ACADEMY AWARD NOMINEE – I love a good romantic movie and I especially love it when directors approach the genre from a different angle. The reason why “Timecode” might just win an Oscar come February is because the way director Juanjo Giménez approaches the love of two people. The romance is built through technology, but not in the way you’d assume. Director Juanjo Giménez unfolds his short film with very little dialogue and a lot of acting that relies on facial expressions and heavy reactions to events that ensue.
Tag Archives: Comedy
The Killer Eye (1999)
You could see where David DeCouteau’s contemporary film list started, as “The Killer Eye” is no more a horror film as it is a fifty minute soft core porn with twenty minutes of story added. “The Killer Eye” looks like it was made on a bargain basement budget, and considering the limited scenery, it’s not hard to figure out that DeCoteau put his entire budget on the film’s titular monster. This movie probably introduced a lot of people to hentai for all we know.
Archie: To Riverdale and Back Again (1990)
As someone who spent a lot of his youth buying Archie comics every single chance he got, “To Riverdale and Back Again” is a mix of disappointing and confusing. Even in 1990, studios thought the Archie comics were a bit dated and old fashioned for live action formats, so they basically made the whole universe of Archie and gave it mortality. They take the entire gang shoot them over a decade in to the future where they are all confused middle aged folks trying their best to figure out the current predicaments in their lives. While the premise has a lot of potential to be original and unique, it really isn’t. The concept is painfully old hat, while the movie itself is not just bland, but 1990 bland. That’s that flavor of vanilla that was almost kind of impossible to swallow, even for a half hour.
Withdrawn (2017) [Slamdance Film Festival 2017]
Adrian Murray’s “Withdrawn” is like Gus Van Sant attempted mumblecore but decided to make it even more droning and monotonous. It’s kind of like performance art through and through, all testing our patience for the insanely mundane and minute, while character Aaron goes through his every day life literally doing nothing. About halfway he has some financial scheme planned to keep his rented room but that’s not the important element. It’s all about how tedious the film can get and if we’re willing to wait for our pay off, if it ever comes at all. Aaron fixes a fern. He looks up tutorials on trying to solve a rubiks cube, and even has a five minute telephone discussion where we only hear him talking to and responding to the individual. Yes, I get it.
Suck it Up (2017) [Slamdance Film Festival 2017]
I’ve always been a fan of movies that examine how deaths can affect the ones we love and how it can create a pretty significant ripple. “Suck It Up” is a bit of “Garden State,” and “Ordinary People” mixed with mumblecore here and there. While I appreciate director Jordan Canning’s efforts to create this drama about how the death of one of the more important people in their lives affected them drastically, the script from Julia Hoff seems to be almost bereft of drama to the point where scenes just stretch out in to nothingness. There are a lot of really drawn out moments where almost nothing happens. In brief scenes where Canning tackles the dynamic between our characters Ronnie and Faye, “Suck It Up” presents only slight glimmers of an emotional character study.
XXX: Return of Xander Cage (2017)
Yes, believe it or not, the “XXX” movies now have a mythology. And a back story. And supporting characters. Now that America has officially found the “Jason Bourne” series a bit worn, Vin Diesel makes his return with his clunky and ridiculous “XXX” movie series, reprising his role as the rebellious, bald, smart ass anti-hero Xander Cage. This is a break from playing the rebellious, bald, smart ass anti-hero Dominic Torreto, and the rebellious, bald, smart ass anti-hero Riddick, and–the rebellious, bald, smart ass anti-hero in “Babylon A.D.” After the unwatchable dumpster fire that was “XXX: State of the Union” the studio brings Diesel back to prop up a light reboot and sequel of “XXX” that also opens up a world for more movies of this ilk.
Doobious Sources (2017)
Two pothead slackers running their own “investigative journalism” agency team up with a journalist to take down a prominent political figure and all hell breaks loose. Written by Clif Lord and Tommay Sowards and directed by Lord, the film jumps into the two leads’ investigations without much explanation and just goes for it with the two of them filming everything they do for “behind the scenes” with both of their point of views going back and forth. The way this is written into the story works and so does most of the story, it’s just not all that interesting.