The Crow (2024)

I’ve heard of this certain technique Hollywood usually uses as a means of pulling a fast sequel; it’s by taking a script with a similar concept to an already established IP and turning it in to a sequel. “The Crow” feels a lot like that. It feels like a simultaneous cash grab, exploitation of the art of James O’Barr, and downright lazy attempt to maintain the license for “The Crow.” At thirty minutes in, I wondered if at any point anyone on this movie were even trying. At all. This is a non-move. It’s a movie without a presence, or any kind of a soul, or any kind of self awareness. “The Crow’s” only purpose is to gentrify what should have and could have been a touching, eerie, and heartbreaking movie.

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Last Man Standing: The Chronicles of Myron Sugerman (2023)

Director Jonny Caplan’s documentary is probably one of the most outstanding and entertaining crime documentaries of the year. Despite its short run time, he manages to unfold the story of a real underdog hero and anti-establishment mobster whose entire life was spent virtually kicking societal status quos in the ass. “Last Man Standing” is a True Crime Feature Documentary on the life of Myron Sugerman, son of Barney Sugerman, a partner of leading US mobster Meyer Lansky.

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