Marcy and Peppermint Patty try to grasp the concept of coloring eggs while wasting food in the most disturbing of manners. Believe it or not, Marcie can’t figure out that you have to boil eggs before coloring them.

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Dr. Seuss' Horton Hears a Who! (2008)

HortonHearsAWhoWallpaper102Many people will reason for “Horton” that it’s a good movie because, it’s much better than the previous attempts. And frankly, I’m not buying it. Is “Horton” as bad as the previous live action attempts? No way in bloody hell. But is it good enough to be a classic? No way in bloody hell. “Horton” makes the right decision of using animation this time around and pumps the screen with skilled comedians and it pays off to a certain extent as the adventures end up rather amusing. As an animated effort, it has the right idea, it just doesn’t know how to compose Seuss without turning itself into another “Shrek,” and I prayed this movie would have sense enough to not aspire to appeal to that audience and yet it did.

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