The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005)

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“Narnia” is less a religious film, and more an exploration in to reluctant heroes fighting for good. I mean, let’s face it here, people, if not for the prior success of the “Lord of the Rings” trilogy and the quickly sputtering “Harry Potter” franchise, we wouldn’t have this Narnia here with us. I mean was there a real point in making this film other than cashing in on this classic novel series? Based on C.S. Lewis’ classic novel series, the first of many involves four children escaping the Nazi regime and hiding out in their uncle’s mansion. While playing hide and seek one day, the youngest, Lucy wanders off in to the wardrobe. She wanders, and wanders, and enters a land called Narnia, and thus the adventure begins for these four reluctant heroes.

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Nausicaä of the Valley of the Wind (1984)

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One of the first solo directing efforts for the master, Miyazaki, “Nausicaä” is a classic environmental monster fantasy epic concerning the usual Miyazaki themes. Of course the words “typical” and “Miyazaki” could never be used in the same sentence, and Nausicaä is a sheer precursor for future projects Miyazaki would embark upon. Your courageous martyr/heroine, the valiant humble hero, the mystifying figure, the wiser hero, and a government empire seeking to destroy the land. But it’s the way Miyazaki composes these arch-types that make his films worth watching without a doubt.

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Man of the House (2005)

MPW-13761Maybe it’s because I expected junk, but I didn’t hate “Man of the House.” Sure, it’s typical, and routine, and bubbly, and that should equal a bad review, but I didn’t have a miserable time. I admittedly had fun, because “Man of the House” in spite of its many faults, was a fun movie. It’s like a carnival ride, fun and then forgotten. And it helps that the film has some really sexy girls in it. Five. You can make the argument that I liked this because of the girls, and you’d be partially right, but I also had fun thanks to Tommy Lee Jones, who lends the film a really welcome comedic bent.

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The Cave (2005)

thecaveApparently, the hype from “The Cave” and the proceeding negative reviews for it really were up to par with what the film had to offer. As always, in spite of bad reviews, I put up hope that “The Cave” would turn out to be a fun, exciting, tense film, but I was proven wrong again. And let me tell you, after “The Descent” this is nothing but child’s play, a recreation in spite of coming out almost at the same time as Marshall’s horror fest.

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Wallace & Gromit in The Curse of the Were-Rabbit (2005)

curseowererabbitsmallA couple of months before I was able to grab a hold of a copy of “Were-rabbit”, I was able to catch on television the three shorts of the adventures of “Wallace and Gromit”. They’re three claymation shorts that earned a massive cult following. Usually, it’s very hip to say that anything nominated for an Oscar isn’t that good, but “Wallace and  Gromit” is one of those Oscar properties that really did get the praise it deserved. Trust when I say this, Wallace and Gromit is far from overrated.

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H.G. Wells' War of the Worlds (2005)

hgwellswotw2No, this is not that movie with that religious maniac, the screaming girl, and the psychotic liberal they meet in a basement, this is that other more low-budget remake of the H.G. Wells’ classic, and much like everything these days, these brilliant authors are added to the front of these titles to instill a sense of credibility. Little do these studios know that these authors would consider these films abominations, because they are. Like every bad movie, I watch with the hope–and some would say naiveté–that these movies won’t be as bad as I’ve heard, yet I’m always wrong. It’s like shooting fish in a barrel to pick flaws from a film that has a relatively low budget, but could they have squeezed out a logical, coherent story in the process? Even Pal was able to give a great story along with–what is considered today–ancient special effects.

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Laputa: Castle in the Sky (Tenkû no shiro Rapyuta) (1986)

Laputa-Castle-in-the-SkyI think one of the reasons why I respond so well to a Hayao Miyazaki film is that he aspires purposely to create a simple work of art, but his simplicity becomes a truly grand piece of work whether he’s aware of it or not, he makes films that resemble the golden serials of the film age, what George Lucas should have done with his “Star Wars” prequels. He relishes in opportunities to be simple providing simple plots. A humble hero, a wondrous heroine, a main villain, pirates, the amazing monster/robot, and the open sky.

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