Because he’s fat! That’s the punch line for pretty much every joke in “Paul Blart 2.” In fact that’s been the punch line for most of Kevin James’ bland career. He’s fat. That’s why it’s funny when he falls down. He lies in bed eating a bottomless bowl of M&M’s. Because he’s fat. Get it? He flips over whenever he falls because he’s so fat. Get it? And he’s loud, too. I can’t believe anyone wanted a sequel to “Paul Blart,” but the first movie was a hit, so I assume a sequel was only logical.
Much like anyone that grew up in the nineties, “Alexander and the Terrible Horrible…” was a childhood favorite. It’s a really good and funny book about bad luck and how we make our own. Surely Alexander looks like a boy who is perpetually cursed, but really if he hadn’t been so careless the night before, perhaps his day would have been better. My expectations for the film adaptation were slim, considering the book is only about thirty two pages long. Much like “Liar Liar,” the film is based on a slight touch of fantasy, and unfolds like a less menacing and violent “Three O’Clock High.”
I’m still not sure I enjoyed the way the movie just took us in to a time bending twist in the finale of “Teen Beach 2.” Surely it’s more female driven and based around empowerment by reversing the previous roles, but other than that it brings about more questions than answers, and left me completely baffled. By the way the internet has sparked since the premiere of “Teen Beach 2” I’m not alone in the judgment of how the movie just completely takes us in to a completely new direction. If Mack and Brady’s relationship depended on “Wet Side Story” why didn’t anyone else’s relationships remold?
There will never be anyone who can top the original Tom and Jerry shorts, but I’m surprised that “The Tom and Jerry Show” comes shockingly close to the original successful formula. This time, rather than hand drawn animation, we’re forced to endure flash animation, and that’s what holds down an otherwise fun series. What’s the point of flash animation for a tried and true comedy duo? I don’t understand it.
Is it possible McFarlane must have handed the reins over to someone competent? Is it entirely possible McFarlane had someone with comic knowledge to guide him in to what it a superior sequel to an abysmal first film? “Ted 2” is surprisingly good. Much better than the first, and I say that as someone who genuinely dislikes McFarlane’s cheap excuse for comedy. Sure, “Ted 2” is still very much a McFarlane film with his personal stamps all over it, but it also manages a competent story and interesting characters. Hell I even cared about Ted this time around. I had rock bottom expectations for “Ted 2,” especially considering I loathe almost everything Seth McFarlane puts his hands on.
As a Disney-phile, I have to admit that “Teen Beach Movie” was a great DCOM. It was also one of my favorite movies of 2013. It was fun, light, and had some genuinely great music. So it’s a shame to admit that “Teen Beach 2” is kind of a let down. Judged on its own merits it misses the point of its predecessor and rides off the rails in to its own new narrative. Not to mention it can be painfully convoluted, which doesn’t help when the original film was so simple. It’s been two months since the original movie, and Mack and Brady are going to school together. After enjoying the rest of the summer, they’re prepared for college but realize they’re on different wave lengths.
Director April Schroer’s “Sky’s the Limit” is a film that could use at least ten more minutes to help us identify with our characters. If there’s any complaint I can lobby at her film is that it’s much too short to really understand our characters. That said, “Sky’s the Limit” is a fun and entertaining short film about a dad who is looking for a direction in life after his wife left him widowed and a single father.