Guardians of the Galaxy Vol. 2 (2017)

Much like a classic mix tape, “Vol. 2” of “Guardians of the Galaxy” is a movie that’s similar in theme to its predecessor but feels fresh and original. Director James Gunn delivered a truly remarkable adaptation in 2014, and now he offers up a sequel that’s just as good, with a hefty narrative that thankfully has so much going on, but never loses sight of its central themes of family, love, and how music is the soundtrack of our lives. With “Guardians” the group of Starlord, Gamorra, Groot, Rocket, and Drax are back committing to a difficult job for a race of aliens called the Sovereign. They’re tasked with killing a vicious monster called the Abilisk and protecting priceless batteries. In exchange, they give Gamorra her sister Nebula back, who has been held prisoner.

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Boned (2015)

A dog sitter becomes unwittingly entangled in a dognapping scheme with a handsome doctor and an S&M mistress.

Written and directed by Laura Lee Bahr, this film has a little bit of everything.  The characters she creates here feel like maybe exaggerated versions of real people one would meet in Hollywood, people looking for their shining moment, their 15 minutes of fame.  They sometimes feel like exaggerated versions or stereotypes, but most of the time, they feel like actual people.  The film takes these people and puts them in crazy situations where they have no options but to do things most people wouldn’t even think of doing.  At the same time, outside of the dognapping and a few other events, the film is filled with regular, normal moments which anchor the story in reality and create a counter-balance the WTF moments.  Laura Lee Bahr weaves a story that should not make any sense (a dominatrix, goth kids, dog sitters, botox parties, …) yet it does.  She manages to take a few crazy ideas along with some odd characters and makes them entertaining and engaging.

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Love The Original Way (2016)

I really like what writer Keldamuzik and director Hassan Leo bring to the table in the realm of romance comedies. “Love the Original Way” is a short film with big screen potential that deals in ideas about romance and how tough it can for a recovering alcoholic. While the film itself is steeped in the classic tropes of the romance comedy, it also charms with a relatable protagonist named Sissy, who is trying to find a way to navigate love and life without the crutch of alcohol.

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The Bootleg Files: Another Nice Mess

BOOTLEG FILES 586: “Another Nice Mess” (1972 comedy film starring Rich Little).

LAST SEEN: It is on YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Even the film’s producers admitted it stank.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

Humorist Leo Rosten once commented, “Satire is focused bitterness.” It is hard to find a more accurate description of satire – and in view of today’s surplus of Alt-Left comedians going out of their way to denigrate the president and his family, the level of bitterness has become hopelessly poisoned.

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Monster Trucks (2017)

I think Nickelodeon has things bassackwards when it comes to “Monster Trucks.” In the nineties and perhaps even eighties, a normal company would have released a “Monster Trucks” toy line followed by its very own movie. Instead we have a long gestating kids movie about glowing monsters that hide in trucks that transform in to… monster trucks—or something. And there’s not a toy line to be had. I say that because “Monster Trucks” watches more like a pitch movie for a franchise than it does an actual movie. “Monster Trucks” was created by a four year old (no seriously, look it up), and intended to be aimed at younger kids (Honest) as a sort of pseudo-Transformers. Which in and of itself is pointless when young kids are still very much all about Transformers.

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The Fate of the Furious (2017)

At this point you know what you’re getting with the “Fast and the Furious” movie series, but they also seem to be thinking of new ways to get ridiculous. While you can’t really expect realism with these movies (seriously, gravity does not exist in this world), “Fate of the Furious” reaches new heights of absurdity that it becomes comical; and not the good kind of comical, either. Where James Bond had “Die Another Day” where he surfed a tsunami on a plane door and parachute, “The Fate of the Furious” has its own “jump the shark” moment. But this one involves a missile chasing a car, and Dwayne Johnson merely leaning out of a high speed car and pushing the missile away with his hand, allowing it to divert in to the car of a bad guy. It’s that point where I realized that it’s about time for the series to come to an end.

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NSFA: The Simpsons Sing the Blues!

Debuting to the world in April 19th, 1987, thirty years later, The Simpsons has never been afraid to take a look back at their history and mock the absurdity of it all. While the show has been quite excellent in its formative years, back in 1990, the show reached the height of its popularity to where it had oodles of merchandise. There were dolls, shirts, comic books, books, video games, et al. and the show took the opportunity to mock that period back in the “Behind the Laughter” episode. In it the narrator looks at how obscene the merchandising for the show was to the point where the characters went so far as to release birth control and, yes, two cheesy hit novelty albums.

Hilariously enough in 1990, The Simpsons did release a “legitimate” music album named “The Simpsons Sing the Blues!”

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