Beyond Fest’s Black Friday: George A. Romero’s “Dawn of the Dead” with Ken Foree In Person

Join the American Cinematheque and the Cinemtatic Void for the Ultimate Black Friday mall trip: George A. Romero’s Dawn of the Dead with Ken Foree in Person.

In celebration of mass consumption and the grotesque gluttony, George A. Romero’s “Dawn of trhe Dead” gets a rare theatrical screening this Black Friday at the Aero Theater in Santa Monica. Joining for both a pre-screening introduction and post screening Q&A will be lead actor Ken Foree to share on-set stories and the importance of Romero’s enduring Magnum Opus.

The sequel to Romero’s landmark “Night of the Living Dead,” “Dawn of the Dead” obliterated genre normas and shattered sensese jupon its release in 1978. A razor sharp social commentary on material society, Romero’s vision is fully realized in the collapsed civilization that he meticulously wrote, directed, and edited. With electric performances from Ken Foree, Gaylen Ross, David Emge and Scott Reiniger, and revolutionary special effects from the master Tom Savini, “Dawn of the Dead” remains an untouched masterpiece at the very peak of genre cinema.

Attendance to all Beyond Fest screenings requires physical proof of vaccinations and guests must follow mandatory mask mandates. Go to americancinematheque.com for details.

Ghostbusters: Afterlife (2021)

Fans have long awaited the proper third film in the “Ghostbusters” series, and while it’s become very apparent that the original cast is much too old to carry the series further, “Afterlife” is a great step in to a new world. Like most legacy sequels of beloved movie series, “Afterlife” pays great reverence to the original, while also carving out a path for a new direction and brand new cast of ghost fighting heroes. While “Afterlife” is very light in laughs and levity, it stills comes out in the end as a fantastic follow up that clicks right in to the first two films beautifully.

Continue reading

A Few Shorts from 2021 Edition of Final Girls Film Festival Berlin [Final Girls Film Festival Berlin 2021] 

Final Girls Berlin was doing its thing recently, helping womxn in horror get a wider audience and celebrating creators. This year, a few (or rather many) shorts made their way to eyeballs at Cinema Crazed. Here are a few of the best ones that screened this year. 

Continue reading

Dracula 2000 Or: Before Gerard Butler was a Meme

Dammit I love “Dracula 2000.”

I’m not too sure what the ultimate plan was for the Dracula character in the larger scheme of things, except the fact that everything had to be rebooted in the new millennium apparently. Everything had to press the reset button, including Dracula. This Dracula was a hunky vampire for the modern age where he would once again roam free to build his army, and do battle with Van Helsing. And he would do it set to rock music that ruled the radio, wreaking havoc to the tune of System of a Down, Linkin Park, and Disturbed, to name a simple few.

Continue reading

Deadly Friend (1986): Collector’s Edition [Blu-Ray]

Wes Craven was a man who managed to re-invent the horror genre at least three times during his entire career. Craven was a man who helped define a lot of the modern tropes we take for granted, and yes, even brought the nineties out of the drudges with his jolt of adrenaline known as “Scream.” However, sometimes Craven’s efforts didn’t always click, and while he had a knack for fascinating characters and complex situations, “Deadly Friend” is one of his more notable genre misfires.

Continue reading

Frankenstein’s Daughter (1958): The Film Detective Special Edition [Blu-Ray]

The Z Movie to end all Z movies, “Frankenstein’s Daughter” is both a cult classic and a classic piece of cinematic trash. It’s a god awful attempt to take the Frankenstein tale and retro-fit it in to a teen horror drama about coming of age, legacy, and uncomfortable scenes of men aggressively hitting on high school girls. In either case, “Frankenstein’s Daughter” is something of an anomaly, it’s a movie that’s been widely accepted within the genre, but it’s just so painfully bad when you finally experience it.

Continue reading