Colossal best-seller (and I can say colossal when it’s number one for nearly two-hundred weeks) “The Davinci Code” is going to experience the “adapted to the big screen” treatment in a little under a year, and the much anticipated adaptation has drawn much expectations from its hardcore following. But leave it to Disney to rip from its innards and offer up their own generic carbon copy. One major vitriol I had from the release that many critics haven’t exactly touched on was that “National Treasure” is an antecedent as a concept. Never have I seen such a blatant, and shameless rip-off of “The Davinci Code” before, but this is Disney for you. Rather then licking their wounds, they invented an American version of the same story.
Tag Archives: Crime
Out of Time (2003)
Though much of the film relies on lapses in logic and sequences that are just utterly hard to swallow, the performances are what sell this in the end. Mendes gives a pretty good performance as the ex-wife of Washington’s character who becomes a sort of antagonist, and makes things very difficult, while Sanaa Lathan and Dean Cain are very menacing. John Billingsley is tolerable as the obligatory comic relief, and Washington delivers a very good performance as Lee. Though much of the scenes rely on plot devices, Washington convinces us of the tension with his panicky performance.
Saw II (2005)
I liked “Saw” a lot. In spite of plot holes, lapses in logic, and a horrible sub-plot/performance by Danny Glover, I thought “Saw” was a very nihilistic simple thriller that really ended up being one of the best horror thrillers I’ve seen in years. Either way, when talks of “Saw 2” arose, I was optimistic if not a little annoyed. Sequels are rarely ever as good as the original, but with “Saw 2” I was pleasantly surprised and shocked, and a little nauseated. “Saw 2” takes its formula and amps it up to about eleven with a film that ends up becoming an eloquent study in madness and sadism, and explores the true lengths in which man will go to stay alive. What would you do to stay alive?
The Anarchist Cookbook (2002)
This is often very fascinating in its examination of the anarchist culture and tends to occasionally give us small tidbits and nuggets of information and insight in to the anarchist culture while occasionally giving us some great dialogue that are thrown our way every now and again. It’s often fascinating to see what good intentioned people anarchists strive to be when you shed away the poseurs and wannabes. They’re anti-establishment, they’re for the exchange of un-tattered ideas and are against propaganda. Sometimes if you look hard enough “Anarchist” can be fascinating to watch.
Ocean’s Twelve (2004)
I’m going to take a breath, and scream a few “Serenity now” chants before I begin bashing this, because if I don’t, I will unleash a tirade of swears, and vulgar one-liners that will make Lenny Bruce blush in his grave, and make your screen explode. To put it simply “Ocean’s Twelve” or “Whoring actors wanted a giant paycheck”, is the general zeitgeist of the film era. Take a bunch of big name actors, a few veterans, flash a lot of money in their face, and get them to come back for an incredibly forced sequel with an incredibly horrible plotline that not only stretches the creative line thin, but force feeds us an inane ridiculous set of events that never amount up to anything worth watching.
Red Siren (La Sirene Rouge) (2002)
This is a film that could work. It could work as a film, and it could work as a separate entity. As a film that involves such an elaborate plot, it could work as a purely engrossing thriller, but the problem is it doesn’t work. About half of the time, the film is beaming with potential and possibilities that are completely misfired with another half that just can’t get it at that level of sophistication. “The Red Siren” bounces back and forth with a hackneyed plot that is both confusing and un-involving while presenting sub-plots that are hardly ever developed. So much seems to be happening during this, but none of it is ever fleshed out in to anything completely coherent. “The Red Siren” could also work were it not such a shameless retread of “The Professional”.
The Batman vs. Dracula (2005)
“The Batman” is one of the only series featuring Batman that hasn’t been animated by the well known and widely accepted form of Bruce Timm’s design, and as a series it’s always been a very poor successor in simple fact that it’s only basically been invented to cash in on “Batman Begins”. The series was created and rushed in to premiere showing on the WB network months before “Batman Begins”. The series as a whole is terrible; it’s bland, lifeless, and often uneventful. “The Batman vs. Dracula” is the first animated film from the Batman franchise that didn’t feature artwork from Bruce Timm et al. But this isn’t the first time Batman and Dracula have crossed paths, any respectable comic fan knows that Batman and Dracula are pure rivals, and this makes the distinct hinting that this is the first time they’ve ever crossed paths.