Countdown to “Man of Steel”!
“Superman II” isn’t entirely better than “Superman,” though it’s often considered by many to be the superior film in the entire series. “Superman II” is, in the end, a perfectly good action film that offers what the first film doesn’t. It gives Superman a match that offers him an incredibly hard time. Especially when he loses his powers. In spite of all of the hooplah behind the scenes involving Richard Donner being pushed out of the film’s production, and most of the cast following him out the door, “Superman II” is still a really good action film that manages to expand on the Superman mythos.
Director Daniel Benmayor seems to want to create his own version of “Battle Royale” with a hint of “Saw” and “Predator” mixed in to the fold. In the process, he manages to create one of the most moronic genre entries in a very long time. “Paintball” tries to take a normal sport and turn it on its head, in hopes of becoming something in the arena of “Jaws.” But the only thing this movie will inspire you not to do is watch it again. “Paintball” works against logic and common sense from the get go by writing characters that are all numbskulls. They’re so idiotic that when it becomes painfully clear they’re being hunted, they still hold their paintball guns in front of them like weapons and aim. What were they hoping to do with ineffective paintballs? Stain the killer to death?
Pauly Shore?! In the Army?! But–what wackiness will ensue from this mash up? The nineties were a time where Hollywood attempted to thrust Pauly Shore on American audiences. And it seemed for a while that Shore was well on his way to becoming a comedy icon. That is, until America caught on quicker than he could establish himself. It was a case of “He’s kind of funny… wait, no he’s not!” Hell even I kind of liked him for a while. It’s a pretty sad commentary on the decade, when the comedy rebel we’re given is Pauly Shore of all people.