The Hobbit (1977)

Although not as good or edgy as Ralph Bakshi’s more adult interpretations of the “Lord of the Rings” novels, Rankin Bass’s “The Hobbit” is a very good animated movie that gets about as dark and edgy as possible. The movie is a nice and swiftly paced seventy seven minutes, allowing for this single adventure to go from point A to point B without ever missing a step. Unlike the bloated trilogy we saw from Peter Jackson, “The Hobbit” gets the job done significantly better, even if the pacing is particularly rushed.

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Little Vampire (Petit Vampire) (2020)

Based on the Children’s book series The Little Vampire, from German writer Angela Sommer-Bodenburg, the story from the author has been adapted before, most notably in the 2000 live action kid’s film. This version is directed by Joann Sfar with about as much competence as is humanly possible, and it’s sadly hindered by the poor American dub that sadly almost seems exclusively available. I wonder if there is a version with the original voice track, but sadly the movie isn’t so good that I will necessarily go and seek it out.

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Bugs’ Nemesis Daffy: Daffy Duck’s Five Best Shorts

Yankee Doodle Daffy (1943)
One of my favorites as a child, this Daffy short was featured on a VHS compilation I watched often. This is, yet again, Daffy tormenting Porky Pig; Porky is a show business agent who goes on vacation and Daffy storms his house with his client Sleepy Lagoon, desperate to convince him to represent him. Despite Porky’s protests about not working, Daffy makes it painfully clear he’s not taking no for an answer. He soon begins chasing him around, stalking him, and even engaging him in a hilarious Carmen Miranda impression. With all the antics, the short ends on a high note with Sleepy fumbling his big solo for Porky. It’s a hilarious high note to end on. 
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Jackpot! (2024)

Now Available for Streaming on Amazon Prime.

Paul Feig’s “Jackpot!” is that horrible, malt-o-meal garbage movie meant mainly to be as edgy as possible without ever really intending to offend anyone. It disguises itself as social satire when really in the end it has zero to say. It’s just a flaccid hundred minutes drag through nonsense and emptiness. No one at any point in this movie seems to be mentally present, including John Cena who often looks a lot more like a walking action figure than anything else. With Feig’s premise you just assume you’d be in the market for a blood soaked science fiction film. At the very least, you’d expect a darkly comic if mean movie about greed and the way the economy has driven in to rabid dogs.

It’s actually a vanilla coming of age story with a premise that’s gradually pushed in to the background over the course of the narrative.

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Every Bugs Bunny Ever: Hillbilly Hare (1950)

Hillbilly Hare (1950)
Directed by Bob McKimson
Written by Michael Maltese
Animation by Rod Scribner
Music by Carl Stalling

Sorry we missed you last week, but I’ve been very ill as of late.

In either case, “Hillbilly Hare” further emphasizes the wonderful marriage between Looney Tunes and classic music, or in case it’s Southern music. “HillBilly Hare” isn’t anything particularly special, but it’s a great and very funny misadventure with Bugs mainly because of the wonderful musical direction. I dare say that I learned about square dancing because of “HillBilly Hare” and loved the way the short utilized it as a means of comedy. While this certainly the first comedy to take square dancing and use it as a comedy plot point or running gag, “HillBilly Hare” is just so great about.

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