Danny Boyle puts the usual cynicism he injects in much of his films on hold, for a Spielbergian fairy tale of greed, wealth, and saints. Boyle’s tale of young boys whom fall upon an enormous amount of money is often times a very sweet and bright film very much in the vein of “The Treasure of Sierra Madre” sans the violence. Boyle’s departure from darkness is a rather unique and well done story of greed and emptiness. In usual fashion, Boyle unusually goes from red eyed infected monsters, to two brothers coming of age with a million dollars. Well—it’s not really a million dollars, it’s more like thousands, but the fact that the two main stars describe it as millions adds to the charm.
Tag Archives: Drama
Infection (Kansen) (2004)
“Infection” is a moral tale in the vein of “The Telltale Heart”; a low rent basically abandoned hospital with a staff of merely five or six people find themselves in the throes of an epidemic one fateful night. An ambulance rushing a diseased man to safety struggles to find a hospital and leaves him at the doorstep of the hospital which refuses to admit him. “Infection” is an often bleak and grim moral horror story about the power of our conscience in spite of our loss of control under circumstances. Much like Poe’s story, “Infection” is the tale of our minds becoming our worst enemies and Mochiai focuses on stark almost flawless shades of green and red to convey the psyche turning on the characters, and express the sense of disgust within the low-rent hospital. Mochiai’s film is spooky and through disgusting and gruesome imagery, we learn of this disease which becomes a manifestation of their guilt, and their dirty deeds.
The Upside of Anger (2005)
One man in a house full of really hot women. “Dear Penthouse…” I’m just kidding, but don’t act like that didn’t cross your mind, guys. With a house of Erika Christensen, Joan Allen, Keri Russell, Alicia Witt, and Evan Rachel Wood, some thoughts are bound to cross your mind. And we’re back: either way, “The Upside of Anger” is a romance comedy drama semi-family film that I actually found quite entertaining. A film like this has every single chance to become cliché, predictable, and very much of a television sitcom with a big budget, but I found myself entranced by what was happening on-screen.
The Family Stone (2005)
Given enough time, “The Family Stone” can be a holiday classic. What’s interesting about Bazucha’s script is that “The Family Stone” is a title indicative of two aspects of the film, two aspects that have to be watched to be understood, but his debut film is a truly good dramedy that many people will enjoy. I was really looking forward to this film, but in my wildest dreams I never expected it to click with me as it did. During certain scenes I found myself completely engrossed in to the events, and teary during the truly emotional sequences. This film can be laugh out loud funny, and it can be heartbreaking.
Audition (Ôdishon) (1999)
I don’t know what to say about “Audition”. For a film that’s rapidly become a standard viewing for the horror genre, I’m just dumbfounded. Why hasn’t the mainstream noticed Takashe Miike yet? I mean fully noticed. This man is a genius. He’s not just some director giving us gore, gore for no damn reason (*cough*EliRoth*cough*) but a man who provides the gore as a way of expressing his story. “Audition” is one of those films. It’s a reflection of Miike’s sick mind, a man who twists his audience in so much directions, that you leave feeling violated and stunned. With “Audition” I was offended, I was shocked, and I was stunned.
H (2002)
It’s difficult to create an original and exciting murder mystery these days, especially since there have been so many murder mysteries that have promised an explosion and really just ended up a dud. Sadly, “H” is really no different. While it’s not a horrible piece of filmmaking, it’s sadly just standard. Mismatched pair of officers, both with their own sordid pasts, an elusive killer, a genius serial killer taunting the officers, gruesome murders alluding to abortion, body part and blood splattered clues left behind, red herrings, plot twists, and barely any exposition, all for a surprise ending. I’ve seen it all before, and “H” never rises to the occasion to challenge that formula and create its own niche upon which to break free from, so it remains a typical cop drama with a great ending.
She Hate Me (2004)
My immense hatred for Spike Lee’s body of work not withstanding, “She Hate Me”, while making a statement of the sheer cruelty women are capable of for reach of their goals and manipulating men, is possibly one of Lee’s worst. Jack, the dumbest asshole ever depicted on film, is the true model of the intelligent man who isn’t smart enough to say no to a woman just because she flashes her cleavage and gives lustful stares to other women in front of him. Lee may not be the smartest man alive, but he is smart enough to show how wicked, manipulative, and objectifying women can be, and he shows how utterly unrealistic people can talk in his world. While posing for women to make money one girl proclaims, “Now you know what it feels like to be the sex object.”
Thanks, Lee, shove it down our throats why don’t you?

