It’s almost disturbing how much of a dead ringer Rodney Rowland is for David Keith at times during “Soulkeeper.” For a short time I used to think Rowland was Keith. That odd footnote aside, “Soulkeeper” is one of the more entertaining and underrated fantasy horror films I’ve ever seen, and it’s a shame it doesn’t garner a lot of attention or credit. It barely gets any focus by anyone, and that’s a shame. Frankly “Soulkeeper” is a strong and often entertaining fantasy horror film that creates a likable duo of inept heroes both of whom find themselves in a situation beyond their control for the fate of the world. Sadly, “Soulkeeper” hasn’t kept its age well and that’s due to the plot being pretty damn incoherent at times.
Tag Archives: Adventure
Dungeons & Dragons (2000)
I remember when I first read that “Dungeons & Dragons” was about to come to theaters in cinematic form. At the time of the film’s release I was obsessed with fantasy, and dragons and wouldn’t you know it? Zoe McLellan was co-starring. To fans of obscure science fiction, she co-starred as a gorgeous nerd in the TV series “Invisible Man.” If you want to know what that is, look it up. It’s a long story. I digress. McLellan would go on to play a gorgeous nerdy librarian in “Dungeons & Dragons” who really didn’t do much in the film. But she looked fetching the entire time. What makes “Dungeons & Dragons” such an astonishing film, is that it was released by New Line Cinema in the year 2000. As stated by other movie critics, “Lord of the Rings: The Fellowship of the Ring” would be released a year later around December of the same time.
Judge Dredd (1995)
Before the comic book movie revival of the twenty first century, the nineties didn’t have that many notable comic book movies to brag about. There was the awful “Tank Girl,” and the even worse “Barb Wire.” There was “Spawn,” and “Generation X,” and “Nick Fury: Agent of SHIELD,” “STEEL,” and “Batman and Robin.” And like those aforementioned titles, Hollywood adapted these titles completely missing why readers actually flocked to them in the first place. Never content with laying waste to more underground comic books, Hollywood eventually got its hands on Judge Dredd and turned it in to a Hollywood schlock fest that was so desperate for an audience it cast Rob Schneider in a major role.
Firefly: Ten Years Later
Back in 2005 I remember going to the movie theaters to see “Land of the Dead” with my mom an equally rabid horror fanatic, and sitting down to watch the previews. I remember fondly sitting in front of the screen watching the trailer for the upcoming movie “Serenity” and marveled at how interesting it looked. It wasn’t love at first sight, it wasn’t immense curiosity, but just a mild interest that made me think about it and push it in to the back of my mind for a good while.
Months later prior to the unleashing of “Serenity” in to theaters, the Science Fiction channel in America aired a marathon of the entire “Firefly” and when I sat down to watch it from beginning to end it dawned upon me why “Firefly” was cancelled and taken off television so quickly many people didn’t even know it was on. “Firefly,” during the marathon, often began every episode with a brief prologue from Nathan Fillion explaining the basic premise of the series. And then it kind of saddened me that the producers or network simply didn’t have confidence in the show. And worse, they didn’t have confidence that the audience could play catch up.
Airplane! (1980)
Is there a comedy more perfect than “Airplane!”? I ask you. It’s in the list of the five perfect comedies ever made, and is definitely one of my top ten comedy films of all time, as well as one of my favorite movies of all time. It’s a film that appeals to folks who appreciate subtle comedy, raunchy comedy, silly comedy, and comedy that doesn’t require any thought at all. There are sight gags, puns, word plays, double entendres, and gratuitous nudity. There’s action, romance, suspense, stunts, and two jive talking passengers no one understands. There’s Kareem Abdul Jabar being Kareem Abdul Jabar, Peter Graves being a lunatic, Leslie Nielsen delivering the most genius deadpan comedic performance of his career, Lloyd Bridges who has an unusual history with recreational substances, and Ethel Merman for some reason.
Planet of the Apes (2001)
Subtlety has never been one of Tim Burton’s strong suits as a filmmaker. As a storyteller and overall director, Burton’s films rely on imagery and over enthusiastic narratives to do what he can’t as a craftsman. Oddly enough Burton is assigned to direct a remake of one of the most thematically subtle films of all time. “Planet of the Apes” is one of the most relevant commentaries on humanity and politics that has ever been brought to the big screen, and Burton never really grasps that aspect.
Rise of the Planet of the Apes (2011)
Pardon the cynical thought process but I imagine “Rise of the Planet of the Apes” is only the first in what Hollywood will soon turn in to a series of three, maybe four films. Which is a shame, because ideally I wish “Rise of the Planet of the Apes” would be a single entry prequel in a classic science fiction film series. I say that not because it’s a bad film but because the writing wraps the entire film in to one clever self-contained little cinematic entry that it’s just too good to see ruined with a follow-up. While “Rise” is essentially about the emergence of a primitive ruler in a cruel world, there are so many Easter eggs included within the narrative that includes foreshadowing, winks to the audience, and a pretty great nod to the original “Planet of the Apes,” all of which are so subtle only the most eagle eyed genre geek will catch on to what the film is leading in to.