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Tag Archives: Filmmaking
Save the Cat! Goes to the Movies [Paperback]
What’s a MITH? Not a myth, you moron, a MITH.
Well, that’s something you’ll have to find out for yourself. I had to after reading “Save the Cat! Goes to the Movies” and I wasn’t sure I’d get anything out of it.
I mean on the cover it seems cutesy, but the introduction almost suggests it’s going to tell us something we already know. Does it? Well, upon reading the first chapter, I found I couldn’t stop reading, and that’s because Blake Snyder does tell us stuff we already know, but then… he surprises you too.
Horror Business (2005)
I love horror movies. I love them so much that it hurts me. I love them so much I feel an ache in the pit of my stomach whenever I just think about coming upon a brand new horror film waiting to be watched. And Garetano loves them, too. But he also has a cynical sense of humor about making horror films. Being a film critic for almost ten years now has educated me. Every film I’ve been sent from aspiring filmmakers who make a horror film and fail to entertain, I hold a deep sense of sympathy for them. Because making films and making horror films aren’t easy. “Horror Business” is a great horror movie documentary about making horror movies.
And it’s about how making horror movies can suck the life out of you. Garetano spotlights some of the most relentless independent horror filmmakers, including the director of one of my personal favorites, “Zombie Honeymoon.” What Garetano conveys is that horror filmmaking, while being essentially filmmaking, is a completely different art form. It’s difficult to scare people, and be a unique voice in the genre, and Garetano explores the feelings and frustrations of these filmmakers as they try to make a film that they believe will be great. And these men have a lot of insight to shed for the audience, as they discuss their thoughts on why we love horror films, and why horror films are so popular these days.
Filmmaking, like writing, is a way of life for these individuals who seek to release all aggression and express themselves, and it’s easy to connect to their desires to want to be seen and heard. And even appreciated. Hell, Garetano even touches upon these filmmakers basic frustrations that horror fans have been singing for years. Why remake a movie when you have thousands of great filmmakers waiting to express their own unique voice? Remakes are for money purposes, and the directors here talk of their inability to be pleased by anything new in the modern film era. The feeling is well expressed among many horror fans these days.
The best way to gain a perspective of film, talk to the actual struggling filmmakers and Garetano really shows how many people will die for their love of horror films, and filmmaking. Film, like any artistic medium can ruin its creator, and “Horror Business” explores that statement perfectly. Garetano really exemplifies the filmmaker’s struggles in film, and creates what is one of the best horror documentaries I’ve ever seen. You can’t receive proper insight about filmmaking unless you talk to actual struggling filmmakers, and Garetano gets it right; “Horror Business” is a film you have to see if you’re a horror buff, or someone thinking about making a serious horror movie.
This Film is Not Yet Rated: Unrated (2006)
Pussy, prick, cock, threesome, orgasm, cumming, doggy style, sixty-nine, orgy, jerk off, gang bang, cunt, cunnilingus, glory hole. If any of these words made you cringe, you’ve proven the basic point of “This Film is Not Yet Rated.” Why is America so afraid of sex? Why does sex frighten us? Why does liking certain sexual acts make us flee in terror? What about sex makes us afraid that it will shake our foundation? America is one of the few countries in the world so adamant about concealing sexual acts, and sexual themes are what sink films into NC-17 ratings. And most of these films with the NC-17’s are masterpieces; masterpieces that many people haven’t seen, like “The Dreamers” and “The Cooler.” And, that’s a damn shame.
Cecil B. DeMented (2000)
You think you’ve seen and heard it all in your life. And then you realize that the homicidal cult of psychotic movie freaks who are intended to be the twisted villains of this John Waters pic, are people you tend to agree with. I agreed with everything these psychos screamed from beginning to end, and that’s frightening. I admit that. Now lock me up before I do something rash in the name of good filmmaking. I’ve not always been a fan of John Waters films, particularly his dark comedies, but with “Cecil B. Demented” I was surprised to see that not only did he concoct a damn fine movie, but he also manages to convey obsession for the film medium that’s amped thirty percent into the sociopathic circle (Look for Maggie Gyllenhaal in a funny performance as a sadistic goth).
Interview with "In Memorium" Director Amanda Gusack
Many filmmakers send Cinema Crazed horror films, and working at Film Threat, I get to review many independent horror films that are either mediocre, or pure garbage, but most recently we were given the chance to view “In Memorium”, and we were optimistic that there are still directors out there who know how to get it right. “In Memorium” (Review) is one of the newest productions from director Amanda Gusack, an artist who seeks to grab audiences through story and psychological terror.
Gusask’s film is utterly simplistic, but so terrifying by relying on shadows and darkness to do the tricks that computers can not accomplish, “In Memorium” is a testament to how horror can still be accomplished without any computers of gimmicks, and we asked Ms. Gusack for an interview to shed some insight on her project, her history in and love for horror, and how a low budget resulted in one hell of a horror film.
If “In Memorium” (Trailer) is any indicator, Ms. Gusack has much more scares to share for us, and we’ll be waiting on edge for it. Warning though, there are some spoilers to the film’s surprise twist, so be cautious:
Baadasssss! (2003)
What “Baadasssss!” does is show that creative process and the journey in getting it shown to the audience you want. This is not a film about a black man getting a movie about a black man made, this is the story about an artist getting his artistic vision realized, while the powers that be (the studios) did everything possible to halt the production, and it’s a topic any artist can relate to. Whether you’re writer, painter, or film director this is a film with a story and message that will speak to everyone in the creative field and convey some sense of hope in the story of Melvin Van Peeble’s torturous attempt to get a movie made.