Creepshow (1982): Collector’s Edition [4K UHD/Blu-Ray]

“Just tell him to call you Billy!”

The one, two, three punch of George A. Romero, Stephen King, and Tom Savini is one of best, if not the best example of the horror anthology to date. While many have come before it, “Creepshow” really set the bar high in 1982. “Creepshow” (and its sequel) were basically the Boomer generation snapping back at the censors and government that helped bring down EC Comics and destroy what was a pretty excellent institution that was almost obliterated by puritans and the like. Thankfully “Creepshow” celebrates the whole spirit of EC Comics with a series of stories that practice in the formula of EC with themes about karma, revenge, poetic justice, and crime.

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BAD MOVIE MONDAY: Verotika (2019)

I’ve written at length about what makes a good bad movie, but what makes a BAD bad movie? This is what I’d like to talk about in today’s review because I think I found the perfect example. Here is a movie that is so bad, so incompetent, so mind-numbingly lazy, that I can’t just overlook its flaws and give it the benefit of the doubt like I normally would. This is a movie that is insultingly and aggressively terrible. Yes folks, I’m talking about VEROTIKA.
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“Robot Monster” and Seventy Years of the Ro-Man

Will be screening on June 24th at 3p.m. at Manhattan’s Dolby Screening Room, 1360 Avenue of the Americas. Tickets can be purchased online.

“The boy is impertinent!”

Ro-man is not quite an ape. And he’s not quite a man. He’s kind of a sentient alien who is smart enough to destroy civilization but not smart enough to be able to breathe Earth’s atmosphere sans his diving helmet. He’s a complicated Ro-man and no one understands him but his woman. Phil Tucker’s “Robot Monster” is a post apocalyptic survival film that conveniently evades all glimpses at the actual invasion and aforementioned apocalypse. The evil Ro-Man have invaded and destroyed Earth because—well—humans are bad. And to add insult to injury they monitor the remaining survivors in hopes of capturing and or destroying them.

They can never seem to make up their minds on that mission statement.

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Bone Cold (2023)

A sniper duo sent to the edge of a war zone to kill the head of a dangerous organization end up wandering the woods followed by something, before killing the incorrect target from bad intel and needing to stick around until they can eliminate the correct target. Something is definitely following them and getting closer. 

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Mad Heidi (2023)

Tickets are now on sale at Fathom Events; coming to theaters nationwide for a special one-night engagement on Wednesday, June 21st at 7pm, local time.

A lot of the media likes to use the words “Indie film” whenever referring to a movie that isn’t entirely mainstream. The word has been homogenized over the years, as films like “Mad Heidi” are lost in the shuffle. “Mad Heidi” is a real indie film that worked hard to get a distribution deal, and it is here for us to gorge on. According to the press release, “Mad Heidi” initially made waves for its innovative crowdfunded approach, bypassing traditional financing tactics to ensure that the film’s original vision was preserved while placing profits back in the hands of the creators and backers. Even if neo-grindhouse isn’t your cup of tea, “Mad Heidi” deserves a lot of love for its willingness to embrace its indie roots, while also being literally as cheesy as it can possibly be.

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5 Scary Movies to Watch if You’re Afraid of the Dark

With Stephen King’s “The Boogeyman” now in theaters and wreaking havoc, I thought it’d be fun to take a look at five great horror movies for nyctophobes. If you’re terrified and absolutely petrified of the dark, these five movies use the darkness not just as a plot device, but as their primary setting. Things that go bump in the dark are what these movies thrive on offer some pure terror, and I highly recommend them as chasers for “The Boogeyman.”

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