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The Belle of Samoa (1929)

Unless you are a die-hard aficionado of the films of the late 1920s and early 1930s, there is a good chance that you never heard of the comedy team of Bobby Clark and Paul McCullough. This duo worked their way up from the rough-and-tumble worlds of circus entertainment and vaudeville before reaching Broadway stardom in the mid-1920s. When Hollywood jettisoned the silent movies in favor of “talking pictures,” Clark and McCullough were among the many Broadway headliners to find their way to Hollywood.

In 1928 and 1929, Clark and McCullough starred in14 shorts produced by the Fox studio. Sadly, all but two of these films are considered lost: “Waltzing Around” (1929), which exists in private collections and is available for exhibition at the moment, and “The Belle of Samoa” (1929), which can be found in an unauthorized YouTube posting. (The team later made short films at RKO, but most of their work for that studio is not easily accessible for contemporary review.)

0000The comedy of Clark and McCullough has been polarizing among many film scholars – some praise the duo for bringing a rough anarchy to the medium, while others bemoan the uneven distribution of comedy that favored Clark’s motor-mouthed antics while McCullough was often treated like a glorified onlooker to the mayhem. In some ways, the comics never truly found a comfortable transition from stage to screen, particularly Clark with his painted-on eyeglasses and his tendency to enunciate as if he was still playing to the last seat in the balcony. The theatricality of their act is clearly demonstrated in “The Belle of Samoa,” which is presented like a filmed record of a stage revue.

The film opens with the duo walking on stage wearing funny clothing – Clark has a fez and oversized coat while McCullough wears a porkpie hat and plaid pants – and immediately announce that they are in Samoa. They knock on a door and are greeted by a large, somber man wearing greasepaint make-up and a wild wig – this was the 1929 Hollywood idea of a Samoan native. The man is the guard at a sacred temple of the maidens of Samoa, and he tells the interlopers, “Speak softly.” Clark takes the instruction with flippancy, announcing, “Oh, it is a speakeasy!”

After tricking the guard with a gambling distraction, Clark and McCullough race inside and they find the temple consists of young women who are wearing exotic garb that seems closer to an Arabian Nights fantasy than a Samoan village. “All of these flappers are looking for a man!” Clark exclaims before a Samoan princess (played by Lois Moran, a popular film star of the era who was transitioning into talkies). Clark feels that McCullough is crimping his style and whacks him in the chest with a cane, to which McCullough moans, “Oooooh, my operation!” Clark then explains McCullough to the princess by stating, “That’s my valet – he look like a hill, but he’s really a valet.”

Just when it feels like Clark is wearing out his welcome, a curtain passes across the stage to signal a change of scene. For the next several minutes, the audience is treated to an extended musical sequence starring Filoi and her army of 60 Samoan singers and dancers. After this interlude, Clark and McCullough return to face death by beheading for defiling the maidens’ temple. The princess begs her father to spare the duo, and their salvation is rewarded by the princess performing a decidedly non-Samoan pop ditty while backed with her own small army of singers and dancers. At the end, everyone runs out on stage to take a bow.

Admittedly, “The Belle of Samoa” is no one’s idea of a classic. But it offers an idea of what Clark and McCullough’s Broadway offerings of that distant era may have looked like. Yes, the comedy is too corny and too politically incorrect for today’s tastes, but it moves with a rapid speed and a heavy sense of self-confidence that compensates for whatever it is missing in the aesthetics department. Clark muffs two lines, but recovers quickly and keeps firing away with his material. McCullough, however, is the real joy – he watches the proceedings with a slacker’s bemusement, and his cackle-voice delivery gives an odd charm to whatever he says. And while the Samoan musical segment requires a bit of patience, Lois Moran’s solo is fun and sexy – and it is a shame that she left films a few years after “The Belle of Samoa,” as she clearly possessed a star power that warranted a longer screen presence.

“The Belle of Samoa” is a hoary and somewhat creaky affair, but it is valuable as a reminder of where American comedy came from.

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Trekoff: The Motion Picture (2016)

trekoff1For a second I thought “Trekoff” was going to be a grating experience, but eventually Justin Timpane’s documentary about Trek fandom eventually won me over big time. I may not be much of a “Star Trek” fan, but I know what it is to be a fan, and a fanatic, and all around geek for something so much, that you want to spend all your time involved with it. “Trekoff: The Motion Picture” is a documentary and partly live action tour film about the raunchy Star Trek podcast that has managed to build a loyal following of listeners. Hosts Justin Timpane and Alexia Poe have an infectious enthusiasm that drips off of the film and will win over anyone that has ever sacrificed or expressed love for a particular kind of fandom.

It also helps that Alexia Poe is kind of hot, but I digress. Timpane and Poe sought out to do a podcast that was different from the others, where they discuss “Star Trek,” and debate various captains all the while discussing who Alexia would sleep with, and why she’d let William Shatner give her a golden shower. Admittedly, the dick jokes get kind of tiresome, but “Trekoff” is still a breezy and raucous documentary that is devoted to the way Timpane and Poe celebrate their love for “Star Trek.” They do so with a lot of laughter, a ton of joy, and endless sexual innuendos and double entendres that their audience seems to love when they’re recording their podcast live.

While “Trekoff” doesn’t offer new or original insight in to the “Star Trek” fandom, the documentary succeeds in exploring the more surreal aspects of the fandom. As well we’re given keen insight in to how rabid hosts Timpane and Poe are for “Star Trek.” While they deliver endless sex jokes, and argue about who’d be better in bed Kirk or Picard, they seem to love the franchise, and get very emotional when the humor stops and their sincerity shines through. I wish we’d seen more of that quality, to be honest. That said, “Trekoff” is a charming, funny, and unusual documentary about fandom and love for “Star Trek” that I had a very good time with.

Now Available on DVD at Amazon, and on Amazon Prime Instant Video.

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Everybody Wants Some!! (2016)

everybodywantssomeRichard Linklater is of the philosophy that life isn’t planned out or a sequence of fates colliding, and bad luck giving us misery. For him, life is a series of random events, major and minute that result in pure happiness or pure sadness. “Everybody Wants Some!!” is every bit the drama and comedy masterpiece that its predecessor “Dazed and Confused” was. Not only is it an amazing companion piece to his nineties comedy, but it’s also an examination at the turbulence of youth and how being young has a lot of surprising structure and pressures behind it that can often be so much worse than adults.

Its 1980, Texas, and three days before college. Freshman Jake arrives in his new dorm, preparing to share a house with a group of very rowdy guys. Like them, Jake is a baseball player intent on proving himself on the team. Before the school year begins, and daily practices start in an effort to mold the school’s only winning sports team, Jake is taken along with his team on a three day journey of parties, drinking, and beautiful women. Linklater, much like he did in “Dazed and Confused” follows around a group of young people as they navigate through life and use music and humor to connect with one another and find kindred spirits. Music is the life blood of Linklater’s movies.

If there is such a thing as a soul, music is as close as it gets to Linklater conveying what a soul is, and how crucial music can be to igniting it. Rather than focus on a group of teens at the beginning of the summer, Linklater now follows a group of young adults in their final days of the summer, before they have to accept adult responsibility and give up the carefree days of their teens. The future isn’t as bleak as it was in the finale of “Dazed of Confused,” but the film does act as a requiem to immaturity and just being young, before it all fades away in to careers, obligations, and old age. “Everybody Wants Some!!” is a subtle look at enjoying youth and bidding it a fond farewell, all set to a very random and chaotic comedy that unfolds in to one excellent piece of cinema.

Linklater doesn’t commit to plot twists, cheap deaths, goofy romance, or melodrama, and instead zeroes in on drawing a slew of truly engaging characters, all of whom are blind to race and class, and find a means of bonding three days before school. Like everyone in a Linklater film, they use music to keep each other at eye level, and Linklater celebrates the magic of music. Not only does the film have an incredible soundtrack, but the characters live and breath through whatever music is on in the background, from singing along to “Rapper’s Delight” in a crowded car (a scene that rivals the “Bohemian Rhapsody” scene in “Wayne’s World,” easily), to the group of baseball players seducing young women at a local club with disco music and pop.

Though many will argue that “Everybody Wants Some!!” has no narrative, Linklater’s wizardry is in the seemingly random events that devise bits and chunks of plot, narrative and themes about male bonding, competition, and the thrills summer can offer to anyone open to a new adventure. Like Linklater’s previous films, “Everybody Wants Some!!” is simple, and down to Earth in scope and vision, but brings with it an incredible series of rich and complex characters, wonderful conflict, and yet another bang up soundtrack. I really hope Linklater offers up another follow up to “Dazed and Confused,” completing an unofficial trilogy. Linklater is a mastermind of storytelling who understands youth, nostalgia, as well as seeing the world through a filter where music is the universal language.

You Have to See This! Hardbodies (1984)

Since the sixties were in vogue in the eighties, you could probably build an entire sub-genre of films based on and around beaches. There were so many films revolving around guys trying to get laid in and around beaches, or living in beach houses, that it’s surprising almost every studio thought they’d cash in on this concept. There was even the silly “Back to the Beach,” an all star eighties ode to the classic Frankie and Annette beach blanket bingo comedies. Talk about childhood favorites.

This time around, “Hardbodies” is set during the best beach in the world, where apparently almost every hot woman in America go to, to either roller skate, or scamper around with their friends. The beach is filled with gorgeous women otherwise known as “hardbodies” to the local men, and main character Scotty is apparently the head of the game which involves hunting for women and getting them in bed as often as he possibly can. Scotty, despite being sex hungry, is the hero of the film that transforms from sex comedy, to dramatic romance, to sex comedy again and again you’ll likely feel confused toward the finale.

Scotty is a slacker and ladies man who roams the beach with his best friend Rag looking to score with gorgeous women. They’re called “Hardbodies,” and he’s more than successful in bedding his fair share of beach bunnies. After being kicked out of his apartment by his ruthless landlord, Scotty luckily meets three middle aged men who hire him to get them in to hot parties and hook them up with as many gorgeous women as he can. All seems to be going well, but when Scotty begins falling for sexual conquest Kristi, he’s torn between endless one night stands, or being in his first real committed relationship.

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Scotty is your typical smooth talking slacker from the eighties, who spends most of his time running around the beach and trying to talk women in to bed with him, along with his best friend. He is also a part of the beach’s patrol, so he’s in charge of throwing out riff raff and helping other people have a good time. He even craftily throws out a group of perverted losers by siccing a biker gang on hem.

Partying of course doesn’t do much for his lifestyle, as Scotty is about to be kicked out by a merciless landlord that is more than happy to kick him out on his butt. Just Scotty’s luck a trio of middle aged businessmen has moved in to a local beach house and wants to have a good time and are willing to hire Scotty for the chance at tail. Scotty begrudgingly agrees and spends a good portion of the movie trying his best to hook the trio of men up with gorgeous women, all of whom have some sort of motive for the swingers.

This involves a ton of montages of the men hitting on beach bunnies and often bungling in their attempts, and throwing a wild party that involves a large amount of topless shots and sexual innuendo that is quite entertaining. At one point Scotty invites a tall gorgeous aspiring model to meet an agent at the party, and despite her anger at his lie, he convinces her to go to his room and take pictures anyway. Soon enough a crowd of women are in Scotty’s room competing for photo ops, apparently for the chance to be featured in the dictionary next to the word “Gullible.”

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You could sum up the movie in one simple sentence, but “Hardbodies” has a lot of plot to it, and a ton of sub-plots that the writers work hard to resolve with enough believability. Along with Scotty working with the trio of men to get them laid, he’s also committing to Kristi, an intended one night stand he begins falling in love with. He also tricks a female rock band in to playing his party and falls in to success when the band garners interest from a professional promoter.

There’s also a large amount of focus on one of the older men Ashby, who begins a raunchy affair with kinky Michelle (as played by the obscenely sexy Kristi Somers), that transforms in to a romance. Their sub-plot contributes to a lot of the better moments of “Hardbodies,” including her bouncing on him while he’s half asleep, and a very heavily implied oral sex scene.

One of the banner scenes involves Michelle challenging Ashby to keep playing his guitar while she commits to her “act,” resulting in a rather hilarious reaction from him as he struggles to finish his guitar melody. If that’s not enough there’s another fun sub-plot with Courtney Gains, who plays Scotty’s loyal best friend Rag. Rag is your typical eighties goofball best friend who spends most of the movie also trying to get laid, and eventually manages to win the heart of a woman.

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“Hardbodies” goes off the rails mid-way in favor of Scotty’s fight to keep his relationship with new girlfriend Kristi. After constantly striking out and harassing a girl to the point of sexual assault, the leader of the middle aged trio Hunter, gets in to a fight with Scotty and makes a play for Kristi. Soon enough, Hunter and Scotty are at war with one another for Kristi’s heart, and Scotty begins striking back at the player with a series of carefully orchestrated pranks that do him in.

While the endless sub-plots set up do make “Hardbodies” needlessly crowded with story, it revels in its simple premise based around getting women naked as often as possible, and featuring a lot of “hardbodies” walking around for the camera. We also get some past storylines showing up in the goofy climax, involving the skuzz bag beach crashers from the first half of the movie. We even get an obligatory old woman fainting at the sight of her naked middle aged son posing for the women in the party.

As an added bonus there’s the liberal use of the original “Partytime” by 45 Grave.

There was apparently a “Hardbodies” sequel set in Greece, but since it was IMDB Bottom 100 fodder at one time, I doubt I’ll get to it any time soon. For pure 1980’s raunchy beach blanket nonsense, though, there’s at least 1984’s “Hardbodies.” You’d be a fool not to respect the film’s trademark hot rod water bed.

     

The Swinging Cheerleaders (1974): 2-Disc Special Edition [Blu-ray/DVD]

swingingcheerleaders_blurayWith how light hearted and sexual “The Cheerleaders” movie series is, I’m surprised how dramatic Jack Hill’s sequel “The Swinging Cheerleaders” is. It has its sexually charged moments, but it’s very much a sterner dramedy about a group of beautiful cheerleaders walking in to trouble. As a means of writing an article for a University paper, young Kate joins the local cheerleading squad in hopes of finding some sort of scandal for publishing. When the local coach and school dean becomes involved with gamblers and gangsters to rig football games, events go from bad to worse when Kate decides to alert the squad.

Meanwhile the other cheerleaders on the squad are dealing with their own problems and personal turmoil. There’s the beautiful Andrea, who is tricked in to becoming a part of a gang bang after refusing to sleep with her boyfriend to keep her virginity, and young Lisa who learns the hard way that the man she’s dating is involved with another woman. From there the movie jumps back and forth through various sub-plots and culminates in to the ultimate central plot where the football team and cheerleaders learn about the illegal gambling and decide to take matters in to their own hands.

“The Swinging Cheerleaders” is more of a drama than a comedy, but has a slew of really entertaining and fun moments, including when one of the football players decides to avenge young Kate, and the climactic battle between football players and crooked cops that ensue in a warehouse. The legendary Jack Hill’s direction is very much evident in the film, displaying his unique sense of pacing, his great use of the limited budget, and his keen understanding of the youth of the period and its penchant for rebellion. “The Swinging Cheerleaders” is a tonal shift in the series, but a damn fine drama comedy with a great sense of humor.

Featured from Arrow Video is a brand new restoration, offering up a crisp new version of the film. The new release comes in both DVD and Blu-Ray presentations, along with a reversible sleeve, and a neat collector’s booklet which include liner notes, vintage articles about the film, and full color stills with all of the cheerleaders present.

Among the extras, there’s a great nineteen minute Q&A with director Jack Hill, and actors Colleen Camp and the beautiful Rosanne Katon (my favorite of the cheerleaders!) recorded at the New Beverly Cinema in 2007. There’s an audio commentary with writer-director Jack Hill which was recorded specifically for the Arrow Video release, and a brand new interview with director Jack Hill. Finally, there are two archive interviews with cinematographer Alfred Taylor, and another archive interview with Jack Hill and Johnny Legend. Finally, there a small series of TV spots for the film.

“Spice World” and My Spice Girls Experience

Spice-WorldHas it been twenty years already? Time just flies. I am not afraid to admit to you that once upon a time I was a big Spice Girls fan. What do you expect? I was just going in to my teens, my hormones were firing off at all pistols, and here were five incredibly beautiful and sexy British women singing entertaining and fun pop songs. I was the victim being led by sirens for a few years there.

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X-Rated Alley: Sex Roulette (1977), The Little Blue Box (1979)

xratedalley-logoImpulse Pictures graces vintage porn collectors with newly restored versions of some of the rarest adult films ever released, offering digital remasters from the original 35mm materials. “Sex Roulette” from director Alan Vydra was heavily edited and censored for years, and Impulse provides the long cut this time around. If you’re really in to an adult movie centered on an elderly man and an African American dwarf getting in to all kinds of sexually aggressive adventures, then you might like “Sex Roulette.”

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