Tag Archives: Comedy

Zombie Honeymoon (2004)

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A few months ago, I saw a film called “Boy Eats Girl”, about a young man who dies and comes back as a zombie. The people who love him are willing to ignore his ravenous potentially murderous behavior because they just are that committed to him. “Zombie Honeymoon” is basically along those same lines. Except, in spite of its evident camp it’s much more in the vein of a tragedy, and it works. Can you love someone who is uncontrollably murderous? Can you love someone beyond circumstances that are not in your control? Do you fight the tide, or welcome it with open arms? “Zombie Honeymoon” in spite of its ludicrous title is actually much more classy and straight-faced than its moniker would dictate to audiences; which would also attribute to the lack of interest from many I’ve come across.

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I Killed Tom@MySpace.com

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kfdhkWhat attributes to the current success and immense popularity of “My Space”? I can never really figure it out. I have a personal page and a networking one, so I won’t pretend I hate My Space, but for a site that runs well only half the time, has trouble loading, is incredibly slow, and is down half the time, I wonder why My Space continues to remain such a humongous website. One of the most ridiculous but warranted feuds on the mega website is the subscribers’ feuds with Tom. Who is Tom? Tom runs the entire site.

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The Movie Extra (2005)

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fullHow desperate can one person be to star in a film, even as an extra? Apparently not as desperate as the main character in “The Movie Extra” who, on the phone for the entire film, tries to convince his agent to cast him as a Pakistani, a full blown homosexual (pun not intended), Denzel Washington’s stunt double, and a woman. Seriously.

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Bewitched (2005)

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2012febbewitchedpostersNicole Kidman’s career has become a constant bipolar example of choices in film that really should be examined. Kidman can pull in a rousing performance in one film, and then oddly appear in a really bad film the next. She can go from brutally sexy Ingrid Bergman, to numb skulled Lindsay Lohan in mere minutes. And that’s why she’s become a gamble in Hollywood. And Will Ferrell is no saint, either. I’ve never seen two people so devoted to doing damage to their careers before. Are they talented? Sure, but stupid choices deteriorate a great career. Would it have been so bad to remake “Bewitched” directly? I ask you. I mean, a remake at all was incredibly questionable and unnecessary, but that’s just moot. No, a direct remake would be too obvious. Let’s do a satire on Hollywood. No one has ever done that before! Right…?

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Christmas with the Kranks (2004)

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Krank-christmas

I used to say that I’ve yet to see a film with Tim Allen that I found to be really bad. And somehow he rises to the occasion and stars in this. I should have kept my creed to myself. I got a big mouth. Either way, if you haven’t caught on by now, “Christmas with the Kranks” is yet another really shitty “holiday” film that’s a mere vehicle that delights in being idiotic, moronic, and shamelessly flaunts its inherent lapses in logic peppered throughout the story.

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Team America: World Police (2004)

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team-america-world-police-1168-16x9-largeTrey Parker and Matt Stone once explained in an episode of Charlie Rose that they’d never reveal their religious or political affiliations, because they didn’t want to alienate their audience. But “Team America” is an indictment of literally every issue under the sun, from Hollywood, to the government, to Bruckheimer films, right down to crappy shows like RENT. “Team America” is at its best though when it spoofs not only Bruckheimer’s insanely over the top films, but when it spoofs blind patriotism.

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Millions (2005)

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Millions (2004)

Danny Boyle puts the usual cynicism he injects in much of his films on hold, for a Spielbergian fairy tale of greed, wealth, and saints. Boyle’s tale of young boys whom fall upon an enormous amount of money is often times a very sweet and bright film very much in the vein of “The Treasure of Sierra Madre” sans the violence. Boyle’s departure from darkness is a rather unique and well done story of greed and emptiness. In usual fashion, Boyle unusually goes from red eyed infected monsters, to two brothers coming of age with a million dollars. Well—it’s not really a million dollars, it’s more like thousands, but the fact that the two main stars describe it as millions adds to the charm.

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