Marvel One-Shot: Item 47 (2012)

The Marvel one shot short film “Item 47” is a movie set in the universe of the Avengers, that woks as an epilogue to “The Avengers” and a prologue to “Agents of Shield.” I’m sure this movie was created to test the waters by Marvel for a potential SHIELD TV series, and what with fans demanding more from this scenario, Marvel now has the upcoming SHIELD show to give fans more of the Marvel Live action universe.

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The Incredible Burt Wonderstone (Blu-Ray/DVD/Ultraviolet) (2013)

You assume two very talented, and occasionally brilliant, actors would have amazing chemistry on-screen, but you’d be wrong. The chemistry between Steve Carrell and Steve Buscemi is so forced and terrible, that the screenplay has to literally start when they’re both young boys, and emphasize how lonely they are and how they became friends. This is to make it painfully clear to the audience that they’re best of friends since the performances from both men can’t really sell it to the audience.

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21st Century Barry (2013)

Who among us hasn’t been there? We buy a new computer part, we begin hooking it up, and for some reason the back of our desk has become the amazon filled with a slew of rubber wires that look like vines. But really, who wants to spend all their time sorting wires and color coding them? I sure don’t.

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A Haunted House (2013)

It’s almost as if Marlon Wayans, the least funny Wayans brother (which isn’t saying much) decided he wanted to get out of the shadow of his big brothers and siblings, and just made his own comedy movie. Since the “Scary Movie” brand is now someone else’s property (since that series is so genius), we now have “A Haunted House” a movie so bereft or wit or actual comedy, that it’s embarrassing. But Wayans himself seems intent on going his own way and forming his own comedy niche. And he fails. Wayans only really works well under the guidance of someone who knows what they’re doing. Or (in the case of the “Scary Movies”) have some idea of what they want to accomplish in the arena of comedy.

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Sharknado (2013)

Tara Reid. Killer Tornadoes. Man eating sharks. Sooner or later, someone was going to combine them to form the sweet piece of junk food cinema known as “Sharknado.” The Asylum almost seems proud of the title, flaunting it in film festivals and even presenting the title in big bold silver letters in the opening credits. With a title like that, you don’t even need to hear what it’s about. You just need to know that Ian Zeiring kicks ass. Who could resist this opportunity?

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Warm Bodies (2013)

warm_bodies_ver8In the universe of “Warm Bodies,” zombification is a metaphor for social inadequacy. Being a zombie makes it impossible for you to talk and socialize with anyone. The rare conversations a zombie does have, is nothing but grunts and a brief dismissal of the company kept. The really bad introverts are terribly animated skeletons with a thing for self-mutilation. This is kind of a PSA for social introverts but with monsters that you can call zombies. I guess they’re zombies. They’re undead, and they eat humans for sustenance. But I just have a hard time trying to figure out which audience “Warm Bodies” is trying to pander to, if anything. It’s definitely a movie for teenagers. The movie doesn’t so much make zombification a disease, as it is a deadly form of social anxiety.

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Some Girl(s) (2013)

“Some Girl(s)” is trademark Neil Labute. It’s a cynical, unforgiving, and mean little gem, and I absolutely loved it. Adam Brody disappears in to the role of a young man who is one of the most lecherous individuals ever conceived by Labute. He’s despicable, uncompromising worm who takes it upon himself to go on a journey. After being published in a major magazine for recalling the most important affairs he’s had in his life, he decides to visit his old flames and ex-lovers one last time before he gets married. You assume he’d be filled with guilt, and absolute regret, but for the most part, “Some Girl(s)” views this womanizing schmuck as a man consistently dodging responsibility.

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