Director Osmany Rodriguez’s “Miguel Wants to Fight” is a lot like a Gen Z version of “Max Keeble’s Big Move” mixed with “Three O’Clock High.” It’s a coming of age movie about a teen who makes a self realization in the midst of a big move to another town. Except the premise for the movie is what you see in the title. Our main character is teenage Miguel who is looking for a fight before he leaves; except it’s a tad more complicated than that.
Tag Archives: Coming of Age
The Slumber Party (2023)
I imagine the board meeting at Disney Channel went “What if we did “The Hangover”–but G rated?” And what we got was “The Slumber Party.” Director Veronica Rodriguez lays all of her influences out for the audience from minute one, even involving a small group of friends that make a pact that results in a night that neither of them can recall. It’s almost verbatim sans any and all adult content. Not that that’s a bad thing in particular, as thankfully “The Slumber Party” is quite good. The fact it’s blatantly derivative of the aforementioned movie is outweighed by the charisma of its cast, and its lively energy.
The Aimless Joy of Youth: “Dazed and Confused” at 30
One thing Richard Linklater can never be accused of is someone that deals in concepts of fate and destiny. He’s also pretty much an atheist when it comes to storytelling. His characters aren’t fulfilling destiny or living up to a higher purpose (e.g. “Boyhood”). They’re merely characters drifting and crashing in to one another, creating random occurrences that may or may not work out the way they want to. Jessie and Celine in “Before Sunrise” are just drifting along the world until they meet one day. The dreamer in “Waking Life” is just drifting through his sub-conscious meeting others. Jake is ostensibly drifting around in “Everybody Wants Some!!” Hell, even Dewey in “School of Rock” doesn’t truly fulfill any grand destiny, except merely learning to grow.
Shazam! Fury of the Gods (2023) [Blu-Ray/DVD/Digital]
One of the things about “Fury of the Gods” that made me laugh is that people gave “Man of Steel” so much crap for its blatant product placement. And yet, with “Fury of the Gods” there is literally an entire plot point centered on the candy Skittles. At one point one of the characters even proclaims “Taste the rainbow!” as they ride unicorns in to battle with the film’s villainesses. It’s really not a hindrance on the movie as a whole, but I was kind of laughing to myself at those that made such an issue about big product placements playing key roles in major films.
Are you There, God? It’s Me Margaret. (2023)
Judy Blume’s “Are You There God? It’s Me Margaret” is quite possibly one of the most iconic and influential young adult novels ever written. Even back in the early nineties, all the girls in my class read it. Director Kelly Fremon Craig pulls off a great feat, taking what’s usually considered a novel for young girls and transforms it in to a narrative that any tween or pre-teen can relate to. Even with its setting in 1970, “Are You There, God?” is still such a down to Earth and richly developed story about growing up, choosing your path in life, and trying to understand the adults in your life.
Shazam! Fury of the Gods (2023)
Hey, it’s better than “Black Adam.”
That’s about the biggest glowing opinion I can give “Fury of the Gods” when all is said and done. The follow up to the 2019 crowd pleaser is a perfectly fine film. It’s a solid adaptation of a unique comic book series, and it’s a good chance this is the last time we’ll see “Shazam!” with this cast. That being said, I liked “Fury of the Gods” even if I wasn’t a big fan of how much they toned down the content to make it so much more appealing to the younger audience. “Shazam!” had demons, and “Fury of the Gods” has unicorns.
5-25-77 (2017)
It’s a shame that in 2022, a year filled with movies about movies that landed with a thud, that the best one, “5-25-77” will have gone largely unnoticed and ignored. “5-25-77” is a love letter about movie making, it’s an ode to the art of filmmaking, and how film can also be a reflection of how we view life. Director Patrick Read Johnson’s coming of age drama comedy is a pretty excellent indie film, one that I’ve been waiting for over five years to watch that is now being available to view for a wider audience.