Straight Arrow, Sharp Shooter: Interview with Director John Fallon

Who is John Fallon? Well, if you peruse the net in search of information on horror movies, you’re likely to come across John who runs one of the most popular horror sites on the net entitled Arrow in the Head. He’s also one of the bigger names at Joblo.com and has appeared in numerous documentaries and notable genre films over the years. You literally can’t go an inch on movie websites without hearing about Fallon, and the credit is much deserved as Fallon works for his respect, is a self made man, and is one of the most lauded figures in film journalism. But did you also know he’s an indie director too? Sure you did, Arrow in the Head has a large following!

You should know by now. In either case, Fallon is an indie director when he’s not traveling or covering films, and he has made “Deaden” a throwback to the classic revenge films of the eighties, and “Red Hours” an experimental short film just released that has garnered some controversy. Not to mention he has his own official website. In either case, Fallon is a heavyweight in the film journalism world and he was gracious and kind enough to take time out of his hectic schedule and take part in an interview with us to explore his filmmaking techniques, his thoughts about indie film, and his experiences in the business. Throw back that last whiskey and have a read while we delve in to the thoughts of the action and horror buff.

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Director Juliane Block & Her Blockbusters

july02Juliane Block is playing the field that only boys have for a very long time. From John Woo, John McTiernan, and Clint Eastwood, action films and the action genre have been a boys game for a very long time. Once a make-up artist, Ms. Juliane Block is a seasoned professional in working behind the scenes and is now directing her very own martial arts films. We reviewed her short martial arts film “Ramly at War” and managed to convince us that she is the next big action director capable of breaking out of the indie field and delivering some of the greatest action films of all time.

Currently, Ms. Block is working on developing her newest feature film and is working on funding her latest films and garnering as much experience as possible. She took time out while working on her action projects to tell us why she is no amateur and why her films are bonafide Blockbusters for a new age.

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The Uncanny Boris Karloff

boris-karloff-thriller-eyesI would love to be one of those movie geeks who explain that the first time they saw a Hollywood legend like Boris Karloff was in a movie only five people have seen for years, and I explain the details of the plot and make you feel bad for not having watched it and give you some impression of my knowledge of movies because you have yet to see it or can’t even find it. But no. My first time ever coming close to Boris Karloff’s insane greatness was during “The Grinch That Stole Christmas.” Yes, it was “The Grinch,” a half hour animated movie animated by Chuck Jones that played on television every single year. Not very impressive? I don’t care.

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Our Favorite Modern Final Girls

Today’s Final Girls are much more than just virginal screaming crying women who run through the woods and fall to the ground waiting for the killer or monster to eat them whole while their men come to the rescue. Today’s final girls have to be tough, they have to be independent, and surely enough they have to be fierce, and the final girl has been refined over the years from the prey to the predator. Some of our favorite modern final girls we’re putting in this list are women we considered listing as scream queens, but while they do fit the mold of scream queens, they do much more than just scream and run. They fight back, they cause trouble, and surely enough they kick enormous amounts of ass, regardless of whether they live to see the end of the movie. The title of final girl was once just a tagline to best describe the final female character of the horror movie that ended up either living to see the end until a grizzly fate, or fight back enough to see a few sequels until the writers got sick of her and moved on to someone younger.

Folks like Heather Langenkamp, Jamie Lee Curtis, and Adrienne King made famous the device which was then refined and re-worked with Sigourney Weaver in “Alien” who was very much a final girl but did much more than run away from the monster screaming and crying. Women like Debbie Rochon turned the formula from there on in and especially Wes Craven decided to turn the final girl in to something of a heroine as we saw in Neve Campbell, then Jennifer Love Hewitt, and Sarah Polley. These are only a few of the modern Final Girls you should be looking out for, and some you’ve likely grown to adore over the years, and we pay homage to the final girls of the new millennium adding a new dimension to what was once considered a laughable plot device for a horror film.

Final Girls and scream queens are not all meant for mainstream success. Like directors of the genre, they’re meant to be on the fringes of the cinema circle like Linnea Quigley and Debbie Rochon, always playing to the crowd and supplying a reason for the killer or evil menace to stomp around and seek victims in their warpaths. Modern Final Girls are much more than panty wastes. They’re heroines. They’re independence. And they fight back against the male dominant monster with as much gusto as possible. What with the affordability of filmmaking becoming easier and easier over the years and new directors popping up every minute to show us their chops, there’s a good chance we have many more scream queens and final girls waiting in the wings to show us their screeches and combat skills. These are only a few we avidly admire and root for.

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Best Worst Movie (2009)

best-worst-movie-originalThere is a certain undertone of sadness present in “Best Worst Movie,” as its mainly a testament to the dangers of filmmaking and the potential for either making a masterpiece or what is considered the worst movie of all time. “Best Worst Movie” is a charming and enthusiastic portrait of the lives of an array of actors, all of whom took part in the 1990 abomination entitled “Troll 2.” What we learn is that these people have been affected by it and its cult status whether they know it or not and we follow star Michael Stephens around as he re-connects with his co-stars and attempts to comprehend why this film has suddenly caught on. Perhaps it was ahead of its time, perhaps cynical horror fans just need some absurdity and innocence and are just bonded with its sense of innocence and incoherency. Regardless Stephens, who refused to touch the movie again after starring as protagonist Joshua, grabs the legacy of this film and discovers an underground of followers who treat “Troll 2” as an almost religious experience.

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Zombie Girl: The Movie (DVD)

32GLTGEJustin Johnson, Aaron Marshall, and Erik Mauck’s 2009 documentary from R Squared is probably one of the most simplistic stories ever told but also proves to be fodder for one of the best independent documentaries I’ve ever seen, a film about an enthusiastic little girl who loves movies and is doing everything in her power to make a zombie film, the film community of critics and movie buffs that embrace her for her enthusiasm, her mom willing to do whatever it takes to feed her daughter’s ambition–as long as she goes to school, and the movie that became a cult classic in its own right because of its charming production qualities and overall creativity.

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Spine Tingler! The William Castle Story (2007)

spinetinglerBack in 2007, I reviewed “Spine Tingler!” for the Slamdance Film Festival, a yearly event that’s much more entertaining and fulfilling than its counterpart Sundance. “Spine Tingler!” is quite possibly one of the best horror documentaries and film documentaries of all time ranking with “The Kid Stays in the Picture” and “The Shark is Still Working” as the account of a Hollywood mogul and his attempts to make filmmaking so much more fun not only for the man behind the camera, but for the folks watching in the audience.

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