The Craft (1996)

the-craftThe nineties experienced an odd resurgence in the interest of witchcraft for a while. So much so that even I dabbled in it and Paganism for a while. In my ever expanding love for the occult I took to intensive research of the art of witchcraft, and I think it was contagious for a while. There was the hit TV show “Charmed,” and “Sabrina the Teenage Witch,” and of course there were films like “Hocus Pocus,” “Practical Magic,” the revived film version of “The Crucible,” and the rather slick horror drama “The Craft” to help induce the interest in the apparent appeal of the religion. While somewhat fading in to obscurity, it’s still an utterly mesmerizing teen oriented horror thriller and one painfully copied in “The Covenant.”

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6:14 (2012)

Fourth Wall Studios has invested in a project that I found quite fun to experience, even if the concept doesn’t totally make a lot of sense. “6:14” is one short film in their series of short horror films that doesn’t just make you the viewer, but the game player. After inserting my phone number and information to Rides.tv for my account, I watched “6:14” ready to see what would occur. Ethan Embry plays a man who keeps waking up at odd times during six o’clock. Whenever he awakens he finds he’s in a closed off environment and there is someone waiting in the darkness prepared to murder him in the most violent and creative fashion.

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Dracula 2000 (2000)

6161616161Back in the late nineties if you attached 2000 or Extreme to anything, it automatically meant it was going to be the best thing since the invention of gravity. Incidentally, for some reason Dimension Films felt adding 2000 to their new Dracula film meant it’d be an amazing new entry in to the endless films about the fanged master of the vampires. It wasn’t. “Dracula 2000” only promises certain new elements to the story, but in reality it’s just another mediocre Dracula film. It’s not awful, but it surely didn’t re-invent the wheel in terms of Dracula or vampire films. In reality much of it is influenced by “The Matrix” so much of the vampire foes bred by Dracula flip around, jump off walls, and battle their foes with martial arts.

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Tales from the Darkside: The Movie (1990)

TALES-FROM-THE-DARKSIDESo “Tales from the Darkside: The Movie” is based on the television show, but in the movie, “Tales from the Darkside” is actually a book filled with various horror stories. Does that mean the television show is actually a book? Is the narrator at the opening credits the one telling us the various stories? How did the witch in the film get a hold of the book? And is the witch Debbie Harry plays in the film the same one she plays in the episode “The Moth” where she portrays a devious teenage witch outwitting her mother? It’s never quite indicated. At all. I assume the film is attempting to be meta with the wrap around story, but it never quite works. However we do get a slight instance of the theme song to the television series playing during a scene in the opening.

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Tales from the Crypt Presents: Bordello of Blood (1996)

bordello-of-bloodI think with enough competent writers and good ideas, “Tales from the Crypt” could have lived on with a series of anthology horror pictures that could have told some bang up horror stories. I mean, the cinematic versions of the show are what John Carpenter originally planned for “Halloween.” Separate movies with various tales revolving around themes, and “Tales from the Crypt” almost pulled it off. They started off very well with “Demon Knight” and while they completely fumble with “Bordello of Blood,” it’s not a total disaster. There’s much to be desired, but there’s still a lot to enjoy here. It’s tough to follow up what the first film in the series accomplished as a low budget demon film with some great performances, but “Bordello of Blood” does try for individuality and humor where it fails in scares and creeps. I would not call this film scary at all, but it does supply some snarky humor and some incredible eye candy.

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Casper (1995)

Casper_1995For all of its flaws, 1995’s big screen adaptation of Casper the friendly ghost, actually manages to be a dark fantasy worth watching. Not only does it play all the right chords by casting in vogue and talented child star Christina Ricci as the heroine of the film, but it depicts a Casper the Friendly Ghost who isn’t a downer. While the animated shorts almost made you get in to a bathtub with a toaster in both hands, the feature film is life affirming and uplifting in its own ways. And to give Casper something of depth and plot friction, there’s the wise addition of three rude, crude, and disgusting specters who make everyone’s lives miserable.

The 1995 “Casper” wisely gives an identity to the ghosts that loved to scare while Casper refused to submit to his duties, and in the end, the feature film works very well. Much more than “Richie Rich” ever did. “Casper” is mainly a coming of age film that features Casper as a key to main character Kat to not only growing up but dealing with the concept of her mother’s death. Years after the death of her mother, she and her father James spend their days travelling and trying to uncover the secrets of the paranormal and the after life. Though James passes it off as research to his daughter, secretly he hopes to uncover the secret to connecting with his wife one more time and speak to her.

The duo decide to live at Whipstaff Manor in Maine where the mansion has been abandoned by its descendents thanks to its rabid hauntings, in spite of the fact that there is rumored to be a treasure hidden within the bowels of the house. While there James attempts to uncover the psychiatry of specters, dealing with random pranks and mean spirited play from the trio of uncles, all of whom take every chance to make the father and daughter miserable, while Kat finds a friend in Casper. Thankfully the portrayal of Casper is never cloying or abundant with cutesy dialogue. Casper as a character is lovable, and utterly adorable. He’s a being filled with optimism and love, but has also lived long enough to mutter nuggets of wisdom about death, the after life, and what it means to be alive.

And though originally many thought the addition of Casper’s uncles Stretch, Stinky, and Fatso to the fray would be a cheap grab for merchandise, the film actually sparks a great and logical argument for their presence. Ghosts are often thought as restless spirits that dwell in their past homes. Casper is a boy who died from a painful illness and died saddened and in terrible conditions, thus his state of misery keeps him perpetually stuck as a ghost. His uncles were three rotten and awful individuals who were so evil in their past life, they’re forever stuck as specters haunting their mansion because their evil prevents them from a peaceful slumber in the after life.

For a film made in 1995, “Casper” really does manage to re-invent the formula in many ways that are clever and very welcome. Rather than just animating Casper, he’s a very gelatinous translucent being who seems to be stuck between the after life and our life, thus he’s always faded but very eye catching. The trio of evil ghosts are almost always in a tint of green inadvertently creating this sense that they’re made from the same essence of Slimer from “Ghostbusters.” Christina Ricci is one of the finest child actors of the nineties, thus her role as Kat is empathetic and very heartbreaking, if derivative. Kat’s whole journey as the new girl in Maine plagued by bullies is very cliché as the main lure of the story is her relationship and bond with Casper, who offers her clarity in her darkest times.

What keeps “Casper” from being excellent is that though it’s touted to children, it tries to pass off a painfully ridiculous deus ex machina involving a machine and magic potion that could transform ghosts in to living beings once more, and never makes a really definitive bit of reasoning for even injecting it in to the story. Save for the final scene where Casper gets one of his biggest wishes, a fleeting and heartbreaking moment but one that really defies the film’s logic. Nevertheless, “Casper” is still an entertaining and adorable fantasy film that gives the character of Casper a hint of dignity and respect. It’s a shame this was followed up by endless piss poor direct to video sequels. In a decade that gave us “Flintstones” and “Richie Rich,” the cinematic adaptation of “Casper” is one of the very rare instances where they not only got it right, but improved on the original formula. Offering a sweet story, smart casting, and a sense of humor, “Casper” is still a nineties favorite that doesn’t get enough credit.

Stephen King’s Cat’s Eye (1985)

In spite of many other genre fans and movie critics objections, I’ve always found “Cat’s Eye” to be something of a near flawless horror fantasy thriller. It’s one of the finest anthology films I’ve ever seen. And sadly enough it’s the anthology film I wish “Twilight Zone: The Movie” could have been. Hell, “Tales from the Darkside: The Movie” is the anthology movie I wish “Twilight Zone: The Movie” could have been, and I’m not even that much of a fan. But I digress. “Cat’s Eye” is a near perfect horror anthology film that adapts various Stephen King short stories with the wrap around of a seemingly sentient stray Tabby cat who incidentally always seems to find himself playing an important role in every one of the segments of the film. Whenever a segment begins he’s just there, but oddly enough he’s also a character on a mission of his own and we want to know what he’s up to.

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