Willard (2003) [Blu-Ray]

1971’s “Willard” is a movie that definitely happened. It was shockingly influential and even spawned a loose sequel involving one of the film’s rat villains Ben, called “Ben.” It was also a movie, mostly known for the title song by Michael Jackson. I don’t blame the studios for wanting to remake “Willard,” as it’s definitely a great idea that had a less than entertaining end result. Sadly, much of Glen Morgan’s treatment feels like Tim Burton lite with a heavy reliance on the career revivals of R. Lee Ermey and Crispin Glover of the early aughts.

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Await Further Instructions (2016) [Blu-Ray]

When it originally premiered at Fantasia I was very anxious to check out Johnny Kevorkian’s science fiction horror film, and I’m glad I was finally able to view it. “Await Further Instructions” is one of those horror tales in the vein of “They Live” or “V” where it’s a tale about humanity, civilization, and way we can be led like sheep in the face of chaos. While “Await Further Instructions” is a very sharply written and vicious look at a dysfunctional family stuck together in a house, it packs in so many more relevant overtones that ring true in a day where everything on the internet is taken as gospel.

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Millennium After the Millennium (2018)

I was one of the many people that tuned in to see “Millennium” when it premiered on FOX television back in 1996. When I was thirteen any horror show would catch my eye, but I eventually tuned out after a few episodes. Years late “Millennium” is a widely celebrated cult classic television series that never caught on as much as its sibling predecessor “X-Files.” While the former embraced science fiction and horror, “Millennium” delved mostly in to the occult and horror, and never quite sought out to inspire hope within its viewers.

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Happy Death Day 2U (2019)

I was thoroughly surprised with 2017’s “Happy Death Day.” The more I’ve thought about it and re-watched it, I’ve come to like it more and more as a horror reworking of “Groundhog’s Day.” It’s a fun and creepy character piece about a despicable young woman who realizes that maybe the way to keep herself from dying and end the cycle of re-living the same day over and over, is to think about other people in her life. “Happy Death Day 2U” is that same concept, but a wholly different movie. It’s a sequel that brings us a new angle of the narrative, expands on the concept of the original film, while also continuing to explore the character of Tree Gelbman.

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The Plague of the Zombies (1966) [Blu-Ray]

Despite generally loving movies about the supernatural, and in spite of “The Plague of the Zombies” being very much ahead of its time in its implementing of voodoo as a means of our villain enacting his devious plan, I was indifferent toward “The Plague of the Zombies.” I can’t say that I completely hated it, but while it packs in some tension and great mood set pieces, I wasn’t too sad when it finally drew to a close.

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5 More Top Minority Movie Heroes

I love doing the Minority Movie Heroes lists because it’s challenging. It’s easy to find movies where the minority is the villain, but the hero? That requires a lot of searching and combing of movies. As a minority myself I love finding minority movie heroes and including them on the list here. This is the third part in “Our Top 10 Minority Movie Heroes” lists that I had a great time compiling, and what better time to feature part three than Black History Month? You can catch part one and part two of the list, and these are five more that I downright love.

Do you have any favorites? Let us know in the comments!

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Cobra (1986): Collector’s Edition [Blu-Ray]

Take the unabashed violence of the eighties action films where all that stood between peace and war was one guy with a gun, throw in a slasher film, and you have what is one of my absolute childhood favorites. “Cobra” brings me back to a time where I’d watch Marion Cobretti bring down a thug with the cold hard steel of his Colt .45 and still have time to go home and unwind with some left over pizza. Thankfully “Cobra” still pretty much holds up today as a mixing of two very popular genres from the decade, and it works for the most part.

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