Once rumored to have Kevin Smith on board as screenwriter and helmer of the franchise, we have now embarked on “Scary Movie 3.” Now directed by David Zucker, a professional, the man behind “Airplane!,” he directs this time taking the place of the Wayans brothers, and boy am I thankful for the change. If part two and their plans for part three were any indicator, the Wayans ran out of material for spoofing, and the change is most welcome. Now spoofing films like “8 mile”, alien fare “Signs” which the plot revolves around, pop culture phenomenon like “American Idol”, horror films like “The Others”, “The Ring”, and mega blockbusters like “The Matrix”, “Scary Movie 3” has a more fresh new feeling this time around, it has almost a sense of professionalism the Wayans had a hard time instilling.
Tag Archives: Comedy
Shaun of the Dead (2004)
If you were to ask me right now which I prefer, British comedy or American comedy, I’d reply without a moment’s hesitation: British comedy. Uh-oh someone’s being unpatriotic! Think about it: they gave us “Monty Python”, “The Office”, “Coupling”, and inspiration for “All in the Family” and “Three’s Company” (and so much more), I love all British comedy because it’s just so utterly brilliant. Regardless, the British have comedy down to a tee, down to an art and theirs is subtle, so sharp and so unbelievably funny and sometimes weird, case in point: Shaun of the Dead. It’s quite obvious when watching this film that creators Simon Pegg and Edgar Wright are not only pop culture buffs, but also horror buffs as they pay homage to the great George Romero with every aspect of a good zombie film, and yes there’s walking zombies, no runners here.
Legally Blonde 2: Red, White & Blonde (2003)
I liked “Legally Blonde”. I thought it was a very cute, very fluffy piece of comedy, I thought Reese Witherspoon was adorable for the most part and the characters were cute including Selma Blair whom played the resident villain, but “Legally Blonde” was based on a true story, and I really doubt this ever happened. The opening recalls the events of the first film through the three supporting female characters, Elle Wood’s friends, looking through a photo album, it’s sort of a sub-conscious message to the audience from the writers and director: “You liked the first film, right? well, this isn’t as good… but the first one was cute.”
Under the Tuscan Sun (2003)
In this charming flick for chicks, and basically any woman seeking entertainment in the fulfilling sense, Diane Lane off her successful Oscar nominated role in “Unfaithful” takes a much lighter approach this time around with this fun-filled satisfying romp worthy of watching. Based on the book from Frances Mayes, the charming Lane plays Frances, a woman who is basically a sort of socialite around the town, but her life is basically cut down when her husband (whom we never see) divorces her, leaving her for another woman. A wreck and with no clue as to what to do next, she moves into an apartment in a divorcee complex next to a man who sobs on a nightly basis. Her friends, a lesbian couple decide to give her a trip to Italy, she refuses not ready to get into the social scene yet, but much to her surprise, it’s a gay tour.
Le Divorce (2003)
In the film, Roxeanne is the humble American wife who takes care of her daughter and is pregnant, but when her husband leaves her on the eve of her sister Isabelle’s arrival, she finds she must struggle to pay for her apartment and daughters ballet lessons. Isabelle is quickly comfortable in the French culture but stands by Roxeanne, but when a painting they’ve inherited suddenly is caught between a rival family, they have to fight to take it home and received the money that’s rightfully theirs. “Le Divorce” is a study, a study of American values about love, life, marriage, divorce and the role of woman versus French values about the exact same topics. It’s a sort of America vs. France allegory set through a struggle between two families, a notion that is especially exercised in the scene in which Hudson, Watts and Thomas Lennon’s characters meet with the appraiser for dinner, and they all begin sparring with him in their knowledge of wines, cuisines, and just wit in general.
Johnny English (2003)
Peter Sellers is dead, and it’s about time I started coming to grips with that notion. Peter Sellers’ comedic genius was incredible to watch. This man could do impressions, make voices, create new characters and you’d never know it was him, such is the case with his character Inspector Cleauseau. If you don’t know who Peter Sellers or his character are, then shame on you. There’s never going to be another good comedy film, ever, and “Johnny English” is proof of that. If the studio that produced this expects to create a franchise off this character, then they’re completely uninformed. A mixture of different gags and a complete rip-off of Sellers’ hilarious Inspector Cleausaeu to the point where it becomes embarrassing.
Masked and Anonymous (2003)
This pointless, droning, pretentious, pompous, and incredibly self-indulgent piece of philosophical dribble is that rare indie film that makes me say “Oh, that’s why it was never widely distributed”. Being released in only 17 theatres, the writer and director for this film do a really ingenious thing, throughout the film. There are about fifty cameos from some really good actors. It not only gives the audience something to look at, but when surrounded around people who can really act, the producers attempt to make us forget how much of a one note simply awful actor Bob Dylan is. I mean he’s Bob Dylan, this man is like a bad-ass in my eyes with some incredible music, but come on, did he really need to do this film?