Now Available from Criterion Collection.
My first experience with David Lynch was with “Mulholland Dr.,” a film that is far and away breath taking but also difficult to decode. After trying to find an explanation for it someone told me that it was only one of his easiest to access. But I like to think that it’s “Blue Velvet.” Lynch’s 1986 Neo Noir is a nightmarish fever dream in to the American dream. Lynch paints a portrait of two mirror worlds, one with the perfect Norman Rockwellian picket fences and women with babies on their shoulders. The other America is a bleak and violent Wonderland where deviants and criminals lurk in every corner waiting to prey on the weak.







