It’s unusual how a film made in 1993 actually feels like it was made in 1983. And that’s likely because of producer Sean Cunningham and composer Harry Manfredini, both of whom inject an eighties atmosphere that makes Bob Balaban’s “My Boyfriend’s Back” a surreal but entertaining zombie romance comedy with a very funny script by Dean Lorey. It even has something of a Tim Burton aesthetic where the small town the story is set feels perpetually stuck in the fifties despite being the nineties.
Tag Archives: Coming of Age
Super Zero (2014)
Zombie movies are the order of the moment for so many filmmakers working right now, and it’s tough to really find any good zombie entertainment. How do you take a pretty tired concept and turn it in to something interesting or worth investing your time in? Shockingly director and writer Mitch Cohen found a way. Rather than basing his entire short zombie movie on zombies, he instead explores the more humanistic element of the apocalypse, centering on a small group of people trying to survive, and how one seemingly irrelevant young man becomes their savior.
Youngblood (1986)
I have a history with “Youngblood” as I do with a lot of movies from the eighties. It was one of those movies that always played on local television and all I remembered about it was the idea that hockey involved a lot of fist fighting, and methodical fist fighting at that. “Youngblood” was always that really entertaining sports movie that was more about the idea of the male spirit than the sport of hockey itself. It’s not the most sports oriented movie, but more a coming of age action flick with a hefty amount of romance, bromance, and typical eighties homoeroticism. And I still find it to be a raucous action drama, regardless of its age.
The Next Karate Kid (1994)
I guess we all have to have our stumbling blocks to get to the top, and Hilary Swank has what is one of the more tepid reboots ever concocted. I’m not above a reboot of “Karate Kid” with a girl this time. I’d actually prefer a gender swap in the interest of a new character dynamic. It’s just sad that said reboot completely misses the point of the original film. And kind of drags Mr. Miyagi out from the eighties to deal with a frustratingly annoying main heroine this time around.
The Karate Kid, Part II (1986)
There’s something about the follow up to “Karate Kid” that just gets the formula right. It doesn’t feel like a cheap cash grab like “Ghostbusters II,” and acts like an extension of the narrative from the first film like “Aliens.” The original “Karate Kid” was about the underdog Daniel overcoming his bullies through the art and discipline of karate. The writers now turn the coin to Mr. Miyagi to explore his enigmatic origins. It’s a smart move and a very clever turn to add pathos and a really complex sense of humanity to Pat Morita’s iconic character. “The Karate Kid” sequel is Miyagi’s film. We learn a lot about the character in the sequel, prompting sensei and student to feel like two very complete individuals with their own demons to battle.
The Karate Kid (1984)
Even as a kid, I was constantly replaying my parents’ VHS copy of “The Karate Kid” and never quite found it to be a masterpiece. Not that it’s a bad movie, in fact “The Karate Kid” is a very good under dog action drama with director Roger Avildsen taming the tale of “Rocky” for a younger more diverse audience. It’s a film for an audience that can identify with the slim Daniel who has to learn how to defend himself, or suffer endless torment by the violent Cobra Kai dojo and their ring leader Johnny.
The Legend of Billie Jean (1985) [Fair is Fair Edition Blu-ray]
You could likely consider “The Legend of Billie Jean” a precursor to “Thelma And Louise.” It’s a film about female empowerment, and young women dealt terrible injustices that become folk heroes. Not to mention “The Legend of Billie Jean” has every chance to become exploitative man hating trash, but very cleverly straddles the line between goofy eighties adventure, and compelling coming of age drama. I won’t claim “The Legend of Billie Jean” is a straight faced character study, but it’s a fun and often exciting tale of a young woman who takes the world by the balls when she stands up for herself.