Emilie Black’s Top 10 Favorite Feature Films of 2016

This year brought a lot of film festival coverage opportunities for me which means I was able to attend and/or cover twelve film festivals/events.  That being said, these paired with a ton of good independent titles meant I had very little time for wider theater releases.  This not mean the latter were not good, it only means that I saw a grand total of three major releases (Deadpool, Rogue One, and Fantastic Beasts and Where to Find Them) on the big screen.

First, here are my special mentions: L’Elan, Deadpool, Saving Mr. Wu, The Laundryman, Realive, Bed of the Dead, Let Her Out, Alena, Corp Etranger (Foreign Body), They Call Me Jeeg Robot, Karate Kill, The Eyes of My Mother, Rogue One, The Witch, Southbound, Antibirth, The Love Witch.

With no further ado, here is my top ten favorite movies from 2016:

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Emilie Black’s Top 10 Favorite Short Films of 2016

So many, many short films are made each year, yet a lot of film fans overlook them, thus making themselves a disservice.  2016 saw a fantastically good crop of shorts from a variety of countries, showcasing the talents of filmmakers worth watching.  In 2016, I saw over 175 short films through film festivals, Vimeo, YouTube, etc.  Choosing a top 10 was tough this year and kept changing from day to day.  Out of those ever changing titles, here are the 10 Best short films, or my 10 favorites at the moment, and a bunch more worth checking out.

Special mentions (aka I wish it were a top 25):  Innsmouth, Postpartum, Stained, Injustice for All, Japanese Legends: Slit, Watchbear, The Puppet Man, Kaddish!, Little Boy Blue, Deathly, Overtime, Hoshino, The Tunnel, Bionic Girl, and Disco Inferno.

On to the Top 10…

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Josie and the Pussycats (2001)

“Josie and the Pussycats” is kind of a “They Live” of its sub-genre, taking a cute premise and turning it on its head to show a decent rock trio and how they become consumed by corporations, merchandising, and the all consuming hunger of the fans that follow. Sadly in 2001, the world was inundated with endless boy bands and pop princesses, all of whom were Caucasian, very blond, and very young, and were always on MTV grinning and getting their fans to spend, spend, spend.  So, “Josie and the Pussycats” sadly got lost in the shuffle considered something of a celebration of consumerism, when really it kind of mocked the whole idea.

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Detroit Rock City (1999)

Adam Rifkins’ “Detroit Rock City” is the movie in the vein of “Rock n Roll High School” that seeks to unabashedly pay tribute to the magic of KISS and how they inspire four guys to travel across the country and break the law for them. Because they’re so fucking awesome, you see. Hawk (Edward Furlong), Lex (Giuseppe Andrews), Trip (James DeBello), and “Jam” (Sam Huntington) are four of the most hardcore KISS fans alive and are preparing to travel to Detroit to see the band in concert. Sadly, Jam’s Conservative Christian mother discovers the tickets he and his friends bought, and burn them. Anxious to find more tickets, the foursome win a call in contest but are so excited they hang up on the DJ before they can give them their names, disqualifying them.

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Wayne’s World (1992)

waynesworldI grew up during the second golden age of “Saturday Night Live,” and I admit that I never saw why so many people loved “Wayne’s World.” Even with the knowledge of what public access TV is years later, the sketch was always very one note to me. That said, we were lucky enough to get the feature film adaptation on VHS when it was released in stores, and it became an instant favorite. The movie itself was a hit, but “Wayne’s World” is a genuine childhood favorite mainly for breaking out of the single setting trappings and expanding the universe of Wayne and Garth. Mike Myers and Dana Carvey are back as the hosts of the public access TV show that celebrates all kinds of random humor and appreciation of hot women.

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Rock ‘n’ Roll High School Forever (1991)

If you want to experience a movie where you’ll begin to think you accidentally slipped some acid, “Rock ‘n’ Roll High School Forever” is that movie. A very loose sequel to the 1979 original movie, rather than the follow up being a tribute to an iconic punk band, it’s another dated teen comedy about high schoolers committing pranks because they can. There just isn’t much about this movie that makes a lot of sense. And the fact that nothing here makes the slightest bit of sense is a distraction from the notion that the movie has no narrative behind it. Nothing happens here, but the movie does attempt to continue perpetuating the idea that Corey Feldman is still some kind of rebel who works to his own tune.

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Rock ‘n’ Roll High School (1979)

If there’s any band out there that deserves their own movie, it’s the Ramones. Allan Arkush’s “Rock ‘n’ Roll High School” is a bonafide love letter to the punk juggernauts that ruled music in the seventies and eighties. While the movie is a genuine tribute to the band, even with them appearing constantly to perform some of their greatest hits, “Rock ‘n’ Roll High School” is also a very funny and silly movie, to boot. It’s a kind of a parody of a teen high school comedy that would oddly become the norm in the eighties. It’s also kind of a satire of Roger Corman’s own teen oriented films that has the foresight to tackle punk rock over the then popular disco. “Rock ‘n’ Roll High School” is way ahead of its time in satirizing a lot of cliches that would become the standard, including the snooty classmates, uptight teachers, and of course, the evil authority figure.

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