Street Pickup: Why don’t you just go home?
Paul Hackett: Pal, I’ve been asking myself that all night.
Everybody knows “Taxi Driver”, everybody knows “Goodfellas”, everybody knows “Cape Fear”, but a little known film from legendary director Martin Scorsese that film buffs rarely ever talk about is Scorsese’s vastly under-appreciated 1985 dark comedy “After Hours”. This intriguing, funny, and sometimes mind-blowing film takes place in the grim lonely streets of downtown Manhattan where a workaday word processor named Paul Hackett meets a young girl at a cafe. The two spark up a conversation and he calls her trying to set up a date with her. Seeking a change from the monotony of his everyday routine, Paul travels downtown for a late night rendezvous with Marcy (Rosanna Arquette), a shy beautiful girl who seems innocent enough. What starts off as a gentle tale ends up as a horrifying nightmare.
It ends here. Let’s hope. The finisher to the Matrix trilogy begins where we last left off from “Reloaded”. Now the Sentinels are making their way into Xion faster and faster and the crew are looking for a way to seal off their exit. Meanwhile Neo has awoken from his coma and is unaware of the traitor in their ranks. You’ll have to forgive me for not finishing, it gets a little confusing from there. But nonetheless you have to wonder why the classic “The Matrix” was so poorly received when the sequels made its way into theaters years later. Was The Matrix, after all, just a one trick pony? Just a fad? Or was it the Wachowski Brothers’ plan to have the sequels fail? Maybe the Wachoski’s didn’t give their all in the sequel story arcs, or is it all a trick of the architect?
