“Bruce Almighty” makes the message perfectly clear; everything has a consequence. Every choice, every reflex has a consequence and everyone pays for it in the end. Bruce is taught that there are people far worse than he could ever imagine though he refuses to see beyond his own self-centered self obsessed world to discover that. He pulls in the moon and creates stars for his girlfriend one night and ends up causing a massive monsoon on the other side of the world, he grants everyone’s blessings with a “yes” answer thus causing chaos, even granting everyone the win in the lottery and people only getting 17 to 20 dollars. It’s never that simple, it can’t be that simple and Bruce discovers that with terrible results.
Tag Archives: Adventure
Chasing Papi (2003)
Charlie's Angels: Full Throttle (2003)
This loud messy film was just as bad as the original, and possibly worse for wasting great actors. This hour and a half messy, loud, clumsy and clunky cartoonish action flick pulls a double dose of terrible with a plotline so predictable it might have come off the show. In an attempt to retrieve some magical rings which hold information, the angels must confront an evil ex-angel Madison Lee who betrays the Charlie the talking box and wants to corrupt the agency. Now the girls must confront her henchman before Madison discovers the identity of every client under the government’s witness protection program. Perhaps if approached more seriously and perhaps if given three leads who could actually act, we’d probably had seen a decent action flick. The three leads ham it up, and look as if they’ve been on Ritalin acting like a bunch of bubble headed numbskulls.
Shanghai Knights (2003)
The numbskull duo from the bland action yarn “Shanghai Noon” return for yet another vehicle sequel “Shanghai Knights.” I was not a fan of the original film, I thought it was yet another bland vehicle for Wilson and Chan who seem to only be charismatic and funny when paired with a complete opposite. This sequel didn’t prove to be anything new or innovative as well; it was just an endless sequence of comedic dialogue, fight scene, comedic dialogue, fight scene, and so on, so it’s obvious I felt jumbled by the sloppy story and cheap plot devices.
The Last Samurai (2003)
This elegant love letter to the samurai and to the old world Japanese culture takes place in the late 1800’s, the civil war era, an ex-confederate soldier Captain Nathan Algren, a drunken has been is tortured by his past after being forced to slaughter an Indian village during Custer’s last stand is now a has been who advertises guns for the Winchester company until he’s approached by friend Zebulon Grant played very poignantly by Billy Connolly who makes an offer to Algren to re-claim his respect as a soldier and take a job from the Japanese government to modernize their army to fight against the rebels, an army of Samurai’s, a dying breed from the old world, who are being led by a mysterious leader known as Katsumoto.
A Guy Thing (2003)
Jason Lee is a prime example of a very talented actor who has the chops to make primo movies yet consistently star in cinematic fecal matter such as “A Guy Thing”. Lee continues starring in half-baked terrible films like “Dreamcatcher” and “Stealing Harvard” and continues to waste the talents he presents in his past films. “A Guy Thing” has the plot of a sitcom with a storyline done to death and is inevitably doomed to the fate of posing as an hour and a half long big screen commercial sitcom and is just as bland. Lee has shown promise in films like “Chasing Amy”, “Dogma” and the excellent “Almost Famous” in which he managed to steal most of the scenes he was in, but Lee has proved that though he’s excellent as a supporting actor, he just can’t hack it as a leading man yet.
Daddy Day Care (2003)
Eddie Murphy’s career continues its downhill slope into oblivion with this bad and bland re-tread of “Mr. Mom.” Taking it’s cue from “Mr. Mom”, Charlie Hinton is fired from his job as an advertising exec when his department shuts down, and now he and his friend Phil are out of work and must stay home to take care of their children and are forced to be father’s again. But when they begin getting desperate to get back to work, they decide to market taking care of children and begin a daycare center despite the fact they have no real qualifications nor are they ever asked by the parents. In a skewed attempt they begin taking care of children and engage in various derivative scenes involving toilet humor, relying on children’s amusing qualities to draw laughter, and the usual falling over stuff for comedy.