Tag Archives: Comedy
The Terminal (2004)
Anyone who knows me or has even an inkling of what my reviews are like know I love almost everything Spielberg does, and Spielberg manages, through “The Terminal” to create a sense of something that all comedies lack: humanity, and through its humanity, comedy that is all so amusing and likable (I laughed aloud whenever Navorski looked into the surveillance cameras). Spielberg creates a film in the Capra-esque sensibility and it creates human characters that people can love and or feel sorry for in the process. Viktor Navorski is now a man without a country after his beloved country of Krakozhia engages in a coup and war breaks loose. His passport, visa, and anything else he owns are now deemed confederate dollar rendered basically useless. The problem is he can not step foot in America, and he can not go back home, so now he’s marooned in the airport.
Win a Date with Tad Hamilton! (2004)
Tad Hamilton is a big star with the ladies, and after he’s caught doing some naughty things with a lady friend, he’s pressured into re-invigorating his career with a contest for a lucky girl. Rosalee just happens to be that girl. A young wide-eyed fan, she and Tad for an instant friendship, but her friend Pete doesn’t trust him. Ah, the old “Sixteen Candles” formula that has undoubtedly been used before over and over again, and this time around it’s a good variation. Bosworth, a beautiful girl who literally glows whenever she’s on-screen plays Rosalee with much affection and is a great leading character here. She’s someone to root for. While “Win a Date!” doesn’t proceed with originality it accomplishes great characters.
Starsky & Hutch (2004)
Unlike “The Brady Bunch”, “Starsky & Hutch” was a show that tried to be taken seriously, but clearly warranted spoofing. I mean seriously, how can you take a cop show seriously when it’s two inept cop characters ride around “undercover” in a very noticeable conspicuous large bright cherry red gran turino? It was a fact that caused many television viewers to make fun of, and it’s also very focused on here with an exaggerated sequence that brought the spirit of the show very well. Now, the teaming of Owen Wilson and Ben Stiller would be very funny to see had it not been the thousandth time they’ve teamed up together as partners as seen in movies like “The Royal Tenenbaums”, and the awful “Zoolander”.
The Station Agent (2004)
The reason why I love independent movies and prefer them over any big-budget event movie is simply for that reason: independent movies are movies, and not events, thus they do not become gimmicks. Independent movies have the advantage of having a low budget because a low budget helps separate the men from the boys. With an independent movie you learn whether the writers and directors shouldn’t even be in Hollywood or have created a work of art. Like someone once said, “just because you can work a film camera, doesn’t mean you should be behind one”, and that’s exactly it. With Indies you either have a pretentious work of crap, a work of schlock, or a work of art; low budget productions help cut through the bullshit and expose real actors, real filmmaking and real writing. Our story “The Station Agent” is all of the above: a real work of art, real filmmaking, real writing, all with real acting.
Garden State (2004) (DVD)
I like Zach Braff a lot, so when “Garden State” came around, I took a chance and made a blind buy (buying without having seen the film) on the DVD, and, not surprisingly, I wasn’t disappointed, as a matter of fact I was shocked at how utterly accomplished Braff has become. “Garden State” is further proof to why “Scrubs” is such an underrated mistreated property. Directed by, written by, and starring Braff, he plays twenty – something out of work actor Andrew Largeman, a young man whose sleepwalking his way through a heavily medicated life of hazy dreams and meaningless benign events of monotony and routine and basically doesn’t know where it all is ending or beginning for him through his work as a pretend Asian man. And his medicine cabinet stacked through the brim with anti-depressants.
The Life and Death of Peter Sellers (2004)
It was a known fact that Peter Sellers thought very little of his own self. He had a love-hate relationship with his own persona as a man who both hated and thought very highly of himself and such is shown in the new and first biographical picture of Peter Sellers, the genius behind films like “Dr. Strangelove” and the “Pink Panther” films, a man who was revered as a comedy genius during life and after his death. What is suggested here is that he was such a miserable man and such a mama’s boy, that he could never find true happiness with a woman in his life, regardless of who it was and what happiness they offered him as is shown by his countless wives including his first Anne (Good performance from Emily Watson), to his unsuccessful romancing of Sophia Loren (The gorgeous Sonia Aquino).