Z-O-M-B-I-E-S (2018)

It’s an allegory for class divide. That’s basically all “Z-O-M-B-I-E-S” is. That doesn’t mean it’s not a good movie, but once you can get past the clumsy symbolism of the way the zombies are supposed to be the more impoverished individuals, while the humans are meant to be the upper echelon, “Z-O-M-B-I-E-S” is actually kind of a fun horror comedy musical. You wouldn’t think that they could really pull off a zombie horror comedy for kids, but Disney and director Paul Hoen do a pretty darn good job of it. Even if 2013’s “Bunks” is better.

Continue reading

Archaon: The Halloween Summoning (2020)

I’m all for more horror movies that are set on or around Halloween, but there should be more behind it. Despite the inclusion of Celtic folklore and Halloween mythology, Paul Ernest’s horror thriller is a bust. There’s a good concept behind “Archaon: The Halloween Summoning.” It’s just that the movie itself does absolutely nothing with it. It’s a horror movie that basks in its glacial pacing and paper thin, unlikable characters.

Continue reading

Run, Sweetheart, Run (2020)

Subtlety is not one of Shana Feste’s strong suits and that’s probably why I loved “Run Sweet heart Run.” It’s not subtle at all. It, in fact, clubs us over the head with its message about the dangers of being a woman in modern society. It’s a horror movie in every sense of the word that takes every probable situation that a woman can find herself in, and then amplifies it with a villain that is absolutely more human than human. It’s so blatant in fact with its message about the predatory society women are stuck in, that director Feste even breaks the fourth wall on multiple occasions.

Continue reading

Resident Evil: Welcome to Raccoon City (2021)

It’s surprising that “Welcome to Raccoon City” wasn’t very well received in 2021, as I think it’s about as good a movie as I’d have expected for a “Resident Evil” feature film. Surely, it’s by no means a perfect adaptation but I had a great time with it, and enjoyed it so much more than what Paul WS Anderson served up in the aughts. Johannes Roberts injects a lot of life in to this feature film visit to Raccoon City, and his reboot is filled with some great scares, genuinely good zombie carnage, and classic mystery on par with the video games.

Continue reading

Home Invasion 2 Shorts Block [Brooklyn Horror Film Festival 2023]

It’s the number two block for the “Home Invasion” shorts list and it’s a stellar list of great short films by up and coming directors and artists. With the “Brooklyn Horror Film Festival” coming to an end, I happily viewed their third big short film program which centers on some form of personal invasion.

Continue reading

Home Invasion 1 Shorts Block [Brooklyn Horror Film Festival 2023]

 

The Home Invasion Shorts block for the Brooklyn Horror Film Festival is a mixed bag this year with some gems and some missteps. In either case, there’s some genuine talent and interesting ideas on display for festival goers. 

Continue reading

Night of The Hunted (2023)

Director Franck Khalfoun is not above delivering horror fans disturbing movies centered in one setting with films like “P2” in his repertoire. With “Night of the Hunted,” Khalfoun remakes the 2015 film “La Noche Del Ratón” and transforms it in to a survival thriller that’s three parts “Phone Booth” and one part “Inside.” The film is mostly a chamber piece centered on a large gas station where our central protagonist Alice is being held hostage. “Night of the Hunted” depends a lot on the performance by Camille Rowe and she carries what is a solid survival thriller, all things considered.

Continue reading