Firefly: Ten Years Later

SHdi6kFBack in 2005 I remember going to the movie theaters to see “Land of the Dead” with my mom an equally rabid horror fanatic, and sitting down to watch the previews. I remember fondly sitting in front of the screen watching the trailer for the upcoming movie “Serenity” and marveled at how interesting it looked. It wasn’t love at first sight, it wasn’t immense curiosity, but just a mild interest that made me think about it and push it in to the back of my mind for a good while.

Months later prior to the unleashing of “Serenity” in to theaters, the Science Fiction channel in America aired a marathon of the entire “Firefly” and when I sat down to watch it from beginning to end it dawned upon me why “Firefly” was cancelled and taken off television so quickly many people didn’t even know it was on. “Firefly,” during the marathon, often began every episode with a brief prologue from Nathan Fillion explaining the basic premise of the series. And then it kind of saddened me that the producers or network simply didn’t have confidence in the show. And worse, they didn’t have confidence that the audience could play catch up.

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Airplane! (1980)

b9Fu48FIs there a comedy more perfect than “Airplane!”? I ask you. It’s in the list of the five perfect comedies ever made, and is definitely one of my top ten comedy films of all time, as well as one of my favorite movies of all time. It’s a film that appeals to folks who appreciate subtle comedy, raunchy comedy, silly comedy, and comedy that doesn’t require any thought at all. There are sight gags, puns, word plays, double entendres, and gratuitous nudity. There’s action, romance, suspense, stunts, and two jive talking passengers no one understands. There’s Kareem Abdul Jabar being Kareem Abdul Jabar, Peter Graves being a lunatic, Leslie Nielsen delivering the most genius deadpan comedic performance of his career, Lloyd Bridges who has an unusual history with recreational substances, and Ethel Merman for some reason.

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Planet of the Apes (2001)

Subtlety has never been one of Tim Burton’s strong suits as a filmmaker. As a storyteller and overall director, Burton’s films rely on imagery and over enthusiastic narratives to do what he can’t as a craftsman. Oddly enough Burton is assigned to direct a remake of one of the most thematically subtle films of all time. “Planet of the Apes” is one of the most relevant commentaries on humanity and politics that has ever been brought to the big screen, and Burton never really grasps that aspect.

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Rise of the Planet of the Apes (2011)

Rise-of-the-Planet-of-the-APardon the cynical thought process but I imagine “Rise of the Planet of the Apes” is only the first in what Hollywood will soon turn in to a series of three, maybe four films. Which is a shame, because ideally I wish “Rise of the Planet of the Apes” would be a single entry prequel in a classic science fiction film series. I say that not because it’s a bad film but because the writing wraps the entire film in to one clever self-contained little cinematic entry that it’s just too good to see ruined with a follow-up. While “Rise” is essentially about the emergence of a primitive ruler in a cruel world, there are so many Easter eggs included within the narrative that includes foreshadowing, winks to the audience, and a pretty great nod to the original “Planet of the Apes,” all of which are so subtle only the most eagle eyed genre geek will catch on to what the film is leading in to.

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Predator 2 (1990)

Bafflingly, the sequel to the classic action science fiction film opts out of following our man Dutch in his further adventures against this alien hunter menace and chooses instead to focus on a brand new series of characters. And rather than continue its trek in to the jungles of Central America, it zeroes in on the city. The inner city. The crime ridden inner city. The crime ridden gang infested inner city. The concrete jungle if you will. If you don’t get the symbolism, don’t worry, “Predator 2” clubs you over the head with the clunky message that this is a new kind of jungle. A concrete jungle. “Predator 2” is sadly a loud, ugly, and irritating film that doesn’t do much to set itself apart from other films of its ilk.

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Predator (1987)

Before “The Expendables” was ever put in to production, director John McTiernan had the foresight to include a roster of cinematic bad asses for a film that involved a bunch of mercenaries battling an unseen hunter in the jungles of Central America. From Carl Weathers, Bill Duke, Jesse Ventura, Sonny Landham and the one and only Arnold Schwarzenegger, “Predator” features a conglomerate of muscles and sweat that makes up one of the best casts of an action film ever. 1987 brought forth one of the most unique and innovative action thrillers ever conceived.

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Surviving the Game (1994)

surviving

Yet another adaptation of Richard Connell’s fantastic short story, “Surviving the Game” takes the premise of his short “The Most Dangerous Game” and fixes it for modern times with a modern sensibility. While it’s often been derided mainly because it was a straight to video feature mostly, this 1994 feature is one of my favorite action thrillers of the decade. This time Ice T takes on the role of Jack Mason, a homeless man who has an unusual ability to survive even the harshest conditions on the street, and spends most of his days trying to find food to eat and live to see the next day. One fateful afternoon he’s confronted by aristocrat Walter Cole who refers him to big game hunter Thoms Burns who tests Jack’s agility and physical dexterity in exchange for money. What seems like an isolated game by a bored rich man turns in to an endeavor for Jack who is invited by Thomas and his friend Walter Cole (Charles Dutton in a rare villain role) to go along on a hunting trip with them and their group of business associates for a weekend hunting trip in the wilderness to act as their hunting guide.

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