Bring It On (2000)

Posted on July 1, 2014 by Felix Vasquez

You wouldn’t think a movie about cheerleaders and a rivalry between teams would be any good, but “Bring It On” manages to be lightning in a bottle that has yet to be topped by its terrible sequels. Not that cheerleading isn’t interesting, but “Bring It On” is such an entertaining and funny sports film, it sets the standard for movies about cheerleaders that has yet to be equaled or rivaled in quality. Director Peyton Reed’s film is a mix of comedy, drama, and light commentary on race and class warfare.

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Watercolor Postcards (2013)

Posted on May 26, 2014 by Felix Vasquez

One of the main draws to director Rajeev Dassani’s “Watercolor Postcards” aside from its positive message, is the wonderful cast he assembles. His film is colored with an array of brilliant character actors, from Jonathan Banks, to John C. McGinley. Keeping the film afloat though is the sheer excellent performance from Bailee Madison. I’ve been a fan of her performances for years, and here she handles what could have been a goofy character with grace and subtlety allowing for a protagonist filled with an endless supply of hope and faith that makes her look strong rather than naïve.

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Ghost World (2001)

Posted on May 26, 2014 by Felix Vasquez

I know a lot of these coming of age dramedies about young people learning to move on with their lives is supposed to include bouts of self loathing, but “Ghost World” tends to play it a little too far, most times. Director Terry Zwigoff’s adaptation of the Daniel Clowes’ graphic novel is considered a cult classic, but for the life of me I can’t figure out what. It’s such a cloying, misleading, and obnoxious movie with trite ideas that, despite my repeated tries I can never get around to remotely enjoying this.

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Veronica Mars (2014) [Blu-Ray]

Posted on May 7, 2014 by Felix Vasquez

While “Veronica Mars” didn’t exactly set the world on fire, it’s definitely a return to form for the cast and crew behind the cult series, revived by the loyal fanbase and Kickstarter. Creator Rob Thomas sets the series right in the place he left off, providing a much wanted return to the universe where Veronica Mars is still a pariah and still always five steps ahead of everyone in her life. The best fans could have hoped for was that “Veronica Mars” felt like one big finale, and lo and behold, it succeeds two fold. I won’t pretend “Veronica Mars” is a spectacular thriller, but it’s a simple and entertaining closer to a series that deserved a decent send off.

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The 400 Blows (1959)

Posted on April 21, 2014 by Felix Vasquez

Director Francois Truffaut’s picture about a young boy with absolutely no direction in his life is one of compelling storytelling topped by incredible filmmaking. Truffaut explores the aimlessness and joy of youth, as well as the ticking hands of time that accompany youth as our protagonist Antoine Doinel realizes all too early he’s becoming a man, and the innocence he’s savored for so long is doomed to come to a bitter end, very soon. Hence the haunting and enigmatic closing scene where he scampers on to the beach, one of his favorite locations in the world, and looks out on to what almost feels like a blank slate.

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Joe the King (1999)

Posted on April 21, 2014 by Felix Vasquez

Interesting enough, fans of Truffaut seem to still compare Frank Whaley’s “Joe the King” to the former director’s “The 400 Blows.” It becomes very clear time and again that Whaley doesn’t just love the movie, he expresses it by cribbing from many moments in said film, and uses this semi-autobiographical film as an opportunity to stage many scenes in the vein of “The 400 Blows.” The only difference is that while Truffaut staged some moments of hope and whimsy that could at least offer his character a glimmer of hope, “Joe the King” is a sour and bitter film from beginning to end, with no idea how to finish its arc.

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Different Drum (2014)

Posted on April 7, 2014 by Felix Vasquez

I had such a good time with Kevin Chenault’s road trip dramedy. It’s spewing indie flavor with a lot of its narrative very much in the vein of Wes Anderson. It’s surreal without ever being pretentious, and it’s about two wandering souls questioning their own lives, but never gets saccharine at any moment. I was just won over by minute one, and had a great time watching these two individuals face a harsh world side by side, and travel in to a weird land.

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